Les Films de Pierre

A woman is suspected of her husband's murder, and their blind son faces a moral dilemma as the sole witness.

Fanny, a shy and lonely teenager, goes on a language exchange to Germany. In Leipzig, she meets her pen pal, Lena, a teenager eager to become politically active. Fanny is troubled. To win over Lena, she invents a life for herself, to the extent of becoming trapped in her lies.

Enzo, 16, defies his bourgeois family’s expectations by starting a masonry apprenticeship, a path far removed from the prestigious life they had envisioned for him. In their chic villa in the sun-drenched South of France, tensions simmer as relentless questions and pressures weigh on Enzo’s future and dreams. On the construction sites, however, Vlad, a charismatic Ukrainian colleague, shakes up Enzo’s world and opens the door to unexpected possibilities.

Sibyl, a jaded psychotherapist, returns to her first passion: writing. But her newest patient Margot, a troubled up-and-coming actress, proves to be a source of inspiration that is far too tempting. Fascinated almost to the point of obsession, Sibyl becomes more and more involved in Margot’s tumultuous life, reviving volatile memories that bring her face to face with her past.

Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.

Described as unfolding in a seemingly idyllic and takes audiences on a vertiginous dive into the shifting limits of a sound mind, as grief and obsession take hold.

Sartène, a Corsican village enclosed in the stone corset of a town, a fortress clinging to its mountain, is like an island within an island. The space in Sartène is shared, surveyed for decades according to an immutable rite and on the margins of the square which forms its heart, stand the North Africans.

Arriving from all over the Eastern Bloc, the men who loiter around the Gare du Nord train station in Paris are scraping by however they can, forming gangs for support and protection, ever fearful of being caught by the police and deported. When the middle-aged, bourgeois Daniel approaches a boyishly handsome Ukrainian who calls himself Marek for a date, he learns the young man is willing to do anything for some cash.

A head nurse defies hospital rules to let a mother stay with her malnourished son. As they navigate a complex crisis, the nurse's empathy proves just as vital to the boy's healing as medicine.

Abdellah is a young gay man navigating the sexual, racial and political climate of Morocco. Growing up in a large family in a working-class neighborhood, Abdellah is caught between a distant father, an authoritarian mother, an older brother whom he adores and a handful of predatory older men, in a society that denies his homosexuality.

Interconnected narratives collectively tell the life story of the title character, covering the period from the Vietnam War up to an unspecified point in the near future.

Who is this Karim D. ? The new young writer whom the media can't get enough of? Or his alias, Arthur Rambo, the author of old hate-fuellled messages which are dredged up, one day, from social media websites?

The life of Michèle Firk — a trailblazing French journalist, film critic, aspiring director and communist activist involved in various liberation struggles in the second half of the 20th century — as told by narrator Alice Diop, modern day French director.

In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)

Primo is an ordinary middle-class youngster studying for his baccalaureate, who gets side-tracked when he falls in love with a rich girl. They soon learn they have to deal with her condescending friends who look down upon this upstart.

Loves, worries, search for happiness in an anxiety-provoking society: an invigorating dive into the intimacy of European youth, filmed during a theatrical performance.

Madagascar, at the turn of the 1960s and 1970s. On an air base of the French army, the soldiers live the last carefree years of colonialism. Influenced by his readings of Fantômette, Thomas, a child who is not yet 10 years old, gradually forges a look at the world around him.

Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.

An intimate and political history of the French working class from the early 1950s to the present day.

Napoleon's troops are gathering close to Waterloo. Time is running out for Bébé, a soldier who is seeking a battalion to join the Great Army. Tomorrow, the troops will launch their attack on the English. Along with his wife Ludo, in the parking lot where they have pitched their tent, they live through the last remaining hours before the fall of the Empire.