National Commission for Culture and the Arts

A historical drama focusing on Manuel L. Quezon years after the Philippine Revolution during the American occupation. When his fight for independence from the United States is put to the test, Quezon finds himself playing the brutal game of politics to outmaneuver his rivals — including Leonard Wood, Sergio Osmeña, and Joven Hernando. In Quezon’s relentless quest for power, he ultimately faces off with Emilio Aguinaldo in the 1935 presidential elections, using charm and favoritism as both weapons and currency, in a campaign that ultimately changes the face of Philippine politics and history.

Boses (Voices) is the story of a musician named Ariel who offers violin lessons to a child of the slums. Through the violin, the abused child Onyok is able to get back his voice from a mute, desensitized existence. A violin teacher and his student, a mute 7-year old abused child in a shelter, develop a friendship stemming from their love of music. Ariel discovers the immense talent of Onyok hiding behind a veneer of silence and pain caused by an unhappy and cruel father. In the developing relationship of teacher and student, both characters reveal more of themselves that otherwise may have remained unspoken. They discover each other's strengths and failures through the violin lessons.

Padre De Pamilya is a story about a father Joselito Mirasol (Ariel Rivera) whose only wish is for his children to grow up as good Catholic Christians. Unfortunately, his salary as a government officer is not enough to make ends meet. And because he is working under a corrupt mayor (Tessie Tomas), the temptation to become a corrupt government official are always there.

Gibson Bonifacio stopped speaking when he was a child. Now twenty, he returns home to Manila for Christmas. While always festive in the Philippines, for his family it is tinged with sadness, marking the anniversary of his twin brother’s death.

While trying to cozy up to the sexy and mysterious Mina, who recently moved into the boardinghouse above his shop, unlucky Xerox operator Lito is unwittingly placing his life in grave danger.

As the global pandemic affects more than half the world, the Family Chan tries to cope with the seemingly permanent quarantine and the claustrophobic circumstance of being together.

Mina, a pretty and intelligent 18-year-old student in a town, falls victim to a viral sex video the circulated in her school. This forced her mother Rita, an overseas Filipino worker in the Middle East, to go on an emergency leave to take care of her only daughter who was severely affected by the incident. In the following days, strange things start to happen to Mina at home and at school. Her nose bleeds endlessly, a python appears in their home, and she sees the spirits of her ancestors come to their house. A healer, an old woman from the next barrio, is called to treat Mina’s strange afflictions. The old woman surmises that Mina’s ancestors had come to tell her of an important message but Mina is stubborn and continues to ignore the signs communicated.

When an alien comes back to take him, a mouthless young man's life twists and turns as his memories untangle.

The beginning was, when a young girl wanders off to the forest, she suddenly meets a bunch of forest spirits that seemingly, only she can see for when her mother found her, she's dancing all by herself. Nevertheless, even as she grew, she never forgot them and she visited them despite the very forest was starting to get swallowed up by urbanization.

A wounded activist ends up in a toilet and meets two members of the oppressed masses whose only reality is living on toilet fees.

Jay is the name of the two protagonists in the film, one is living, the other dead. The living Jay is producing a documentary of the dead Jay, a gay teacher who was brutally killed. As Jay recreates and examines the life of his subject, his own life is affected when he unravels his subject's hidden life and secret love.

A woman with falling hair, anxious about her online work, a child unable to leave her room in a power outage, and a yoga buff with body issues, all encounter an unseen terror while alone in their urban middle-class homes during the nationwide quarantine.

Makoy, Kaloy, and Buknoy wake up to an announcement about going back to school. Parents who do not want or are unable to opt for online classes must take an exam to determine if they are fit to teach their children. Unfortunately, most parents in this small town are not as privileged as their children who've had formal education.

Inside the Rabadon house, nobody talks. Lives are kept to themselves; problems are not shared; questions are not entertained. The people living inside it have become used to leaving everything unstirred especially Margaret, the mother of the home. Margaret's desire for cleanliness and order alienates her from her family. She cannot confront the problems of her life and so she confronts dirty dishes, ugly stains, and disorderly appliances. To get to know her family, she snoops around - entering rooms, opening cabinets, reading journals she is not supposed to read. But everything changes when a journal entry of her daughter's makes her unravel, stirring the unstirred life that she has held on to for years.

Lockdowns and quarantines did not deter sixteen filmmakers from Luzon, Visayas, Mindanao, and the National Capital Region from chronicling their struggles and triumphs during the pandemic time in the way they know best: through film. ECQ: Eksena Cinema Quarantine (COVID-19 Filmmakers' Diaries), a project under the National Commission for Culture and the Arts, National Committee on Cinema (NCCA-NCC), in cooperation with University of St. La Salle Artists' Hub, features sixteen filmmakers namely Adjani Arumpac, Hiyas Baldemor Bagabaldo, Arbi Barbarona, Glenn Barit, Carlo Enciso Catu, Zurich Chan, Arden Rod Condez, Kristian Sendon Cordero, Khavn, Keith Deligero, Kyle Fermindoza, Bagane Fiola, Mark L. Garcia, Julienne Ilagan, Pam Miras, and Guillermo Ocampo.

In 1982, a fourteen-year-old movie fanatic from an underprivileged family in the Municipality of Manapla coincidentally witnesses the production shoot of Oro, Plata, Mata in his hometown. Full of determination he approaches the director, Peque Gallaga, in the hopes of landing a job that would help in providing for his family, and feed his passion.

During the Japanese occupation of the Philippines during World War II, a young girl from Vigan and an idealistic Japanese officer fall in love. With a war between them and disapproval from both sides, the two struggle to find their own piece of happiness in the world as duty and family threaten to tear them apart.

Badong, an established painter, comes home and returns to his old studio. He has a piece in mind that requires a specific model to pose nude. He wants Mimosa, his former nude model and ex live-in partner. Years ago, Mimosa left him for another man.

After saving a drowning child 13 feet under the sea, a man has to adapt to living with his developing scales and gills.

Orphaned by war, 12-year old Nikol found a new home in Isla Kalilintad, an island community of people from different cultures and faith traditions. He was forced to become an adult at a tender age, trying to eke out a living to feed Langit, his younger brother. By serendipitous circumstance, Dr Sittie and Sr Claire, a team of humanitarian workers on a mobile medical mission, visited the isla before they proceed to the other smaller islands. Nikol, eager to grab the chance to work, presented himself as a natural healer and got accepted as an all around utility person for the mission. The mobile medical mission which runs on a low budget, relies on fishing boats offered by the communities they serve as they make their way to far-flung villages rarely reached by medical services from both government and private sector. Each journey to these unknown frontiers bears stories of struggle and survival of people affected by war and extreme poverty.