VFS Films

When Mikhail Gorbachev rose to power in 1985, his reform policy sparked an independence movement in Estonia, Latvia and Lithuania. But as cries for help from the Baltic States were met with silence from the international community at large, two small nations – Iceland and Denmark – answered the call, motivated by the personal connections of their foreign ministers, Jón Baldvin Hannibalsson and Uffe Elleman Jensen.

Psychological thriller connecting three different people in the mysterious vortex, trying to untangle the dramatic fight of border between the truth and fantasy. Rob, a former real estate broker, unemployed, starts following a strange Japanese woman, Oki, who constantly moves from house to house. He drags his roommate Wylie into the investigation during which they have to face the dark past and curse of Oki, while dealing with the history of their own.

North Korean women meet South Korean men in a fascinating and often surprising look at love, business and geopolitics.

Ramin, an ex-wrestler who once won seven matches in 55 seconds, lives alone in the east Georgian town of Kvareli. Long ago he fell in love with a girl with whom he was estranged soon after he met her. Now, at 75, still unmarried but full of life, he travels to a remote village to seek her out. This film presents Ramin's journey through the Georgian landscape and through the memories of this man with a old aged body and an unbeatable heart.

In the beginning there was the forest. Then came the live performance, and then the film. The yellow wagtail, Eurasian skylark, white-backed woodpecker, corncrake and hazel grouse have not only gotten their voices back, but have taken on human form — clad in elegant tailcoats and bearing names — to recount ancient tales. Through the interplay of theatrical metamorphoses and the creative team’s reflections on nature and relationships, a field of meaning unfolds, vaster than any single spectator. Where ends the self, and where begin the wings of birds and the branches of trees? Can culture, standing on the shoulders of nature, also nurture it? Or will it merely glisten in the light like a sawblade?

More than twenty years after Vladimir Putin came to supreme power in Russia on May 7, 2000, Russian society is deeply divided. A young, modern generation opposes the growing repression by the regime, which still retains the support of many members of previous generations. Who are these ordinary citizens who dream of living in a different Russia? What price will they have to pay to achieve the freedom and justice they so desire?

A gripping journey into the world of Latvian rock legend Juris Kulakovs. The film follows a young filmmaker as she uncovers the essence of the enigmatic musician through his tumultuous life, music, and eccentric flat. Delve into the Soviet-era struggles and post-independence triumphs through candid conversations with both Kulakovs and those closest to him. An exploration of art, passion, and perseverance in the face of adversity.

A group of sex workers and brothel youth form a film production house in the Kalighat redlight area, Kolkata, India. Despite the opposition from the conservative society, they are determined to become filmmakers, resist prostitution among the second generation, survive through the art of cinema, and aspire to transform the redlight area into a professional film colony in the post-pandemic time.

They're called water carriers, domestics, 'gregarios', 'Sancho Panzas' of professional cycling. Always at the back of the group, with no right for a personal victory. These wonderful losers are the true warriors of professional cycling.

There is a popular Latvian folksong which begins with the phrase "I was singing out high on a mountain". The irony of it is that according to physical geography there are no mountains in Latvia. So what exactly is the place where the Latvians are "singing out"? It may be safely said that it's the same place where they are skiing. That's how we make mountains out of molehills...Snow-covered mountains, to be sure.

The code to unlocking this feature documentary is 1949, the year the director was born, and also the year of the return of Soviet repressions to Latvia. The film tells a very personal story against the background of less visited historic events – the death of director’s father due to the KGB repressions, which is closely linked to the devious game Soviet Latvia’s KGB played against Swedish-British-American spy agencies.

Claudio is a farmer. His wife Ivana is a dressmaker and they are avid tango dancers. They have a big dream: to dance the tango together in Buenos Aires. Claudio has Parkinson’s, an incurable degenerative disease. His condition was diagnosed 20 years ago. Doctors told him that he would be in a wheelchair within two years. However, not only is Claudio still on his feet and able to work, but he’s also still dancing. Today he is devoted to fostering and supporting research on the benefits of tango for Parkinson’s patients. Claudio and Ivana’s story inspired the renowned Latvian composer Arturs Maskats to write a new tango composition with world-famous accordionist Ksenija Sidorova. But just as their dream of dancing in Buenos Aires is about to come true, Claudio is hospitalized...

Accomplished European scenographer and educator Andris Freibergs paints a self-portrait by shaping the stage for an imaginary production titled “Andris Freibergs”. He transforms himself into a space that contains close to eighty years worth of stunning success, tragic loss, birth and death. It is an attempt to create the perfect empty space – one that would simultaneously encompass everything and nothing, the beginning and the end.

Driving in their yellow Lada flying its own little Ukrainian flag, they travel from incident to incident – calming an angry neighbor, investigating the discovery of a body, struggling to unfold a stroller and attempting to re-integrate Vova, the freeloader who eats other people’s dogs but actually longs for a normal existence – just like everyone else here. The seasons pass until political developments reach the village by way of the TV screen, sowing separatist discord.

This is a film about the generation of the 1970s, about its teenage dreams, hopes, choices and its adulthood reality. When the director of the film was in year 7 at school, he got a 8 mm film camera from his dad. The first thing he did was film his classmates and record their visions of future. Thirty years have passed. The future is here. Have they succeeded in fulfilling their dreams?

During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.

In 1946, a group of Latvian Brazilian Baptist missionaries arrived to Rincon del Tigre (“Jaguar’s Corner”), in the backwoods of Bolivia, to preach God’s word to the Ayoreo Indians. After sixty years of selfless work in a largely hostile environment, something seems to have gone terribly wrong. Habituated to living under the protective wings of the mission, the Ayoreos seem neither to be willing to support themselves and start living on their own, nor able to return to their traditional way of life in the jungle. Dressed in second-hand clothes, they are stranded in the backwoods of Western-style civilization, with no particular way to go.

In the Gulf of Finland shipwreck hunters come across the remains of a sunken ship. Having examined the images obtained by an underwater robot, researchers come to a conclusion that the wreck remains are that of “Krišjānis Valdemārs” – independent Latvia´s first icebreaker. The story of an icebreaker allows viewers to the look at the history of Latvia between wars from a new angle and provides insights into the little known, but fascinating episodes of a maritime history.

A local guide is asked to lead a group of influencers along the river of a remote valley. As they get deeper into the wilderness, their venture takes a frightening turn.

Under the loving but firm guidance of an old fan turned director and cultural diplomat, and to the surprise of a whole world, the ex-Yugoslavian cult band Laibach becomes the first rock group ever to perform in the fortress state of North Korea.