Russia-K

Based on the eponymous drama by A.S. Pushkin. TV version of the performance by the Drama and Comedy Theatre on Taganka (director Yuri Lyubimov).

Based on the play "The Last Victim" by Alexander Nikolayevich Ostrovsky.

Based on the comedy by Pierre Beaumarchais. Television version of the performance by the Moscow Theatre "Lenkom".

The performance features shadow scene performers and the "Sirin" ensemble under the direction of Andrei Krotov.

About the hapless bridegroom Podkolesin, who escaped from the bride through the window, and the picky bride Agafya Tikhonovna, who can not choose the right one, Mark Zakharov saw the story of a man who wants to change something in his life, but is not capable of doing anything.

Yesterday's victorious soldier cannot stay with the woman he loves because of the ban on marriages with foreigners imposed by politicians.

Based on the novel The Gambler by Fyodor Mikhailovich Dostoevsky.

The TV version of the play by A.K. Tolstoy, staged by the Maly Theatre.

Movie inspired by life of saintly Elder Paisios (1924 1994) and other Orthodox monks. Severeal stories of young and old monk life. Sometimes funny, but all about true christian love.

The ruined barber Svirid Petrovich Golokhvosty decides to improve his situation by marrying the unattractive daughter of the wealthy merchant Prokop Serko. However, at the same time, he encounters the beautiful Galina.

Television version of the solo performance by the Saint Petersburg Academic Theatre named after Lensovet. The play features two main characters: a boy, Oscar, who is terminally ill, and the Pink Lady, one of the caregivers dressed in pink, who looks after sick children. The Pink Lady, or as Oscar calls her, Pink Mama, offers the boy a game — every day he "lives" 10 years of his life. In the 10 days remaining before the boy's death, his entire life unfolds: from childhood, youth, and marriage, to old age and death. Additionally, on the Pink Lady's advice, Oscar turns to God and writes Him letters.

The story of the adventures of a young man – overly ambitious and cynical, who wanted to make a career but ended up failing.

Based on two plays by Alexei Konstantinovich Tolstoy – "The Death of John the Terrible" and "Tsar Fyodor Ioannovich".

Old age knows no national boundaries or geographical limits. She can be peaceful and happy in the circle of loved ones and become a disaster if you are abandoned by people dear to you. Man is the only living creature in the world who knows that he will die.

Teleplay. Based on the play by A. Arbuzov 'Old-Fashioned Comedy'. The film is based on the performance of the Lesya Ukrainka Russian Drama Theater in Kyiv. The video recording of the performance was made on the stage of the State Academic Maly Theatre of Russia in 1998.

An almost unknown girl Frida accompanied Aleksandr Volodin to the front. When he returned, he married her. A sense of duty and gratitude bound them, but this did not prevent him from continuing to search for a female ideal... The name of the poet and playwright Aleksandr Volodin is familiar to everyone who loves russian cinema and theater. The films Elder Sister, Five Evenings, The Magician, Autumn Marathon, the famous performances of the Tovstonogov's BDT and Efremov's Sovremennik, staged according to his plays, were remembered for their unique intonation, the soft, not at all edifying voice of a person who knows something about life that we pass by without noticing. Most of Volodin's works are autobiographical, he writes about his generation, about the generation "scorched by war".

The film is based on the memoirs of Klavdiya Shulzhenko and her songs: "The Blue Scarf", "Three Waltzes", "Silence", "Hands", "The Note". The film features archival footage, as well as scenes shot in Kharkiv and Paris.

A television performance based on the works of Sergey Dovlatov. Recorded and edited performance by the Mossovet Theatre, initially directed by M. Sonnenstral, and completed after his sudden death by O. Anokhina.

A young man arrives in a village to visit his uncle, a retired colonel, and finds the local community "enslaved" by a man who, according to him, "will remain in history." The situation develops into a tragicomedy and takes on elements of phantasmagoria.

A television adaptation of the Pyotr Fomenko Workshop Theatre's production of A.N. Ostrovsky's play. Recorded in 2004. The plot revolves around a promissory note scam and an attempt to woo a wealthier husband. This production, while respectful of the classic, reveals new facets of the play—Chekhov's impressionism, the poetry of a vanishing world, and the Russian estate.