Michael Blackwood Productions

In his London studio, Francis Bacon discusses his work and approach with David Sylvester. His representations of the human figure in portraits and triptychs link him to the distorted realism of Van Gogh and Picasso, who also portrayed the intensity of life that Bacon calls “the brutality of fact.”

A documentary film about the life of pianist and jazz great Thelonious Monk. Features live performances by Monk and his band, and interviews with friends and family about the offbeat genius.

This film includes important examples of the Robert Rauschenberg's diverse and extraordinary accomplishments, tracing his development from his student years and his earliest experiments to a retrospective of his work at the Museum of Modern Art in New York. It features Rauschenberg, John Cage and Merce Cunningham, and was released in 1979.

In 1943 Herbert and Lotte Strauss made the courageous decision to escape from Germany and almost certain extermination in a Nazi concentration camp. This is a personal account of their dramatic flight, building a new life in the United States, and coming to terms with the Holocaust. "We Were German Jews" grapples with the torment of living with the legacy of the Holocaust. The film chronicles Herbert and Lotte Strauss' return visit to Germany. They were not trying to assuage any sense of guilt over having survived; they wanted to confront the past by going back to where they had lived before the onslaught that claimed most of their relatives. This understated, very personal story adds significantly to the body of evidence that explores human behavior in the face of genocide and insists that we remember the past and learn from it.

With the participation of famed architects such as Frank Gehry, Daniel Libeskind and Zaha Hadid, Peter Eisenman: Making Architecture Move provides an intimate look into the work of the daring and controversial creator. Filmed in the U.S. and Germany, Eisenman takes the viewer through several of his buildings, including the Wexner Center in Columbus, Ohio, while explaining his upcoming projects such as the Rebstockpark community in Frankfurt and the Max Reinhardt monument in Berlin. His predecessors and contemporaries offer praise and commentary on Eisenman's complex body of work including their own thoughts and theories surrounding his unique style.

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

"Marking Infinity", Lee Ufan's recent retrospective exhibition at the Guggenheim charts the artist's creation of a visual, conceptual, and theoretical language that has radically expanded the possibilities for sculpture and painting over the past forty years. Deeply versed in modern philosophy, Lee is also an influential writer and is recognized as the key theorist of Mono-ha, an anti-formalist, materials-based art movement that developed in Tokyo in the late 1960s. Active internationally over the last four decades, Lee is acclaimed for an innovative body of Post-Minimalist work that promotes process and the experiential engagement of viewer and site.

The Imaginary Solutions of Thomas Chimes presents a conversation with the artist as he reminisces about his career, influences and artistic intuitions. Director of the museum, Anne d'Harnoncourt, joins Chimes to revisit the galleries of Thomas Eakins, Duchamp and Van Gogh, all of whom were deeply influential throughout his artistic journey. Just as many other American artists, Chimes spent time in Paris and discovered writers such as Antonin Artaud, James Joyce and most notably Alfred Jarry, whose writings on pataphysics dominated Chimes' work for two decades.

Crewdson is observed and questioned closely during his work on ten new images in as many different sets.

Filmed during a rehearsal and performance of Beethoven's Quartet in B Flat Major, Opus 130, "The Juilliard String Quartet: Keeping Beethoven Contemporary" is an exciting portrait that explores the creation and history of the famed Quartet, offering a glimpse inside the world of its four current members. Founded in 1946 by Juilliard School president William Schuman and violinist Robert Mann, with the intent of pursuing the brilliant musicianship of the classical genre, the Quartet continued well beyond its original membership, bringing the music along into a new era. Opening up their dialogue to us, the members of the Quartet, Joseph Lin, Joel Krosnick, Ronald Copes and Samuel Rhodes, speak in detail about the string quartet as a musical genre, its vibrant history, and the significant contributions of Beethoven

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.

Greg Lynn, one of the leading figures in computer-aided architectural design, visits the first in a series of exhibitions initiated by the Canadian Centre for Architecture for which he is the curator. The exhibitions, which will travel to the Yale School of Architecture Gallery, are meant to explore the role of digital technologies in the design process since its beginnings. The first exhibition, entitled "Archaeology of the Digital", features four individuals who are pioneers in applying new technologies to architectural design: Peter Eisenman, Frank Gehry, Chuck Hoberman, and Shoei Yoh. At the exhibition Lynn is joined by three of the four practitioners: Eisenman, Gehry and Hoberman, who each explain their path to the digital at the time.

Critic Kenneth Frampton is a masterful commentator on the architecture of our time. At the start of his long-spanning career Frampton worked as an architect in London before settling into his writing and teaching, which mainly took place at Columbia University. Over the past fifty years Frampton has certified himself as a prolific and influential contributor towards a progressive interpretation of the role of architecture in modern society. In "Kenneth Frampton: A Critical Voice", architect Stan Allen interviews the renowned critic and questions him about his architectural contemporaries, notable past projects, and published writings.

For his five Cremaster films Matthew Barney's created a multitude of sculptural forms and structures. Recently both the sculptures and the films traveled to museums in Cologne, Paris and New York's Guggenheim. In THE CREMASTER CYCLE: A Conversation with Matthew Barney, the artist guides the camera through this remarkable creation at the Guggenheim Museum while being questioned by Michael Kimmelman, chief art critic of the New York Times.

A concentrated look at one of America's early Pop artists, the film was made during Dine's 4-year residency in London. Actively at work in his studio on several large collages, one can clearly see Dine's masterful balance of artistic freedom and control, as he adds and modifies illusionistic images, written words and real life objects to his compositions. The artist talks about his connections to literature and about his frequent collaboration with poets; he also discusses his own poetry, some of which he reads for the camera. The parks and streets of London are the setting for Dine's frank comments about his voluntary exile in that city. On one walk, Dine encounters Gilbert and George as they endlessly repeat "Underneath the Arches" in bronze make-up, their earliest performance piece.

In the silent film era, movies were never really silent. In the background of films that made figures like Charlie Chaplin and Buster Keaton into cultural icons, were the musical giants whose compositions defined the very films that captivated a generation of movie-goers. Arthur Kleiner converses with the still-living legends from that bygone golden age of cinema.

In Alvaro Siza: Transforming Reality Portugal's renowned architect reviews his work with architectural historian, Kenneth Frampton. While touring his projects Siza discusses his approach to architecture, explaining that it is centered around the idea that setting is integral to design and that a structure should be reinforced by surroundings that both enhance and highlight its potential.

Curator Robert Storr takes us through the 2002 MoMA Gerhard Richter retrospective.

Documentary examining the life and career of producer/director Roger Corman. Clips from his films and interviews with actors and crew members who have worked with him are featured.

Architects Lebbeus Woods and Steven Holl have been friends for many years, brought together by their creativity, philosophy and visionary architectural pursuits. While both are theorists, Woods finds himself preoccupied with bold, speculative designs that push back against notions of time and space, not waiting or searching for any kind of commissions but instead forming his own aesthetical world through the freedom of drawing. This approach stands in direct contrast with Holl's body of work, which consists of many physical buildings both in the United States and abroad. This known order between the two architects has recently been interrupted by Holl commissioning Woods to design a four-story pavilion for his large-scale multi complex Sliced Porosity Block in Chengdu, China. Getting together at Woods' workspace in downtown Manhattan, the longtime friends recall their careers while discussing the current project and their mutual architectural practices.