1975. An American filmmaker arrives in Argentina to film the story of the first revolt of laborers against landowners. Hoping to document history, instead, he finds himself becoming part of it as he’s swept into the revolt and soon finds himself on the run from the dark bloodiness that is sweeping the country.

Amidst the problems in their childless marriage, Matías and Eva try their hand at matchmaking, setting up their friend Barbara with the man who seems perfect, Julián. Once they realize that Julian is not what he seems, they try to warn Barbara away, but she may already be too infatuated.

Joan is a naïve, 16-year-old who falls in love easily. One day he decides to escape to the provinces with Luciana, a beautiful 35-year-old woman and a teacher at his school, in order to give free rein to his love. Soon, Joan discovers with horror that he has fallen into a trap that is a mix between sex, money, politics and violence.

When her son is accused of raping and trying to murder his ex-wife, Alicia embarks on a journey that will change her life forever.

Eight-year-old Natacha and her best friend launch a love-letter service to raise money to help a stray dog.

This incredibly disturbing story follows the exploitation of an apprentice butcher, Hermógenes, and his trial after he murders his boss in broad daylight. Hermógenes, a farmhand from northern Argentina, relocates to Buenos Aires in search of a better life for himself and his young wife, but soon finds himself at the mercy of a corrupt boss. The film is based on a thorough investigation of a real event that happened in Buenos Aires 10 years ago. Almost every scene in the film is inspired by real facts or based on well documented daily practices of the “meat business” and its environment. Both a shocking exposé of unscrupulous practices in the meat industry and a heart-wrenching personal story, El Patrón became one of the most successful Argentine films of 2014.

Juan and Ismael are great friends, they work in a corralón in Moreno. Riding the truck they go through the winter and live with the harshness of work, they do it with humor, sometimes helped by alcohol. Friendship is a difficult wall to break between them. Juan, drives the truck and lives surrounded by dogs, Ismael, loads the truck and dreams of having money.

Built against all the aesthetic canons of its time and inaugurated in 1923, the emblematic Buenos Aires building "Palacio Barolo" was commissioned by the Italian businessman Luis Barolo to a compatriot, the architect Mario Palanti, who would later build a "twin tower" on the other side of the Plata: the Palacio Salvo in Montevideo.

Víctor Maytland is approaching the end of his career. After years of work, his producer decides to stop financing his pornographic films, overflowing with narrative ideas and social content. His curious craft seems to be dying. In the shadows of his studio, during nights of desperation and obsessive writing, surrounded by papers and clouds of tobacco, he begins to shape a new project, the most absurd and crazy of his life. And so, with the meager resources he manages to gather, he sets out to undertake one last challenge: to make one last film, this time based on his memories as a young Peronist activist.

Documentary that reflects a moment in the restoration of a musical icon of Argentine and universal culture. It is about the convergence of craftsmen, architects and engineers, conductors, opera singers and regisseurs. workers and artists. Testimonials from professionals, acoustic measurements, giant frescoes and choral or chamber pieces make up an audiovisual symphony of the Theatre.

Argentine audiovisual documentary based on a musical tour carried out between 2007 and 2008 by León Gieco along with a group of young artists with disabilities from different provinces of Argentina. The film combines music, singing, dance, and painting, along with the life stories of the protagonists.

Near Luján, the Rerum Novarum music band, composer of former workers of the Flandria cotton plant, continues playing nowadays, in spite of the shutdown of the factory. The old musicians struggle with passion in the need to maintain an identity, in a present where the social values seem to have to disappear. The old workers-musicians, receive "Our Lady of Luján" playing "Oh, María", remembering the early days of the town, of the factory, and of their own lives. They recall an idealistic past, where a Flandria worker used to receive a salary equal to that of a bank manager. They visit the closed factory -once source for employment for thousands of workers- with the knowledge that the country that they helped to build no longer exists. The old musicians gather to enjoy their friendship in the celebration of the 63rd anniversary of the band, while they fight against the ghosts of the economical crisis and social disintegration.

Edgardo "Cacho" Pallero, as a person, will offer a glimpse into the era, the commitment of young people in the 1960s, their ideological and political stances; and, in Pallero's case, his filmmaking training, taking on the role of producer from his earliest days.

The political history of Argentine film censorship narrated through the professional career of Néstor Gaffet (1928-1982), lawyer, film distributor and producer, publicist, occasional screenwriter, critic and teacher.

Perrone’s devotion to Pasolini has always been very clear. But the explicit homages in P3nd3jo5 and Ragazzi apparently weren’t enough: now a lookalike of the Italian director has turned up in Ituizangó.