Raccord Produções

In Rio de Janeiro, the teenagers Lia and Rodrigo have opposite behaviors and personalities. The clumsy Rodrigo is responsible and good student, while the emancipated Lia is totally irresponsible. They have their first sexual intercourse together on April 23rd, and they schedule to meet each other every year in the same date. Along the years, Rodrigo graduates in engineering and gets married with Clara (Christine Fernandes), having a son. The single mother Lia has a life without any commitment, moves to Paris and comes back to Brazil later. After a comedown, Rodrigo leaves his family and quits his job to live with Lia. Written by Claudio Carvalho, Rio de Janeiro, Brazil

A documentary that focuses on two young male inhabitants of Recife (statistically, the fourth worst city in the world to live in) who have both reacted strongly to their situation. One has become a drummer in a rap/rock band. The other has killed forty-four people and is now in jail. Both use the term "Wicked Souls" to describe their enemies.

Based on a true story, the film follows Clara, a math teacher who finds success online as an educational influencer. Good-natured, sarcastic, and sometimes mocking, she likes to keep everything under control—however, she must navigate vulnerability when she discovers she has breast cancer. With courage and resilience, Clara faces both bad days and better ones alongside her teenage daughter, mother, and loyal friends. On this journey of healing, she has the chance to celebrate life and redefine her relationships.

Paulo Ventania is a black Brazilian man, always doing his best to bring some happiness in his life, and by happiness he means money. When he's at a dead end, he discovers the opportunity to become a football manager by leading some boy from the neighborhood to becoming the new Neymar of international soccer. Going through the suburbs of Rio, he finds Glanderson, a young boy with an enormous talent for soccer despite missing two toes. With good humor, high hopes, and a lot of mistakes, the quixotic duo tries their best to make their dream come true.

The day-to-day life of a young girl in the town of Diamantina, Brazil, on the end of 19th Century, based on real life diaries.

When two friends fall in love with the same girl, the situation can be complicated. Especially if that girl is Dora, recently widowed, and if the friends are André and Lucas, childhood friends of Narciso, her late husband. Too soon for Dora to open up to a new love, the two friends begin a fun dispute for a chance at the widow's heart and in the midst of their grief they discover that Narcissus was perhaps not the great friend they thought.

The film tells a little of the history of Brazil immersed in the caricature of the conditions of making cinema in this country. Flora and Carlos Manoel fall in love. She, from a family linked to the Monarchy, and he, a republican activist, live their love in the last days of the monarchy, without knowing that the end of the empire would also mean the end of their romance.

A little kid-ghost called Pluft lives with his ghost-mother and ghost-uncle, in a remote house in a desert island. He doesn't even believe people real exist. His world will be thrown upside down, when an evil pirate (Perna de Pau) disembark on the island, after kidnapping the little girl Maribel (daughter of a famous captain), in search of Captain's hidden treasure. Three friendly sailors will help to free the girl. Based on a very well known Brazilian children's play.

It portrays the work of Carlos Filho, Cafi, a photographer from Recife, who for more than 40 years has dedicated himself to recording a large part of the events of dance, theater and Brazilian popular music. Recordings, concerts, tours and rehearsals by important artists passed through Cafi's lens.

Priscila thinks she is too uptight. When her mother goes on a trip she decides to use her temporary freedom to deal with her uptightness.

Documentary on the life and times of one of the most prominent Brazilian samba composers, Cartola (Angenor de Oliveira).

A group of actors and actresses rehearse play virtually and look for solutions to get around the fact that they cannot meet. Confined at home, they use their own family members on stage. The piece chosen is ÁLBUM DE FAMÍLIA, by Nelson Rodrigues, an attempt to debate the idea of a traditional Brazilian family.

Miguel is Rita's clumsy guardian angel. Unaware of the extent of his powers, he prophesies that the girl will never find love. However, when Death learns of his audacity, he comes to Earth to seduce Rita. Now, by order of the Almighty, Miguel has to face Death and the problems he caused his protégé.

The body of a trans woman lies lifeless in a soy plantation and three lives react to her missing and presumed death.

Documentary-poetic record of the birth of the persona Heloísa Teixeira, conducted through the lens of an 85-year-old woman who remains in tune, promoting and revealing a diverse Brazil.

A young aspiring priest who lives in a rural location decides to go to the city of São Paulo in search of his missing sister. At the same time, a young man who recently moved from the suburbs to the center of São Paulo is struggling with the separation from his last boyfriend. They both meet at Agnes's coffee shop, where they start working. The boss becomes a kind of new mother for both of them.

A young Black artist named Jonas lives in the shadow of his authoritarian brother with whom he shares a house. However, when his upstairs neighbor, Lucia, accepts an invitation to dinner, Jonas begins a journey of personal reflection, confronting his own demons and ghosts and doubting himself.

A documentary that investigates the challenges of growing old in Brazil being a woman who loves women. In a scenario of uncertainty regarding LGBTQ rights, the young bisexual filmmaker, Bruna Amorim, meets the founder of the lesbian movement in the country, Yone Lindgren, now 63 years old. Amidst exchange, resistance, and the building of affection, Bruna reflects on her own ties based on Yone's experiences.

Forced to become a mother, Helena plans to run away with her boyfriend and abandon her son. However, on the day of the escape, the boy gives up and leaves her alone, desolate. Determined to keep on the run, Helena embarks on her theory that her entire life has been a lie and she has never had a child.