Harvard University

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.

A film by Dinah Wynter made in conjunction with Harvard University.

A personal documentary of the director's struggle to come out with his homosexuality to his mother who is visiting him in the United States from India for his graduation.

An archaeology of both the ocean and the image, this piece reworks the sequences of Leviathan that were shot in and from the sea. Projected at 1/50 of the speed at which they were recorded, it simultaneously slows movement and animates the still, revealing a liminal universe at the threshold of human vision. In this flux, one beholds a netherworld of aqueous forms that appear in one frame and disappear or transmogrify into something else in the next.

A live-action, stop-motion story of a one glove coming up against a gang full of mobster gloves. This used lost gloves the filmmaker collected with help from friends, and wire-and-putty armatures were built to put in the gloves and was filmed near campus. Caroline Leaf, was J. Liu's teacher at the time of production.

Sand or Peter and the Wolf is a loose interpretation of the fable Peter and the Wolf, in which a boy's fear of the dark, the woods, and the wolf, is confronted and resolved. The film shows the extraordinary graphic possibilities of one of nature's most ordinary substances, sand.

Caroline Leaf's second animated short film. The filmmaker reinterprets the Greek myth of Orpheus and Eurydice in a very free and poetic way. Here, human figures constantly transform into elements of nature—flowers, birds, fish, and even a centaur—underscoring the ever-changing nature of love and identity, and placing more emphasis on the transformative power of art and music than on the myth's usual tragic ending.

Early travelogue from Pathé.