Anna Sanders Films

Every year, a family home is turned into a haunted house. The purpose is not only to be as terrifying as possible, but also to create a spectacular attraction to draw the neighbors in. The situation grows increasingly complicated, broken and distressed as the family’s problems intercede in their plans and as their real lives become the film’s true and overriding scary haunt.

Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.

In 1972, Djibril Diop Mambety shoots "Touki Bouki." Mory and Anta are in love. Two young lovers share the same dream: to leave Dakar for Paris. At the fateful moment, Anta embarks. Mory stays alone on quay, unable to tear himself away from his land. Forty years later, "A Thousand Suns" investigates the personal and universal inheritance which represents "Touki Bouki." What has happened since? Magaye Niang, the hero of the movie, has never left Dakar. And today, the old cowboy wonders where Anta is, the love of his youth. Stories about family, exile and cinema meet between the sphere of intimacy and that of myth.

An empress commissions a painting of herself from a French outsider in hopes of stirring her husband's interest in this lavish period piece. The Lady in the Portrait is a period yarn evoking the unique rapport between a French missionary and the Manchurian Empress whose portrait he's ordered to paint.

After hearing a loud ‘bang’ at daybreak, a Scottish woman begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia.

Between Bali, where Ioanis Nuguet lived and found refuge after the sudden death of his father in a diving accident, and Provence, where he grew up and where his mother lived before she, too, died of cancer, the director weaves together fragments of his family history: a mosaic of places and impressions where life and death, beauty and pain, love and loss are intimately intertwined.

The odyssey of Senegalese friends who attempt a life-threatening boat crossing.

Atomic Park is a place in the White Sands desert (New Mexico), not far away from Trinity Site, where the first atom bomb exploded in 1945. This national park provides an ambivalent landscape, as well suited for a picnic as for ballistic tests. A white desert, like a natural exhibition hall every movement can provoke diverse interpretations. Like a faint echo we hear Marilyn Monroe's desperate monologue and accusation about man's violence from The Misfits (1961). - Torino Film Festival

The passionate relationship between two men with unusual consequences. The film is divided in two parts. The first half charts the modest attraction between two men in the sunny, relaxing countryside and the second half charts the confusion and terror of an unknown menace lurking deep within the jungle shadows.

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

Jenjira, a Thai widow, travels to the ancient Buddhist temple Sigiriya in Sri Lanka to scatter her husband’s ashes. As her visions blur time and space, she is swept into a journey through across dimensions.

In Thailand, an illegal immigrant from Myanmar with a mysterious skin rash, his girlfriend, and her friend visit the doctor's before spending the afternoon on individual and collective adventures.

"Central Park" is composed of 11 films that offer a visual, sound and poetic journey through 11 cities crossed by the artist. Fascinated by the city, space and urbanism, Dominique Gonzalez-Foerster has been developing the concept of "tropical modernity" for several years, starting from the cohabitation and the confrontation between architecture and vegetation. It is around this research that she designed "Central Park" 11 films : - Kyoto (1998) - Taipei (2000) - Buenos Aires (2003) - Los Glaciares (2003) - Hong Kong (2000) - Encore Tapei (2000) - White Sands (2003) - Brasilia (1998) - Paris (1999) - Shangai (2003) - Rio de Janeiro (2000)

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

A nature-hating aesthete, Jean des Esseintes attempts to furnish and decorate a country home where he will be able to live without ever again having to deal with the outside world.

Christophe, a young horse racing jockey from Paris, is filled with hope and ambition. Yet after a race, he tests positive for illegal substances and is subsequently suspended from racing. He decides to move to Macau, in Asia. There his circumstances change very quickly: he wins one race after another, earning himself large amounts of money and success with women. But, his new life also brings him an ever-increasing sense of solitude. Macau has its own unspoken rules that Christophe thinks he can ignore. But events start to gain momentum as the net tightens around him. Motivated by love for an intriguing young Chinese woman, Christophe ends up gambling with his own destiny, but this time on the card tables.

A story about director Apichatpong Weerasethakul’s parents who were both doctors, and his memories of growing up in a hospital environment.

«Melvil» is the name of a character who manoeuvres between cinema and reality, searching for a family, a place to take over, a role to play.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

“Le Pont du Trieur”, co-written by de Meaux and Philippe Parreno, with an original score by Dave Stewart, is set in Pamir, a region situated in the highest part of Tajikistan, at the border between Afghanistan and China. This is a strategic zone controlled by various armies in the midst of a region that awaits reconstruction. The film stems from the simple question of how to tell the story of a country of which the West is deprived of images. Both fiction and documentary, it is about reality and the means of telling it.