Venfilm

Both newly single, a Dutch crime author and his cellist son attempt to rekindle their feeble bond as the latter joins the former on a publicity trip to Scotland.

'What happened? Where am I?' The man who wakes up alone in the woods has many questions. Is he dead and in the hereafter? The voice of God soberly answers his questions: Yep, that’s right. Traffic accident. But it’s not that bad, because everyone eventually dies. All the man’s questions, also about the meaning of life, are answered. In an equally entertaining and stimulating dialogue in English, the film evokes a comprehensive image of the universe and man’s place in it.

When a Dutch family drives back home from a holiday in Germany and stops at a rest area, it is already clear this is probably their last trip together. But then a marital crisis, the heat, restless hormones and suppressed frustrations unexpectedly interlock.

A young woman’s naked body lies inertly on a kitchen floor. With the paint all flaked off and the trash in the garden, her house looks deserted at first glance. The atmosphere is ominous. In a nearby wood, a man calls his beautiful white, almost translucent dog. The man and woman’s paths cross at a copy shop, where the introverted woman’s peculiar physical obsession manifests itself.

Two girls are being locked up on a balcony on a hot day, while a group of boys is waiting for them at a fair. When their messages become more and more searing, the balcony changes into a save space that the girls

‘Hipster’ Erik finds a new goal when sees the au pair of the neighbours sunbathing in the garden: to prove that he is not a forty-year-old familyman living in a suburb with the task to mow the lawn.