MAUR film

Tom (4 years old), Suzanne (8) and Derek (10) spend the weekend with their grandparents. But nothing is as usual: Grandpa seems to be elsewhere; Tom wonders where Grandma has gone, she who always tells him incredible stories; Derek is hard at work renovating the old apple tree hut. So following in the footsteps of her ancestor, Suzanne improvises herself as a storyteller to illuminate the house with imaginary and wonderful stories and try to fill the absence of Grandmother. The movie is an adaptation of three tales written by Arnost Goldflam.

In a small town plunged into darkness, two children, Kyona and Adriel, are separated from their parents and, facing the path of exile alone, embark on a heroic journey that will take them from childhood to adolescence, in search of refuge, peace and the hope of finding their family.

Humorous as well as educational stories about magical and everyday problems, about devils, miracles, ordinary human vices and wisdom. The graphic design of the stories reflects the humour and the atmosphere of the stories Fimfárum, When the Leaves Fall from the Oak, Franta the Fearless, A Dream Come True, and Greedy Barka, that were recorded by Jan Werich on an LP in the 1960’s and published in a book called Fimfarum.

A man becomes lured into a fictional game his ex-girlfriend has initiated. Sexually ensnared by her, and now realizing the fragility of the border between the real and the imagined, he begins to unravel. He convinces himself that if he can only write an ending to his life story, he can regain control of his life. But playing with fiction is not an innocent game…

An affectionate film that tells the story of Eva Marty, and her dog, Kubko, who rediscover each other thanks to unexpected catastrophe. They get the opportunity to share an incredible, literally cosmic experience together

September 1989 in the GDR. With the change of the general mood in the country, the life of 12-year-old FRITZI changes as well. Her best friend Sophie has fled with her mother through Hungary to West Germany and the only thing Fritzi has left is Sophie's little dog Sputnik. But Fritzi misses Sophie just as much as her little four-legged friend does. Therefore, she decides to bring Sputnik to Sophie. But there is only one way to get there: over the strictly guarded border. A very dangerous adventure for a 12-year-old girl and a small dog...

Blind Mimi and Lisa are best friends. They learn from each other to approach the world and its diversity with generosity, tolerance, and openness. In a new story, titled The Garden, a yellow container is installed in the yard of their house which their neighbours soon start filling with old and broken things. Lisa is curious what Mimi would be getting rid of and is surprised to see she doesn´t throw away anything. For Mimi, all old things at home are her anchors and little certainties in the dark. Lisa decides to throw away her old red ball. But it falls behind the container and thanks to it the girls discover a secret door leading to the beautiful Garden of the miraculous Magic Maker, who takes them on a quick trip through all the seasons.

The film based on the poem by Aimé Césair was created for a series of one-minute-long films inspired by the poems of this French poet commemorating the 100th anniversary of his birth. The French original was narrated by Jacques Martial with music composed by François Causse and produced by MAUR film for the company La Maison Garage. The Czech version was translated by the French poet and translator Bertrand Schmitt and narrated for the cinema by actor Viktor Preiss. The film was animated with the demanding technique of oil painted on glass directly in front of the camera and the production in the Anima studio took almost three months during this spring. The same technique will be used for an animated co-production film directed by the French director Florence Miailhe with Lucie Sunková as the main animator.

Electra rethinks her 10th birthday, mixing memories with imagination and hidden dreams. Isolated in her fantasy world full of made-up busty dolls, plastic men’s body parts, juicy strawberries and dentist tools, she builds up her own relationships with her body and sexuality. Diving deeper and deeper into her childhood memories, she experiences again rebellion against her mother and mixed feelings for her father. Electra has to go through the most painful memories to let her suppressed feelings come out. In the end, she is ready to reveal what has really happened during her 10th birthday.

In his film at the intersection of an experiment and a poetic documentary, Milan Klepikov looks at the end of the world as defined by the poet Petr Král, who is convinced that children are born into a world which has in fact already ended. Trying to understand the young generation’s viewpoint and to capture the end of cinema as we know if, Klepikov wildly chases and captures visual and auditive input, which he combines into a film sketchbook consisting of fragments of the lives of young people who apparently have been through the end of the world, but who still have many years ahead of them.

For Hugo, visiting Chernobyl’s forbidden area is not a commemorative trip. If this young tourist wanders through radioactive ruins, it is mainly to feed his Instagram account. This absurd quest will lead him to discover a population he never knew existed.

24th February 2022, my boyfriend and I fled Kyiv to go to Irpin. We spent 10 days in a blockaded city and just managed to escape with the last evacuation convoy. Time passed, but the feeling that I died in Irpin has never left me since.

Jan Balej's animated film One Night in One City (2007) from the Czech Republic. Very little dialogue throughout, but instead a rich world of sounds and music which more than match the detailed animation and curious vignettes that create the film.

The film contains three Jan Werich's fairy tales, each directed by one artist. The first story sets out to the Sumava mountains in Southern Bohemia to find out whether Ogres ever lived there. The middle tale The Hat and the Little Jay Feather concerns a king who sends his three sons to bring back a hat he left at a tavern when he was young. The third and longest fairy tale Reason and Luck is about the two virtues of the title try to prove their importance by changing the life of a pig herder named Louis. Written by

Hurikán rushes out to save his favourite beer stand from closure by fetching a new keg to impress the bartender he has a crush on. In a wild Prague district, he faces robbers, cops, and his own thirst.

A young girl buries in her soul a memory of a painful moment, when as a child she brought home an injured bird and her father burdened by his own weight of worries didn’t notice her feelings and longing for understanding. The girl took her father’s reaction as indifference and closed herself in her inner world longing for her father’s love and its manifestations. Since that moment she and her dad continued to grow apart, and as an adult she is no longer able to accept his endearments. The father suffers from guilt and searches for a way back to his daughter, trying to revive their lost relationship.

In a desolate landscape process strange creatures. The foreman of the group picks a suitable spot and the whole multiplying colony starts excavating a pit. They encounter various natural disasters that ruin their efforts – but the colonists always rise from the ruins and continue their work. We do unequivocally sympathise… till the moment when we return to the people’s daily lives.

What would happen if mum was always right? Do mums always tell their children the truth? If I squint, will I stay cross-eyed forever? And what about beer, can it be safely tasted? Or will it make me the shortest granddad in the old folk’s home? Will I really have muscles like Popeye if I eat spinach? The film follows mothers and children in several households. Their grotesque and absurd tales are based on the most common phrases told to children , for whom though they are an utterly plausible reality. In my film these situations will be showing what would happen if our mothers were always right. Absurdities like unravelled belly button, frogs in one’s stomach, eyes in the neighbours garden etc. are a great opportunity for the animated film, for which not a single literal meaning is impossible or inconcievable to shoot. The film is targeting primarily the adult viewers, parents, to make them realise the power and absurdity of their warnings. But I hope children will enjoy it too.

The film tells the story of a very important social problem: civic engagement. It is not tied to any particular political system or period. There is a stylized, anonymous, universal character living in an unspecified space. Everything is made of paper using the origami technique. The character does not want to solve the problems of the world around him, he thinks that he would lose his peace. But as a result, with this hidden from the news of the world, he gradually begins to sacrifice not only his property, his space, but also his freedom.

The Forgotten Book is a story about loss and dealing with loneliness. One day Toni and Levi find a mysterious artifact - the forgotten book - which appears to have a unique value. It becomes Toni's gateway to the fantastic world of dreams and magic.