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The Story of Qin Xiang-Lian is a Hong Kong Chinese Opera musical starring Jackie Chan in a child role.

Wang Xinglian returns from her studies in Japan to visit her father in Hong Kong where she has an encounter with the young Japanese Hasegawa Toru. The two meet again and fall in love in Hokkaido when Wang and her best friend Sugimoto Kanako are going on a holiday. Urged by her friend Zhang Yingming to concentrate on her studies, Wang remains ambivalent about the relationship, and is even more upset to realise that Sugimoto is in love with her fellow countryman. Feigning an engagement with Zhang, Wang initiates a break-up with Hasegawa and finds work in Singapore after graduation. Hasegawa learns the real cause of the break-up from Sugimoto in Hong Kong. A frenzy search finally leads to a reunion and a proposal in Kuala Lumpur. However, their love is doomed by a twist of fate as Wang must leave to see her desperately ill father in Hong Kong while Hasegawa has to leave for America to pursue his career.

Narcotics officer Matsumoto’s investigation into a drug smuggling ring leads him from Tokyo to Hong Kong, where personal ties and painful secrets unravel a complex web of betrayal. As love, family, and justice collide, Matsumoto must face a truth too deep to escape—and a loss too great to mend.

Grace Chang delivers an eye-opening performance as a lusty nightclub singer climbing the social ladder in seedy Wanchai. Borrowing story and song elements from Georges Bizet’s CARMEN, this Wong Tin-Lam directed musical has flair and polish to rival Hollywood, and a superstar leading lady that would any film industry would have a tough time matching! A key film from the celebrated Cathay Film Studios.

The Crisis is a Hong Kong Action movie starring Sammo Hung in a child role

Romantic melodrama set in contemporary Hong Kong, Japan and Laos. Hiroshi Tanaka (Takarada) is a Japanese journalist on assignment in Hong Kong who meets and falls in love with Wu Li Hung (Ming). He proposes to Wu Li but she rejects him because of her distaste for mixed marriages (her mother was Japanese but deserted her family and returned to Japan during WWII). Tanaka locates Wu Li’s mother and unsuccessfully tries to reunite them, but eventually Wu Li accepts his proposal. A joyous Tanaka flies off to Laos to finish an assignment but on the eve of his wedding he is killed there.

Back in 1959, air hostess was considered one of the most glamorous and privileged occupations for young girls with a dream. This first colour production of MP & GI details the ins and outs of the profession and takes the three lead actresses, Ge Lan (Grace Chang), Julia Ye Feng and Dolly Su Feng through a series of tough training. After their graduation, the film then brings them, and the audience, to exotic places like Bangkok, Singapore and Taiwan.

Adapted from one of China's most well-known fairy tales, the Goddess of Mount Hua falls in love with a young mortal scholar Liu Yanchang and gives birth to a baby son, Chenxiang. When Chenxiang grows up, he seeks to unravel the mystery surrounding his mother whom he has never met.

.A young middle-class upstart Lin Ching Yi reluctantly takes on the task as understudy for her sick father who's a dedicated teacher to a band of mischievous working-class 3rd graders that initially proved to be much more than she can handle. Yet it is the matronly bond that is formed with her little urchin flock and her gradual understanding of the their poverty-stricken home lives outside of the classroom that raises the stakes for her as a teacher. It doesn't hurt that her empathetic male colleague Kit Chang provides support for her dilemmas also provide her a prospect as love interest. With growing ties with her students and school, Lin finds herself accepting the challenge for education of her community with her own education of love.

The third and final chapter of MP & GI's Toho Trilogy expands the geographical reach of the franchise, taking stars Lucilla You Min and Takarada Akira across the Pacific to Hawaii, where scenic travelogue passages add to the cross-cultural affair. Also expanded is the romantic entanglement, as the love birds find themselves embroiled in an intricate love pentagon! By then a rising star of Toho boasting multiple talents, Jimmy Lin was bestowed the unenviable task of playing one of the five, the Lucilla character's long-lost fiancé…

Leung Sing-por and Liu Enjia reunite with director Wong Tin-lam as they carry their inter-cultural feud to the dining table in this foodie comedy. This time, the two plump stars play owners of competing restaurants—Cantonese cuisine in one and Northern cuisine in the other, of course—whose rivalry heats up when their respective children decide to get married. While the script by Eileen Chang cleverly uses the two regions' foods to bring out clash of cultures, the film's title already says that it is ultimately a heartwarming film about two decent men who must put petty arguments aside for their children's happiness.

FAIRY, GHOST, VIXEN (1965) consists of three fanciful tales that may be loosely classified as ghost stories, but they're presented and designed more along the lines of traditional fairy tales. They're beautifully staged and photographed and have a timeless quality about them with a moral at the end of each.

The Kong family has four daughters. Hilda, the eldest sister, assumes the role of a mother and often lets romance slip by. Third sister Hedy introduces her to Sun Ruhao, an engineer, but Sun is snatched by second sister Helen. The youngest girl Hazel drops out of school in pursuit of love. Hedy shows no interest in romance but is chased by a rich heir, He Yan. Meanwhile, Hilda runs away to meet her true love in a foreign land. As for Hedy, she is at last won over by He.

Lau Ching-yee sets out to investigate the raid on her uncle's consignment of silver when she stumbles upon two suspects, the stately Cheung Ting-yu and his attendant Mang Leung. Cheung makes the acquaintance of the knight-errant Poon Mo, who is recruiting allies to join the band of martial adepts against Tsak Sing-tau in the ring to win 20 chests of jewels for the poor. Failing to pressure Cheung to turn over the silver, Lau engages him in a fierce fight until the respected elder Moh Oh-ming intercepts and settles the dispute. Who is behind these strange events?

Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.

Part 1 ended with Jianbai and Su Yanan among the students fleeing the invading Japanese. Part 2 follows the efforts of all four characters to participate in the war effort. Su Yanan joins the army and fights. Jianbai enlists to be near her. A-Lan becomes a nurse at a battlefront hospital and Qiuming entertains the troops. (Grace Chang, Cathay's leading musical star at the time, performs some rousing patriotic numbers in these scenes.) Jianbai is reunited with Su in the battlefield, but...

A young lady has taken the place of caring for her two younger brothers since the death of their mother. She is content with putting her life on hold whilst she cares for them until one day...

The third film of ‘The Greatest' film series plays down cultural differences for an amusing cross-dressing comedy that features another great collaboration between Leung Sing-por and Liu Enjia. This time, Leung puts on omega hair and woman's clothing, posing as a rich woman in order to help his two friends get love. Liu is equally amusing, sharing the dance floor with Leung in a hilarious dance scene. Loosely based on the British play Charley's Aunt, the film is a delightful comedy on grassroots, offering a refreshing alternative to MP & GI's usual line of comedies.

A young woman in search of a lost identity, her long lost mother who abandoned her soon after her birth.