O.C.F.

A journalist preparing a story on extremist youth falls in love with a young radical who fears being killed by his companions when he is unable to commit a political assassination.

Description of a "hot street" and police methods: "raids", role of police assistants to stop the development of prostitution and "Nests", private works to rehabilitate prostitutes to normal life by teaching them a job.

Philippe is an older man and an industrialist whose wife is confined to her bed. They have no children. As he is preparing to go on a vacation to the seaside, he strikes up an acquaintance with Paul, a young working-class boy, and decides to bring him along. This is Paul's first glimpse of how the other half lives, with their first-class hotels and so on. When he meets some aristocratic young people at the resort, he tries to put over the fiction that he is of their class, with poor success.

One of four Hanoun films that take their titles from the seasons of the year, SPRING tells two parallel stories: a man, fleeing the forces of order, takes refuge in the forest, while a young girl living with her grandmother in a nearby village approaches the threshold of adolescence, and begins to discover both the world and herself. - Anthology Film Archive

While on a train to Rome, Léon muses about his love life after leaving his wife.

A fictionalized report from the Côte d'Azur. Preparing for vacation (diet and artificial tanning). The vacation route (a hitchhiker has her luggage stolen by a motorist; hitchhikers steal, rape and leave in their victims' cars...). "Dolce vita" in Saint-Tropez. The art of spending a vacation with a minimum of money (prostitution, cheating at gambling, pussies kept by old ladies...). Naturists on the Ile du Levant. Vacation club romance. Drugs (a girl gets stung and falls into a coma next to her friend, already dead). The end of a vacation (a young woman, ruined by her stay on the Riviera, indulges for a day in slaughterhouse prostitution to pay for her return).