Anima-Pol

Displaced by the Second World War, a troop of Polish soldiers form an inseparable bond through an orphaned bear they name Wojtek.

Have you ever wondered what happens to all those missing socks? We've all had that experience - we throw a pair of socks into a drawer, closet or laundry basket and then take them out... just one sock! Where do they disappear to? Perhaps they secretly dream of a more fascinating life than serving our feet? Perhaps they would like to become movie stars or politicians? Or maybe, dropping into a corner of our room, they travel back in time to prehistory? Wherever they end up, their adventures are sure to be filled with fun!

Can a sock become a cunning sheriff, a brilliant sleuth or… an intergalactic traveller? Of course! In their new cinematic adventures, your favourite troublemakers from a drawer set out to explore new worlds.

A surreal collage of interrelated threads revolving around history of thirty-year-old Kuba who, with his parents' encouragement, decides to take his first job. Though none too convinced, he starts work as a delivery man. Having set out on his first delivery soon after he witnesses a traffic accident. He ends up giving a statement at the police station. And his plans begin to unravel. By a twist of fate Kuba has no idea about the significance of the part he will have to play on this particular day.

Svetlana stares into the salt desert with her only eye. Gulshat runs an empty hotel. Captain records traces of the vanishing sea, and Sergei drives tourists across its bare, glittering seabed. The last people of Mo´ynoq who remember the original shore of the drying Aral Sea...

Embarking on a journey across southern Poland to find his long-lost father, twelve-year-old Tomek receives help from a mysterious youth named Gabriel.

Four dolls, living for the day in kindergarten, were brought in by the bodyguards left behind. While escaping from their kidnappers, they get lost in the forest

The protagonist of the film is a rabbit (hare), who experiences various adventures, meets strange people and strange situations. The film begins with a sequence of dreams, but the dream events are repeated in the real world and have their continuation. Everything ends well. This is how the plot looks like in a nutshell. But the mood and atmosphere of the film is difficult to verbalize, because it is assumed to be ambiguous, just as the painting of Stasys Eidrigevičius is ambiguous.

Cornelius is a happy-go-lucky crab bachelor. A night spent drinking with his friends turns awry when the parasitic barnacle, Sacculina, spikes his drink and has his wicked way with him. In the days that follow, Cornelius experiences physiological and mental changes that transform his life.

A film portrait of Henryk Tomaszewski, one of the greatest poster artists, an outstanding graphic designer, illustrator and educator, co-founder of the school of Polish poster art. He was born in 1914 in Warsaw and died in 2005. Before the war he graduated from the School of Graphic Industry and studied painting at the Warsaw Academy of Fine Arts. He was involved in poster art since 1936. He collaborated with the satirical weekly "Szpilki", printed drawings in the Lublin satirical weekly "Stańczyk", and designed scenery for the Warsaw theater "Syrena". In the early 1950s he became a professor at the Academy of Fine Arts. He educated dozens of graphic artists and poster designers who are famous today. In the film, the protagonist talks about the beginnings of poster art in Poland, his pedagogical work and artistic career. Archival materials were used during the production, and the artist's statements are illustrated with his posters and drawings.

A story about paintings and drawings created in the Auschwitz concentration camp. The film is a search for an answer to why so many people were risking their lives just to leave on paper a trace of what the morning appeal looked like.

A feature film, which is an author's exhibition of his own work, beginning with a school-era etude titled “Conflicts” - within the framing device of an otherwise empty cinema lit only by the clicking projector. As each segment plays, the auditorium gradually fills until at the very end there is but a single viewer: the director himself.

A woman and a child – two people saved by the remembrance. An apocalyptic annihilation has happened in their world. Afterimages of those traumatic events interfere the perception of reality. Woman and child are haunted by a constant sense of insecurity and danger. The surrounding world gives them no chance for the survival. Main characters exist, but as if they were dead. They meet, but they can’t see each other. They only live in those blurred by the time images of human memory.