Centerstage Productions

A dozen foreigners are kidnapped by a terrorist group in the Philippines.

When a struggling high school student is confronted with the painful fracture of her family, she seeks refuge far from the noise of her parents’ world. In the company of her grandmother and an old friend, she begins to see life from a distance---both tender and selfless. Her lessons and realizations are things that cannot be learned from books, but only from a life lived.

A Bajau midwife copes with the irony of her own infertility amid the deprivations of her gypsy community in Tawi-Tawi. A saga of island life stuck between the devil of passion and the deep blue sea of tradition.

Two elderly women bear the consequences of a crime involving their respective grandsons. One is the victim, the other is the suspect. Both weak and poor, they laboriously solicit money in the midst of a storm, one for the victim's burial, the other for the suspect's bail bond.

A struggling family owns a Filipino porn theater where prostitutes conduct their business.

A young man tries to make some money so he can marry his girlfriend. He takes a job for $2,000 and then soon realizes that this job involves killing a woman.

A digital feature has five episodes that all deal with wild gay fantasies involving men in uniform. It starts with "Biyahe," about a jilted taxi driver and his jealous passenger who find comfort in each other's lovesick arms. The second episode is "Linya," about a lonely homeowner whose phone conks out. Two handsome repairmen arrive and they end up engaging in a dizzying threesome. Next is "Laro," about four basketball players who are taking a shower in the locker room after an intense game, and a shy guy who takes a peek at them and later joins in the fun. "Bilis" is about a hunky delivery boy in a hurry who delivers pizza to a bored yuppie who is working overtime in his office. They get instantly attracted upon seeing each other. The last episode is "Bantay," about a horny security guard in the graveyard shift. He sees two lovers fighting. Rhyme dumps Jon and Jon finds solace in the arms of the easy going guard.

Iliac works in a massage parlor where the gay clients are given more than a shoulder kneading and back rub. When Iliac's father dies he must reconcile his job as a sex worker with the rest of his family.

Mang Rudy, the widowed woodcarver, wields an iron hand over his three daughters: the fun-loving but rebellious Grace, the youngest, who goes through the throes of adjusting to married life; the feisty and headstrong Lourdes, the middle daughter, who succumbs to an extra-marital affair; and the subservient and discriminated on eldest, Jess, a lesbian who brings home her girlfriend to take care of the father after he succumbs to a heart attack.

Current most popular performer at a gay club in the Philippines (though it’s patronized by an awful lot of ogling straight women), Dwight (Tyron Perez) has a crush on a collegiate girl and an eye on better prospects working abroad. But he unwisely gets involved with boytoy-hungry Madame Loca (Cherry Pie Pichache), a ruthless, corrupt businesswoman. Her disillusioned ex-dancer bodyguard Bert (Lauren Novero) tries in vain to warn Dwight. Meanwhile, past-prime-at-28 Alfred (Allen Dizon) struggles to find legit work to support his wife and child.

Ma’ Rosa has four children. She owns a small convenience store in a poor section of Manila where everybody knows her. To make ends meet, Rosa and her husband, Nestor, resell small amounts of narcotics on the side. One day, they get arrested. Rosa’s children are ready to do anything to buy their parents’ freedom from the corrupt police.

On Christmas Day, 15 year old David finds out that his boyfriend, Jonathan has taken another lover. The discovery leads him on the brink of depression making him think of ways to have him back at all cost. He has invited Jonathan to see him on this day for the last time.

Thelma, together with her husband Dado and teenage sons Gerald and Yuri, are a poor urban family hired by a local foster care facility to provide temporary home and care to abandoned babies pending the latter's formal adoption.

The story of the rebuilding of their lives by the survivors of the disaster caused by Typhoon Yolanda in the Philippines, particularly focusing on the struggles of a mother who lost their children.

Abused and battered wife, Joy, stands up for justice against her alcoholic husband, Dante, in a turmoil process of the justice system.

A tribute to the real potential of digital cinema, Slingshot is a slum epic on steroids. It weaves stories left and right into a shocking tableau about life for the lowest of the low in the Philippines poorest and most crime-ridden districts. National elections are coming up so in the usual attempt to appear “tough-on-crime”, The Big Boys have been sent into crack down on the the local squatters, thieves and miscreants who litter the film like broken bottle. And since no sweep is ever a clean sweep, the cops brutal shock-force tactics quickly ripple outwards with jagged repurcussions.

The film follows two competing television news teams as they chase a variety of leads, gradually zeroing in on an impending and possibly apocalyptic storm, and a middle-aged teacher who may or may not be possessed by a demon. Writer and actress Raquel Villavicencio plays the ruthless head of the top-rated network, coming off as a Tagalog variation on Faye Dunaway's fabled character in Network. Her team has eschewed covering politics in favour of triedand- true tabloid fodder: demonic possession.

A syndicate old-timer named Ben needs to do one last assignment before the boss he works for grants him his much delayed retirement. Assigned to be his partner is the neophyte Morris, a trigger-happy, sadist who yearns to impress the syndicate boss. For Ben, this last assignment turns out to be a journey of introspection, self-healing and redemption. With this awakening, he takes it upon himself to pull Morris out of the eventual hell-of-a-life he says he has lived as a hitman.

Jess is a young woman running from her past and moves into the house of a warmhearted landlady. She finds a diary in her room that belonged to an old tenant. As days pass, strange occurrences ensue and the diary’s words take an eerie turn when Jess finds herself in the middle of a malevolent turn of events from a dark past not entirely her own.

Life turns riveting for Nanong when the tabloid-format reality TV show, AKIN ANG KORONA chances upon his curious life in a sleepy seaside town in Catanauan Quezon. Nanong agrees to film his daily life drying herring, with a deal that they would help find his lost father. Nanong’s quest for a missing parent will become a search of truth, of wonder, of the self-wrapped in the direction framed for and by the TV program.