Film Development Council of the Philippines

A historical drama focusing on Manuel L. Quezon years after the Philippine Revolution during the American occupation. When his fight for independence from the United States is put to the test, Quezon finds himself playing the brutal game of politics to outmaneuver his rivals — including Leonard Wood, Sergio Osmeña, and Joven Hernando. In Quezon’s relentless quest for power, he ultimately faces off with Emilio Aguinaldo in the 1935 presidential elections, using charm and favoritism as both weapons and currency, in a campaign that ultimately changes the face of Philippine politics and history.

Boses (Voices) is the story of a musician named Ariel who offers violin lessons to a child of the slums. Through the violin, the abused child Onyok is able to get back his voice from a mute, desensitized existence. A violin teacher and his student, a mute 7-year old abused child in a shelter, develop a friendship stemming from their love of music. Ariel discovers the immense talent of Onyok hiding behind a veneer of silence and pain caused by an unhappy and cruel father. In the developing relationship of teacher and student, both characters reveal more of themselves that otherwise may have remained unspoken. They discover each other's strengths and failures through the violin lessons.

Beloved by revolutionaries Andres Bonifacio and Julio Nakpil, Lakambini Gregoria de Jesus' quest for justice mirrors the film's journey to reclaim the legacy of a forgotten heroine.

A Bajau midwife copes with the irony of her own infertility amid the deprivations of her gypsy community in Tawi-Tawi. A saga of island life stuck between the devil of passion and the deep blue sea of tradition.

An awkward 6-footer teen is forced to learn and play volleyball half-heartedly when the Catholic school she transferred to did not have a basketball team. Everything changes when she meets their star player.

The lives of a taxi driver, a working student, an expectant mother, a call center agent and a petty thief all intersect one night as a small crime takes place in a convenience store.

The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.

After realizing that prostitutes are not entitled to the best part of love making, two sex workers form a screwy relationship as "cuddle partners" only to realize that they want something more.

Two aging couple who work in the Filipino film industry, a linear editor and an ex-dubber, who, at the twilight of their lives, decide to part ways to know what’s missing in their lives. They both explore things they haven’t explored before as they both undergo a sexual awakening in their lives. The wife finds comfort in a local school janitor whom she sees a slight parallelism to her life. On the other hand, the husband gets enamored on a shy barrio lass whose face elicit the same weakness he has for women chinita eyes.

A one-of-a-kind legacy project produced by TBA Studios, Habambuhay is a homage to the centennial anniversary of Philippine cinema–an insightfully entertaining documentary series, revisiting the personal experiences of those who work in front of or behind the cameras, those who have shaped the film industry of the Philippines for the longest time.

Drawing from his personal adventures, film director, Elwood Perez veers away from standard-issue plot conventions in this paradoxically moral tale of a young man en route to becoming a creative artist.

A driver is sent on a simple errand: to pick up a designer t-shirt and a tin of viagra for his boss, who is shacked up in a hotel with his lover. Simple as it sounds, the road trip crisscrosses the chasms of time, class, and character.

A coming-of-age story of two children whose lives and friendship are shaped by the festival and their devotion to the patroness of Jaro district in Iloilo City.

In order to bring her brother back to life, Abby must win in the Game of Life against the Angel of Death.

The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.

Orphan Carding befriends Army Captain Samuel Corazon, who’s stationed in his town to root out the remaining Huk guerrillas. At the dance hall, Corazon woos dancer Lauriana, and they soon move in together. The two become sort of surrogate parents for the orphan Carding, with Corazon teaching him the ways of men. But the soldier has a dark side, and Carding becomes witness to the violence occurring in their home, and a heinous act committed by the soldier on his common-law wife.

T’yanak is the story of Julie’s adopted baby who transforms into a monster and terrorizes their quiet town of Putting Bato with a series of brutal murders, including the wife of townsman who gets wrongly imprisoned for T’yanak’s crime.

A young couple navigates the challenges of raising their autistic son in an increasingly unforgiving world, testing their love and resilience.

Teresa (Rustica Carpio) has worked for the Bautista family since she was seventeen. She was the nanny of siblings Stella, Vince and Andre (Jackie Lou Blanco, Bobby Andrews and Ryan Agoncillo), and their mother. The three have all moved abroad in their adulthood, but all reunite back at home with the passing of their mother. With no one left to stay in the country, it is decided that all of their properties will be sold, including the house they grew up in. But they are faced with the problem of what to do with the elderly Teresa, who has no money saved, and little contact with her relatives.

Follows the flirtation between Manuel and Lourdes, two Negrosanon whose lives revolve around food. Along the way, we are treated to the full panorama of Negrosanon cuisine and the idiosyncrasies of Negrosanon eating.