Caméra One

Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his dacha with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things change dramatically with the unheralded arrival of Cousin Dmitri from Moscow, who charms the women and little Nadia with his games and pianistic bravura. But Kotov isn't fooled: this is the time of Stalin's repression, with telephone calls in the middle of the night spelling doom - and he knows that Dmitri isn't paying a social call...

Jean-Étienne Fougerole is an intellectual bohemian who released his new novel "In Open Arms" and calling the wealthiest people to welcome home the families in need. While he promotes his book during a televised debate, his opponent criticized him for not applying what he himself advocates. While stuck, Jean-Étienne Fougerole accepts the challenge, for fear of being discredited. The same evening, a family of Roma rings the door of his Marnes-la-Coquette villa and the writer feels obliged to house them.

A farmer and his wife live in a rural part of Inner Mongolia with their three children. Chinese population control policies prevent them from having any more. The farmer sets out for the nearest town to obtain birth control. He comes upon a Russian truck driver who has ended up in a lake. The farmer takes the man back to his farm, and after initially being appalled, the Russian becomes enchanted with the peaceful life of the countryside and decides to stay. But his presence presages big changes for the peasants.

Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant. On her travels, she meets two men who would change her life forever: a handsome young cadet Andrej Tolstoy with whom she shares a fondness for opera, and the powerful General Radlov who is entranced by her beauty and wants to marry her.

In this erstwhile comedy, Penelope (Isabelle Adjani) is already sufficiently unsettled by the fact that she is no longer a top model, and must cast around for another occupation. When her boyfriend leaves her, she becomes quite hysterical, conjuring up schemes for revenge, contemplating suicide, and so on. These dramatics eventually exasperate her best friend Sophie (Clementine Celarie) so much that she contemplates killing Penelope, her ex-boyfriend, or the two of them together, just to stop the whining.

A bourgeois housewife, planning to go back to work as a physiotherapist after having devoted 20 years to her husband and two children, has her comfortable, elegant life turned upside down when she falls for a Spanish builder and begins a runaway affair.

Louise, a widow with two children, almost crushes a stranger with her car. She takes care of him, even if he's not really wounded. It turns out that he has mental disorders and that they can help each other much more than they thought.

The humanitarian aid expedition "Angeles Azules" (Blue Angels), comprising twelve Europeans and six trucks loaded with provisions to alleviate hunger in Sub-Saharan Africa, advances across the continent. As a result of the difficulties the team encounters, disorganization gradually takes over the convoy. Each of the members of the group, little by little, yield to their petty, selfish impulses: violence, power, nostalgia - The breakdown of one of the trucks forces Michele and Nadia to wait at an oasis for the arrival of spare parts. But a starving local tribe settles threateningly near them. The chief of the tribe makes a speech they don't understand, which is followed by a macabre purification ceremony.

Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!

Famed swordsman and poet Cyrano de Bergerac is in love with his cousin Roxane. He has never expressed his love for her as he his large nose undermines his self-confidence. Then he finds a way to express his love to her, indirectly.

At the altar where he is marrying Séverine, the groom, Antoine, gets his first glimpse of her mother, Léa, and suffers what the French call a coup de foudre which we know as love at first sight.

In 1974, Chilean-French director Alejandro Jodorowsky embarked on the quixotic project of adapting Frank Herbert's influential novel Dune (1969) for the big screen. After investing two years, and millions of dollars, the gigantic project ended in failure; but the artists Jodorowsky brought together to carry it out continued to work together, and ended up laying the foundations for modern science fiction cinema.

Everything starts when a journalist François decides to investigate the world of working class people. He gets into the lives of Claude, a worker and his wife Lily who has left him.

'Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.' This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. He was born in 1929 Tocopilla, a coastal town on edge of the Chilean desert, where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.

The remarkable Grand Canyon film set to the synth music of Tangerine Dream.

During World War II, the organisation "The Women's Land Army" recruited women to work on British farms while the men were off to war. Three such "land girls" of different social backgrounds - quiet Stella, young hairdresser Prue, and Cambridge graduate Ag - become best friends in spite of their different backgrounds.

Igor, who manages a fancy hotel and is on the take, has to juggle several problems at once. He has a two-hour window to get his ill-got gain out of the hotel, he must misdirect and obstruct the inquiries of a Party auditor who suspects that all is not above board, and he must keep out of sight and out of trouble his interloping and troublesome young brother-in-law, who arrives unannounced with barrels of rotten herring.

“I have on occasion experienced filmmaking as an intensely shared activity. Lively friendships result and remain. Filming that affection today is no act of nostalgia. Paths once crossed make things simple. People who have been behind the camera, or in front of it, giving the movie their all, are without illusion.” (Alain Cavalier)

An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'.

Dah and Jocelyn come from former French colonies to coach their rooster, "S'en fout la mort", for an illicit cock-fight in the basement of a restaurant.