Camera One

The humanitarian aid expedition "Angeles Azules" (Blue Angels), comprising twelve Europeans and six trucks loaded with provisions to alleviate hunger in Sub-Saharan Africa, advances across the continent. As a result of the difficulties the team encounters, disorganization gradually takes over the convoy. Each of the members of the group, little by little, yield to their petty, selfish impulses: violence, power, nostalgia - The breakdown of one of the trucks forces Michele and Nadia to wait at an oasis for the arrival of spare parts. But a starving local tribe settles threateningly near them. The chief of the tribe makes a speech they don't understand, which is followed by a macabre purification ceremony.

Jean-Étienne Fougerole is an intellectual bohemian who released his new novel "In Open Arms" and calling the wealthiest people to welcome home the families in need. While he promotes his book during a televised debate, his opponent criticized him for not applying what he himself advocates. While stuck, Jean-Étienne Fougerole accepts the challenge, for fear of being discredited. The same evening, a family of Roma rings the door of his Marnes-la-Coquette villa and the writer feels obliged to house them.

A bourgeois housewife, planning to go back to work as a physiotherapist after having devoted 20 years to her husband and two children, has her comfortable, elegant life turned upside down when she falls for a Spanish builder and begins a runaway affair.

"Since childhood, I've had the good fortune of going through two mini depressions of happiness, and I'm serenely awaiting the third. This alone is enough for me to believe in a certain beauty to life and to have the pleasure of attempting to film it in all its forms (trees, animals, gods, humans...) and to do so when love is intense. The filmmaker has lost a part of innocence. It's so difficult to spot it around you, so difficult not to lose it during a film shoot. I'm grateful to those who you look at on screen. To stand up to time, I've a tactic, which is to dig into my stock of emotions and old images. Not so as to find what will never come back, but to discover the signs of spring in winter. This allows me to begin another day with an easy, light step." (Alain Cavalier)

Famed swordsman and poet Cyrano de Bergerac is in love with his cousin Roxane. He has never expressed his love for her as he his large nose undermines his self-confidence. Then he finds a way to express his love to her, indirectly.

“I have on occasion experienced filmmaking as an intensely shared activity. Lively friendships result and remain. Filming that affection today is no act of nostalgia. Paths once crossed make things simple. People who have been behind the camera, or in front of it, giving the movie their all, are without illusion.” (Alain Cavalier)

Douglas is a foreign entrepreneur, who ventures to Russia in 1885 with dreams of selling a new, experimental steam-driven timber harvester in the wilds of Siberia. Jane is his assistant. On her travels, she meets two men who would change her life forever: a handsome young cadet Andrej Tolstoy with whom she shares a fondness for opera, and the powerful General Radlov who is entranced by her beauty and wants to marry her.

In 1974, Chilean-French director Alejandro Jodorowsky embarked on the quixotic project of adapting Frank Herbert's influential novel Dune (1969) for the big screen. After investing two years, and millions of dollars, the gigantic project ended in failure; but the artists Jodorowsky brought together to carry it out continued to work together, and ended up laying the foundations for modern science fiction cinema.

The remarkable Grand Canyon film set to the synth music of Tangerine Dream.

Director Nikita Mikhalkov documents the history of Russia from 1980 to 1991 by annually asking his daughter Anna such questions as "What do you love the most?", "What scares you the most?", "What do you want above anything" and "What do you hate the most?"

Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his dacha with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things change dramatically with the unheralded arrival of Cousin Dmitri from Moscow, who charms the women and little Nadia with his games and pianistic bravura. But Kotov isn't fooled: this is the time of Stalin's repression, with telephone calls in the middle of the night spelling doom - and he knows that Dmitri isn't paying a social call...

The final episode of Alain Cavalier’s video diary. “Le Filmeur” traces his life since “Pater”: the approach of death and the beauty of life —both human and animal— intertwine with the filmmaker’s doubts and contradictions as he encounters others.

Novelist and screenwriter Emmanuèle Bernheim and filmmaker Alain Cavalier have been friends for 30 years. They are preparing a film based on the former’s autobiography, “Tout s’est bien passé” (Everything Went Fine). In it, she tells how her father asked her to “end it” in the wake of a heart attack. Cavalier suggests that she plays herself, and that he plays her father. One winter morning, Emmanuèle calls Alain; they will have to postpone the shoot until the spring, as she needs an urgent operation.

At the altar where he is marrying Séverine, the groom, Antoine, gets his first glimpse of her mother, Léa, and suffers what the French call a coup de foudre which we know as love at first sight.

An enchanting mini-portrait of Antoinette, an 86½-year-old magician. Clad in a dress coat and white satin top hat, the elegant Parisienne performs ostensibly simple tricks with astonishing sleight-of-hand. With no more than a napkin, tissue paper or a rain of plastic flowers, Antoinette conjures up a hopeful universe.

Louise, a widow with two children, almost crushes a stranger with her car. She takes care of him, even if he's not really wounded. It turns out that he has mental disorders and that they can help each other much more than they thought.

Each morning, Bartabas works with his favorite horse, Caravage. They share a silent conversation in which they guide each other. Will they reach a certain perfection which will allow them to perform before the public ? The filmmaker has been given access to witness this intimate relationship: health hiccups, sessions that don't work out and the questioning they lead to, perfecting the act, tasting the joy of a flawless performance. As the film goes by, a trio comes to life, where hearts beat as one. The spectator will perhaps make the trio a quartet.

During a year, they would meet and film each other. The filmmaker and the actor, the President and his prime minister, Alain Cavalier and Vincent Lindon. In Pater, you will see them in real life and in the fiction that they invented together.

René, a children's theater performer, has a problem : he is a hearty eater and he weighs no less than 155 kilos. After being abandoned by his girlfriend, René decides to go on a diet, notably to reconquer her. It is also an opportunity for him to question his former lifestyle and to define new values...

A film-crew follow the investigation of a cop killing.