Navigator Film

This cinematic portrait shows the Austrian filmmaker Ulrich Seidl at work. The much-discussed ‘Seidl method’ is conveyed here vividly and directly: The camera watches over Seidl’s shoulder during the filming of his new production IM KELLER, and observes him at the rehearsals for his latest theatre production ‘Böse Buben / Fiese Männer’. The film paints the picture of a fascinating and exceptional artist using a combination of extensive interviews and excerpts from earlier works.

In Comparison revisits issues explored in the director's 2007 two channel installation Comparison Via a Third. Spanning continents and cultures, the film focuses on the brick in its many contexts, from the collective efforts of a community building a clinic in Burkina Faso, through semi industrialized moldings in India, to industrial production lines in Germany, France, Austria and Switzerland. Through its notable structure and its captivating rhythms, In Comparison presents various methods of labor production, allowing for an assessment that changes with every layer and goes well beyond a simple binary divide.

The simple staple bread has become a branded product with an increasing number of varieties and providers. The film provides authentic impressions in today’s world of bread. We encounter small craft bakers as well as corporate CEOs whose professional work is our daily bread and ask the question: how do you see the future of our bread? And: what are we actually eating?

In 1942 Anna and Wasyl Major were sent from Galicia to Lungau and forced to work on farms. Only after the war's end brother and sister heard from each other. Both are staying in Austria and hard work on other people's farms still shapes their life.

After "Ringel" (1972) and "M.J.J. Ringel" (1981), this portrait of the artist is Wilhelm Gaube's third visit to the studio of Franz Ringel, the painter. We see him at work and as a great master of Viennese sentimentality.

It is one thing to survive the Holocaust, but quite another to deal with the lasting impact of this experience. This film portrait of Ruth Klüger, an American literary scholar from Vienna, deals with these issues by revisiting four significant places in her life: Vienna, California, Göttingen and Israel. Ruth Klüger also shares her thoughts on very personal topics: her childhood in anti-Jewish Vienna, her life in the States, her motherhood of two American sons and the culture of commemoration.

This feature documentary portrays one of the most important museums in the world, the Kunsthistorisches Museum Wien. It presents a unique look behind the scenes of this fascinating institution and encounters a number of charismatic protagonists and their working fields unfolding the museum’s special world – as an art institution as well a vehicle for state representation.

Who was Helene Weigel? Using impressive archive material, the film follows the convinced communist, acting icon, and free spirit from her early days in theater to her escape from the Nazi regime to the founding and management of the Berliner Ensemble. The result is a powerful portrait that finally puts the “woman at Brecht's side” in the spotlight.

At the Natural History Museum in Vienna, everything that is found on earth and in outer space and that humans can get their hands on, is collected, archived, and studied in the name of evolutionary research. Archiv der Zukunft captures the aesthetic appeal of the natural-history collection and its working process, illuminating the mammoth project of knowledge preservation and production hidden behind the building’s imperial façade.

This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics.

Sandra Hüller portrays Ingeborg Bachmann on an imaginary day in Rome. Regina Schilling’s hybrid film weaves together reenactments, archival footage, and Bachmann’s own writings into a portrait that offers a refreshing new perspective on the author and positions her writings as a reference point in current debates on gender relations and power.

For more than eight decades, German Sinti and Roma experienced injustice. The film tells of the family of activist Romani Rose, their resistance and insistence on justice. The painful story of a minority between trauma and self-assertion. The two-part film deals with various forms of resistance by German and Austrian Sinti and Roma over eight decades. It is about rebellion against injustice and the insistence on dignity and justice.

A seven month journey on foot through Italy from the Swiss-Italian border down to Sicily, with a rucksack containing a camera, a tape recorder, and the traveller's tale "A Walk to Syracuse in 1802" by the German author Johann Gottfried Seume. A cinematic essay on travelling, the south and Arcadian longings; on everyday life in Italy in the year of the soccer world cup and the death of Alberto Moravia; on Italian rain and nights in Rome; on the landscapes of childhood and on the fact that strangers are the only exotic in Italy.

For years the warships of the Soviet navy have been on sale. The destination of these ships on sale is Alang, a beach near Bombay. The cinematographic voyage shows a part of the last voyage of the cruiser "Admiral Fokin".

The film tells the story of 78-year old writer Fritz Habeck. The two essential themes of his cinematic interpretation of the artist's destiny are the lack of direction in a person who is creative, but trapped within himself, and the psychology of individual failure.

Based on Samuel R. Delany’s short novel ‘Aye, and Gomorrah...’, where the sci-fi premise of radiation-resistant state-neutered space travellers allows the author to explore androgyny, sexual identity, etc. Hammel uses Delany’s story to create a spookily beautiful world where asexual bodies live in the contradiction between their unarousable loneliness and desire for intimacy and contact.

Against the background of current Austrian politics, the film reconstructs the history of the Carinthian minority conflict. The focus of this documentary is the eventful 1970s, when a young generation of Carinthia's Slovenes took up the fight for their rights laid down in Austria's State Treaty of 1955. With Haider as provincial governor, it is a fight fought until today.

Documentary about the life of avant-garde filmmaker Maya Deren, who led the independent film movement of the 1940s.