Japan, 1944. Trained for intelligence work, Hiroo Onoda, 22 years old, discovers a philosophy contrary to the official line: no suicide; stay alive whatever happens; the mission is more important than anything else. Sent to Lubang, a small island in the Philippines where the Americans are about to land, this role will be to wage a guerrilla war until the return of the Japanese troops. The Empire will surrender soon after; Onoda, 10,000 days later.

Sorn, an ethnic Shan sex worker, tries to build a future in Chiang Mai, Thailand, as a refugee far from home, but he is drawn into a complex relationship with one client, an investigator probing a political activist.

After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on an unexpected journey in a country she knows so little about, taking her life in new and unexpected directions.

Samnang, 20, faces the demolition of his lifelong home in Phnom Penh and the pressures from family, friends, and neighbors which arise and intersect in this moment of sudden change.

Thida, the spirit guardian of an old cinema facing demolition, must confront her existence as a ghost and the choice of rebirth. When she meets Hai, a living human with whom she forms a deep bond, their connection forces her to face not only her spiritual destiny but also the realities of a country undergoing profound economic and social change.

A young woman working late at night at a beauty salon gives into her restrained interest in a young man who spends his evenings driving Phnom Penh's streets by motorbike as a delivery man.

Phnom Penh at night. Three young hip-hop dancers drive a single motorbike and stop on a muddy deserted road. Nick leaves the others to look for an iPhone he heard was lost in the area. Piseth and Thy discuss their hopes and doubts, and Piseth shows his best Michael Jackson moves. They meet Leakhena, a young female street vendor whose cart is full of colors.

Kanitha, a young, free-spirited Cambodian woman in her 20s, lives in modern-day Phnom Penh, working multiple jobs and choosing to live how she pleases. However, her daydreaming creates tension with her traditional mother, who wants a daughter that will settle down to get married, and Kanitha seems ambivalent to her father's deteriorating health. The family's struggle seems immutable, but Kanitha dreams an idea born from memories of her father. TURN LEFT TURN RIGHT is structured as an album, with tracks and sounds influencing the form. The film weaves Cambodian rock songs together with motifs of family, nature, and boundless imagination.

During her chaotic family’s Qingming visit, dead Grandma Nai sneaks away from her peaceful afterlife after overhearing that her queer grandson is about to get engaged to a woman.

Kavich Neang documents the final days of the White Building in Phnom Penh, an architectural landmark he had lived in since birth.

Hidden in a hotel in the capital city of Phnom Penh, a young couple spends their final days together before one of them has to return home to her own country.

On a Cambodian fishing island, Mera is turning 18. She rejects a marriage arranged by her aunt and instead organizes a trip with her close friend Bopha to a remote rocky island to visit a soldier who she met online. Weeks later, Mera vanishes. Bopha’s search begins. As the weeks pass without resolution, Bopha starts to understand the inner secrets and hidden desires of her missing friend, and her own.

Bora, an 18-year-old, leaves his village to work on the construction sites of Diamond Island, a project for an ultra-modern paradise for the rich and a symbol of tomorrow’s Cambodia. He befriends his fellow workers and finds his elder brother, the charismatic Solei, who went missing five years earlier. Solei introduces him into an exciting world, that of an urban and wealthy youth, its girls, nights and illusions.

An interrogation of the globalized aesthetics of contemporary Cambodia's transformed cityscapes, as well as the lives -- and parallel experiences of alienation -- of the construction workers and homebuyers who occupy its new highrises and hidden squats.

Phnom Penh, Cambodia. On Diamond Island, the country's pinnacle of modernity, two friends tell each other about the dreams they had the night before.

On a lonely night, Tuk Tuk driver Nath meets a woman who reminds him of his past. Returning home, he confesses to his wife that he wants to move. This realization ultimately reveals the unspoken realities of their marriage dating from the Khmer Rouge period.

A young woman relaxes at a riverfront restaurant. She recounts stories of her past experiences, finding enchantment in the flows of the river and the trees on the mountains nearby.

Forty years after the fall of Phnom Penh, Cambodian artists inherit a pluralistic history whose groping threads they unravel. Sera Ing works on the sculpture which will become the first memorial of the genocide but the project encounters difficulties to exist. How do artists reappropriate history and culture from which they have been dispossessed?

A nurse helps Vicheka make sense of his dreams after he returns to a transformed Sihanoukville to memorialise his father in this restrained film about the human cost of Chinese investment in Cambodia.

On the Cambodian island of Koh Sdach, a local diver examines coral reefs and seahorse populations while exploring the environmental impacts of his village's commercial development and growing fishing industry.