Hunnia Filmstúdió

The story of the film takes place in 1929 in a model prison providing a kind of reflection how society works out there. Udvardi, the weakling and indulgent director is experimenting with putting in practice a kind of pseudo-humanist utopia about the institution of a 'civilised prison'.

A sequel to "Yesterday". About the defeat of the Hungarian uprising of 1956. The action takes place in the barracks of the People's Army, in the War Ministry and in one of the largest factories in Budapest.

Stevenson, the famous English criminal expert visits Hungary with his family. While he is chairing a conference on criminology, infamous art treasure robbers steal the golden herm of Saint László. Suspicion is cast on the Stevenson children.

Jutka, a young woman who works in a factory, falls in love with Andras, a university student. She pretends to be a student, to him and to his parents, and begins to live a lie. Finally she rebels against Andras and his demands and the social conventions that forced her to live a lie.

This drama about a boorish non-conformist takes place in Hungary after the war and is dulled a little by political overtones but is still an engaging story. The setting is the countryside, where an independent, landowning farmer busies himself in his free time by bedding down the women on his farm and then tossing them aside. One such ill-treated lass ends up marrying a young man who is in charge of a communal farm, a farm the womanizing "beast" of the title is later forced to join. The arrogant, formerly independent farmer does not reform his ways and is soon chasing after the young manager's wife, the woman he dropped not that long ago. The results are disastrous.

A typist girl who is under the influence of nervous breakdown walks out to the street stark naked from the office she works in. A young physician goes by accidentally and tries to help her, spreading his coat over her nude body. From this moment his life changes completely.

Kölyök, this lovely, ham-handed young woman, has caused many a trouble already in the Dunaújváros Iron Works. Fortunately, however, the manager does not want to give her up, what is more, Kölyök found a second father even at the police.

A deep drama about life in Hungary after the WW2 until the revolt against Russians in '56. The main character is the head of the black market in Budapest. He thinks he can buy everyone and everything but at the end he must face that he can't buy life. A must-see for everyone. Casting involves some of the greatest Hungarian actors. The story takes place in the eighth district of Budapest focusing on the market place on Teleki square which is still working. The movie contains some archive footage of real fight during the revolution.

In the summer of 1944, a Hungarian soldier commits a murder to earn a short leave from the front, but instead of returning, he chooses to desert. He flees into the desolate Carpathian Mountains with his elderly grandmother, searching for a hidden cave where his parents are rumored to be hiding from the war. Convinced that the world is ending, the pair struggles through the brutal, wintry landscape in a desperate attempt to find sanctuary and outrun the consequences of his actions.

A Roma laborer living in a shantytown strives to organize a traditional, dignified funeral for his wife following her sudden death. He travels to the city to secure the necessary funds and arrangements, navigating various bureaucratic and social obstacles along the way.

A Hungarian band plays American rock & roll and blues hits with great enthusiasm and passion, but success seems to avoid them. TV and radio don't play their songs, sometimes even their crowd just sits and sips beer. Something must be done, and the band's leader (Lóránt Schuster) comes up with the big idea: write and play songs for the people about themselves and not about some exotic, but too distant people's life. "We move from Tobacco Road to Retek street." With the remains of the band and a second singer (Gyula Deák "Bill") they find what they failed to show people before. The rich new sound can finally translate the spirit of blues and rock much more than words from any dictionaries could, this is the Kőbánya blues.

The poetic love story depicting everyday life from a micro-psychological aspect takes place in the 1910s. Sándor, editor of the local paper, serves as a foot soldier on Sundays, but spends weekdays playing billiard and courting women. One Sunday afternoon - in soldier's uniform - he meets Vilma, the beautiful maid, whose honesty and chastity turns the adventure to love.

October, 1956. Colonel lieutenant Szabó sends a platoon with the mission of calming the people demonstrating in the town. The platoon is lined up under the command of Lieutenant Csendes and the soldiers aim at the demonstrators. Szusza Kis changes sides, and Csendes is unable to shoot at his childhood mate. They withdraw.

The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.

Karoly Makk's heartbreaking story of two unmarried sisters who cast wistful glances back at their lives, but still believe in hope and love, earned an Academy Award Nomination for Best Foreign Language Film in 1974. In this follow-up to the director's internationally acclaimed Love, Makk once again exhibits his extraordinary skills at drawing emotionally compelling performances from his talented female leads. Makk's film opposes the bleakness of the outside world with passion, love, and loyalty.

A Hungarian-Austrian comedy and one of the last emigrant films made in Austria before the industry submitted to pressure from Nazi Germany and ceased to employ Jewish filmmakers.

The sad tale of a proletarian malcontent ensconced in a monstrously depressing housing project who—even less effectually than the heroes of Bald-Dog Rock—attempts to change his life. Purchasing a power drill and slinging it across his shoulder like the anti-hero of a spaghetti western, he turns entrepreneur, boring holes in his neighbors’ walls so that they can hang mirrors or pictures.

In 1944, Feri Margittai escapes from the front, but his mother sends him away from home.

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

In the late 17th century, Hungary moved from Turkish to Austrian domination, becoming a key part of the Austro-Hungarian Empire. In this story, which takes place shortly after that time, three outlaws murder a group of people on their way to a wedding. One young man was a slave travelling with the group to entertain them with his skills as a trumpeter. The outlaws spare him for the same reason. He allows himself to believe that they are really an unattached group of independence-fighters, but after seeing their brutal and callous ways, he cannot believe that they are good men, and he turns them in to the authorities. At that point, he is unnerved to discover how nobly they bear the rigors of captivity. ~