Gemini Films

As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge.

Episodes from throughout the entire military history of Portugal are told through flashbacks as a conscripted student of history recounts them to his fellow soldiers while they march through an African colony in revolt during 1973.

After receiving a visit from a messenger of God, João de Deus wins his buddy's girlfriend through a roll of the dice.

Camille is an emancipated 30-something woman who has no desire to settle down and have a family, preferring to coast along on a succession of ephemeral relationships and one-night stands. However, her lifestyle fails to satisfy her fully, and in a moment of depression she runs into a complete stranger, Alexis, whom she instantly falls in love with. Alexis, alas, is married, with two children, and works for the Socialist Party. None of this is going to deter Camille though…

Manoel is an aging film director who travels with the film crew through Portugal in search of the origins of Afonso, a famous French actor whose father emigrated from Portugal to France and in process remembers his own youth.

Four intertwining stories of bizarre occurrences in Paris featuring a man who was stolen away by fairies, a professor who becomes a tramp, the lovers who inherit a chateau – and the last tale that connects all that has gone before.

1 September 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, whom he abandoned ten years before. Irène, a French agent who used to work with him, and David, his adoptive son, will help him and lead the girl to her father. Chased by William Pound, a strangely poetic psycho, they will defy the dangers of international espionage from Paris to Venice and finally get to Elliot on 11 September 2001.

Whilst seeking out locations in the South of France for his next film, director Luc Moullet comes across a male corpse. He immediately decides to use this to his advantage. By swapping his passport with that of the dead man, Moullet hopes that the world will believe he is dead, thereby ensuring a renewed interest in his work. Unfortunately, the scheme backfires, since the dead man was someone rather important...

The comfortable daily routines of aging Parisian actor Gilbert Valence, 76, are suddenly shaken when he learns that his wife, daughter, and son-in-law have been killed in a car crash. Having to take care of his now-orphaned grandson, he struggles to go on with his lifelong acting career like he's used to. But the roles he is offered -- a flashy TV show and a hectic last-minute replacement in an English-language film of Joyce's Ulysses -- finally convince him that it's time to retire.

After his father's death, a young man is introduced to a world of hedonism and depravity by his amoral mother.

A comedy. The husband, the wife, the mistress and the housekeeper. A Fable. The ape, the lion and the little boy.

Feckless aspiring architect Stéphane leaves his pregnant girlfriend for theater designer Sabine; Sabine in turn vainly attempts to overcome her violent obsession with an actor in her theater company. A game of emotional chutes and ladders ensues.

Maya and Tony are a modern-day Bonnie and Clyde. Maya seduces businessmen while Tony copies their credit cards. It's a smooth con until one of their victims, Pierce, pulls a gun. Instead of killing them, Pierce offers the desperate couple a chance at the biggest score of their lives.

James Faulkner plays Lew Millar, a renowned private eye who is hired by a gangster to be his bodyguard. When Millar arrives at the criminal's French hideaway, the gangster is already dead. Among the people Millar investigates are the gangster's brother, the man's sister-in-law, and their teenage daughter. A judge may also offer insight into the case, as well as Millar's own past.

Independent Parisian doctor Annie finds herself in an emotional tangle when she tries to help single-minded HIV-positive patient Laurent and embarks on a brief affair with conceited actor Richard.

Two friends are taken hostage while on their way to see a childhood buddy.

A serious young man of free spirit is forced by his surroundings to become rich at all costs. A group of blind children tries to open the eyes of the unbelievers to the Christian faith. Retired nuns who open a brothel, to pay the running costs of the convent. These rather ironic paradoxes turn this fairytale into a philosophical fable.

A well-bred, lovely, spiritual, sad young woman marries an attentive physician who loves her. She feels affection but no love. Soon after, without design, she falls in love with Pedro Abrunhosa, a poet and performance artist. He also loves her. She keeps her distance from him, confessing her love to a friend who is a nun and, later, to her husband. Hunger for her love and jealousy consume him; she attends him as he wastes away. With his death, she can marry and express her passion, but what she does and how she explains herself, particularly to her cloistered friend, is at the heart of the film. Glimpses of convent life and of Abrunhosa on stage give contrast and mute comment.

During the Gulf War, the paths of several groups of characters cross in France’s most desert-like region. The cast is as follows: An astrophysician who works alone with Geraldine in an observatory high in the mountains. He’d like to seduce Geraldine, but she seems to prefer the shepherd who’s been relegated to a shabby hut nearby. A group of filmmakers stuck in the middle of the countryside after their crew went on strike because lunch never turned up. A squadron of stupid soldiers who consider even the most minor incident to be proof of Saddam Hussein’s invasion of France. A maniacal geologist, oblivious of everything, who continues to search for the traces of a tectonic Big Bang in the most inaccessible places.

Martine is 25. Since breaking up with François, she has the feeling that the world is caving in on her. Between small jobs and one-night stands, she can't seem to get a fix on herself. In desperation, after a last quarrel with François, she unintentionally causes an accident that leads her to the emergency ward of a psychiatric hospital. During her brief stay, she unexpectedly sparks into life. She takes an interest in two young patients, Pierre and Anne, convinced that she is doing the right thing in supervising their love life...