Münchner Lichtspielkunst AG (Emelka)

Story of the Kreuzer (cruiser) Emden and his men during WWI, garnished with a love Story, rivalry and heroism.

In the Kentucky hills, a schoolteacher becomes caught in a bitter feud between a widower, his crippled son, and a reclusive hermit. Accusations and jealousy drive her into hiding, leading to love and revenge. Directed by Alfred Hitchcock, this 1926 romantic drama is now considered lost and remains one of the BFI’s most sought-after missing films.

A film about the pupils of a posh Berlin gymnasium in their final term, and their class teacher teaching them about humanism and tolerance, a lesson that would be badly needed three years later.

In the middle of the mountains around the Lötschental is a lonely village that is exposed to the forces of nature. A state of excitement arouses when an international mining company discover a gold vein and acquired mining rights.

Berchtesgaden in the 15th century: A power struggle between mountain peasants who have been raising milk cows on common land and a village bailiff trying to gain power driving them off the land. Both have a ducal documents that states the opposite.

Helena is a 1924 German silent drama film directed by Manfred Noa and starring Edy Darclea, Vladimir Gajdarov and Albert Steinrück. The film was based on the poem the Iliad by Homer. It was released in two separate parts: The Rape of Helen and The Fall of Troy. It was produced by Bavaria Film at the Emelka Studios in Munich. The film was made on an epic scale with thousands of extras, and large sets which rivalled those of the larger Berlin-based UFA.

Living an indolent life in a luxurious palace, Prince Gautama (Rai) is insulated by his family from the harshness of the world outside. But he is destined to learn greater truths: shocked to discover the pain and suffering of so many in his kingdom, he abandons his privileged existence, and his wife Gopa (Seeta Devi), to become a wandering teacher, eventually finding enlightenment and founding Buddhism. Featuring superimposed images and deep-focus shots that were highly impressive for the time, Light of Asia astutely combines a deeply felt spirituality with the surefire attraction of Indian exotica, which helped make it a considerable success in Europe.

A story of friendship, love, betrayal and jealousy, which the locomotive driver Karl and his coalman Hans experience. They’re both let down by the same girl and their old friendship, which soon almost develops into hate, blooms anew in the end.

Sister Angelika has the power of life or death over her former tormentor, now sick and placed in her care.

"A woman arrives terribly late for a date with her husband in a small café. He has given up, so – as bad luck would have it – the two pass each other in the revolving door. When they do actually meet up, she has a lovely surprise for her husband ... Structured like a theatrical sketch, this comical commercial for a Dortmund fashion boutique uses puns and situation comedy to document the first stirrings of the consumer society in Germany." - Berlinale 2018

German silent film

Peter Voss, Thief of Millions is a 1932 German comedy crime film directed by Ewald André Dupont and starring Willi Forst, Alice Treff and Paul Hörbiger. It was based on the 1913 novel of the same title by Ewald Gerhard Seeliger which has been adapted into a number of films including previously in 1921 and later in 1946. It was the second to last film made by Dupont in Germany before he was forced to flee to the United States following the rise of the Nazi Party.

Stop-motion animated short, with sound by Rudolf Pfenninger.

Musical about a girl typist who leaves Berlin for Venice after winning a contest. A rich bachelor pretending to be poor takes a job with her and competes for her affections with a count and a tenor. No print of the film is known to survive, and it is therefore a lost film. It is based on the operetta Es lebe die Liebe by Alexander Engel and Wilhelm Sterk. It was one of a cycle of operetta films made during the early sound era. A French-language version, Venetian Nights (Nuits de Venise), also directed by Wiene, was released the same year. From Wikipedia.

When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who looks like him, the staff and spectators at that night's show think the actor is giving an unusually good performance.

The title alludes to the popular 1925 song I Lost My Heart in Heidelberg composed by Fred Raymond with lyrics by Fritz Löhner-Beda and Ernst Neubach. The film taps into the nostalgic reputation of Old Heidelberg.

A wealthy man is found bludgeoned to death near a railway. The question is, who killed him and why?