A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.

Set on the eve of a fictional inaugural of the Bangsamoro Government, the film revolves around Daud, a scion of a political dynasty who is reluctant to become a member of the Parliament, and his college buddy Marco, a struggling journalist assigned to cover the inaugural. The duo drive off to the countryside, reminiscing their days as student activists and discovering their deepest longings as hostages of a future they will inherit.

When an alien comes back to take him, a mouthless young man's life twists and turns as his memories untangle.

During the Japanese occupation of the Philippines during World War II, a young girl from Vigan and an idealistic Japanese officer fall in love. With a war between them and disapproval from both sides, the two struggle to find their own piece of happiness in the world as duty and family threaten to tear them apart.

A tribute to the people that we fear to lose, and for the ones that we have lost. It is a story about the fear that we have to face as the new normal.

After saving a drowning child 13 feet under the sea, a man has to adapt to living with his developing scales and gills.

A historical drama focusing on Manuel L. Quezon years after the Philippine Revolution during the American occupation. When his fight for independence from the United States is put to the test, Quezon finds himself playing the brutal game of politics to outmaneuver his rivals — including Leonard Wood, Sergio Osmeña, and Joven Hernando. In Quezon’s relentless quest for power, he ultimately faces off with Emilio Aguinaldo in the 1935 presidential elections, using charm and favoritism as both weapons and currency, in a campaign that ultimately changes the face of Philippine politics and history.

A filmmaker explores why women are at the forefront of documentary filmmaking in the Philippines by chronicling their narratives of struggle and victories as they navigate the masculine filmmaking industry. Throughout the film, she discovers her own reflexivity as a filmmaker but most importantly, as a woman.

While trying to cozy up to the sexy and mysterious Mina, who recently moved into the boardinghouse above his shop, unlucky Xerox operator Lito is unwittingly placing his life in grave danger.

ITAN's parents, 12, Sambal Ayta, have fully decided that he will not continue his education. He said that he has reached Grade 6 enough where he can read and write, he said he will only help the family to get the heart of the banana and eat in the mountains. The study is not supposed to be for curls like him, but only for those who are stretched. Itan's dream seemed to crumble and despair until he found a broken computer keyboard.

Jay is the name of the two protagonists in the film, one is living, the other dead. The living Jay is producing a documentary of the dead Jay, a gay teacher who was brutally killed. As Jay recreates and examines the life of his subject, his own life is affected when he unravels his subject's hidden life and secret love.

After the lockdown silenced the Higantes festivities, Tupe finds himself jobless and isolated. He sees a glimmer of hope when he qualifies to receive financial help from the government. But getting his hands on that money is not as easy as he thought it would be.

In 1982, a fourteen-year-old movie fanatic from an underprivileged family in the Municipality of Manapla coincidentally witnesses the production shoot of Oro, Plata, Mata in his hometown. Full of determination he approaches the director, Peque Gallaga, in the hopes of landing a job that would help in providing for his family, and feed his passion.

Boses (Voices) is the story of a musician named Ariel who offers violin lessons to a child of the slums. Through the violin, the abused child Onyok is able to get back his voice from a mute, desensitized existence. A violin teacher and his student, a mute 7-year old abused child in a shelter, develop a friendship stemming from their love of music. Ariel discovers the immense talent of Onyok hiding behind a veneer of silence and pain caused by an unhappy and cruel father. In the developing relationship of teacher and student, both characters reveal more of themselves that otherwise may have remained unspoken. They discover each other's strengths and failures through the violin lessons.

Two lads, best friends since childhood reunite at the beach but as their bond gets stronger they are reminded of their fears to a mythical creature inherent in the place.

Lorna, a mother of two, just lost her husband, a fisherman one morning in a tragic sea accident. She was left with no choice but to raise her own family. In a town where women are regarded as inferior, she defies the odds by being the first woman “mangingisda” in order to feed her kids. Will she be able to rule out the ways of the sea? How long till’ the community accepts her defiance?"

Inside the Rabadon house, nobody talks. Lives are kept to themselves; problems are not shared; questions are not entertained. The people living inside it have become used to leaving everything unstirred especially Margaret, the mother of the home. Margaret's desire for cleanliness and order alienates her from her family. She cannot confront the problems of her life and so she confronts dirty dishes, ugly stains, and disorderly appliances. To get to know her family, she snoops around - entering rooms, opening cabinets, reading journals she is not supposed to read. But everything changes when a journal entry of her daughter's makes her unravel, stirring the unstirred life that she has held on to for years.

Gibson Bonifacio stopped speaking when he was a child. Now twenty, he returns home to Manila for Christmas. While always festive in the Philippines, for his family it is tinged with sadness, marking the anniversary of his twin brother’s death.

The amazing adventures of Gunam-gunam (Rumi) and Guni-guni (Phantasm). Adapted from the book Auxiliary Materials for Teaching the Filipino Language by Kelly Sta. Ana Nicolas (Philippine Normal College, 1964).

When they have no one to pass their "mutya" forward so they can finally die, aging "aswangs" in Antique are believed to seek for the mystical lake in Negros where they can just turn into ashes and disappear forever. This is the story of a 78 year old aswang and the young man who helped her find the lake.