U.S. Information Agency

An overview of John F. Kennedy's political career. Preserved by the Academy Film Archive, in partnership with Warner Bros. Entertainment Inc., in 2014.

Oscar nominated documentary short from 1969

The Five Cities of June is a 1963 American short documentary film directed by Bruce Herschensohn. This United States Information Agency-sponsored film details the events of June 1963 in five different cities. In the Vatican, the election and coronation of Pope Paul VI; in the Soviet Union, the launch of a Soviet rocket as part of the Space Race with the United States; in South Vietnam, fighting between Communists and South Vietnamese soldiers; in Tuscaloosa, Alabama, United States, the racial integration of the University of Alabama opposed by Governor George Wallace; and in Berlin, President John F. Kennedy's visit to Germany and Rudolph Wilde Platz. It was nominated for an Academy Award for Best Documentary Short.

The Arkansas school integration crisis and the changes wrought in subsequent years. This film profiles the lives of the nine African-American students who integrated Central High in Little Rock, Arkansas, during the fall of 1957. The film documents the perspective of Jefferson Thomas and his fellow students seven years after their historic achievement. Central to this story is their quiet but brave entrance into Little Rock High, escorted by armed troops under the intense pressure of the on looking crowd. We learn first hand their impressions of the past and present and their hopes for the future. Their selfless heroism broke the integration crisis and pioneered a new era. This film went on to win an Academy Award® for Best Documentary Short in 1964.

Cowboy is a 1966 American short documentary film directed by Michael Ahnemann and produced by Ahnemann and Gary Schlosser. At a ranch in Tehachapi, California, a husband and father lives the life of a modern cowboy. The film was nominated for an Academy Award for Best Documentary Short.

Like the best USIA films, The Wall distills political events into an emotionally clear and compelling ideological "story". In 1962 Walter de Hoog gathered footage from U.S. and German newsreel sources and crafted this taut short film about the first year of the Berlin Wall. Straightforward, keenly balanced narration portrays Berliners as "accepting the wall but never resigned to it". The extraordinary footage of the first escapes was propaganda enough-- His challenge was to make the politics human.