Zagreb Film

This film tells about how women idealise and romanticise love affairs, and all they do and tolerate to be loved.

After a violent car crash, a succsesful musician begins to rethink his life choices and rediscover personal meaning. However, his transformation may not just be exclusively spiritual.

Two main characters, Cricket and Antoinette, represent two separate worlds, the world of noise, chaos and creativity on the one side, and the world of work, order and discipline on the other. As they fall in love, in spite of obvious differences, they manage to create harmony.

People sometimes say that an event, a landscape or a custom is “embedded” in them. The characters in this film have pulsating ornaments embedded in their visible auras. These soul ornaments are animated and they use a visual language to express the energy that the characters carry within them.

Since 2024, on central squares in many towns and cities across Croatia, groups of primarily elderly and middle-aged men calling themselves 'The Knights of the Immaculate Heart of Mary', gather together in communal prayer and advocating for Christian values, the importance of the patriarchy and enforcing limitations of women's rights, treating these squares as their own personal battlefield, upon which women have no place. Through the documentations of the reactions of law enforcement officials, ordinary passerbys and the 'Knights' themselves, as well as the defiant pieces of multimedia artist Arijana Lekić, Holy Defiance creates a vivid, lively, energetic and varied portrait of women's rights in post-war Croatia.

All is grey. The sun has not been rising for years. There is a legend going around the city: Paint the sun a 1000 times and it will rise again.

A man is smoking. Something itches him and he scratches it. Then this repeats elsewhere. He starts to scratch himself harder and harder and at different places. Everywhere, from his sleeves, coat, trouser legs, small people start to fall out, and the man can no longer crush them.

Location: a lonely house, crowded with everyday things and one man. Objects live their lives; they rejoice harmlessly, they love, they suffer, but above all they enjoy their own liberation from the chains of objectivity, from the restraint of functionality. They childishly surrender to the frenzy of action, to the motion of movement. New beings, mutants of civilization. Objects seen differently.

Life and times of Nikola Tesla, famous scientist whose inventions were stolen, but whose greatest contribution to mankind remain a mystery to this day.

A painter falls asleep beneath a magical elm tree and awakens with magical powers that allow him to communicate with the creatures of the forest. In the limited time that he possesses these powers, he must help save the forest from the threat of the evil Cactus King.

A light signal from a side train station stops a night train. The railway worker knocks on wheels to make sure the axles are faultless. All the passengers are asleep, they react to the knocking, but they don’t wake up. Only the passengers in the most expensive part of the train loudly protest and demand that the worker should be chased away. Their wish comes true.

The Beauty of the Adriatic was created as a promotional tourist film, but through its unusual and even bizarre formal devices it overcomes the promotional function. The narrator of the film is constantly communicating with the viewer, exclaims and inserts jokes, and we also see him in the film as a guide entertaining us with various gestures and movements. In the film there are also interspersed humorous animated scenes, an interview with Hamlet, poetic sequences and stylized scenes such as one where the camera is "looking for" the lost guide.

A Grand Guignolesque grotesque which happens in the dusk of one of those imaginary nights when everything is possible. The scene takes places in a village’ inn and cemetery located one next to the other: joyful and always tipsy guests from the inn continuously meet mischievous vampires who, with their jokes, bother their brothers from this world.

Two men on the meadow fight for one flower.

A wall blocks the path of two people. One man submits, while the other refuses to admit defeat.

A butterfly collector seeks the last missing piece of his collection.

A group of eccentrics are playing. A little man wants to join in but is always sent away and is finally murdered. In heaven he meets others of his kind and plays with them but a still tinier man wants to crash their games.

Seeking emotional comfort, Radost buys a pet goldfish to keep in a small bag. She names the fish Curica, but the fish—who internally identifies as a sarcastic, cynical male named Stipe—silently complains about his tiny plastic bag, lack of oxygen, and being trapped with an erratic owner.

A photographer tries to make his customer smile for the photo.

Short animated film.