It's mid-summer. Dimi has to spend the vacation with his older brother by the Baltic Sea. On a country road he meets beautiful Isabelle. He is fascinated by her, but disillusioned when they arrive at the campsite together: Isabelle is in a relationship, and her boyfriend is Dimis’ older brother Steffen. But Dimi doesn't give up and keeps on struggling for her attention. He shares an inflatable mattress with her, scares her in the shower and takes her on a boat trip. Even if Isabelle is unreachable for Dimi – in the end he will have reached something and will have made everyone reflect a little.

Denny is living the high life in Berlin and is having sex with a lot of girls. Denny got a mother. This mother just got a new husband: Frank. Denny hasn't talked to his mother in 10 years. Frank wants to change this. He takes a train to Berlin. Who's gonna be the first to mature?

Marie Kaufmann has to face an unusual interview that decides not only her own fate.

The seven year old Aya spends a lot of time in the theater because her farther, Asen, is an actor. One night Aya falls asleep in the control room. After the end of the show, intrigue, betrayal and tension in the theater group gradually escalate. Asen's illusions collapse, when he finds out that the television star, Boyan, will replace him in an upcoming premiere. Aya's father provokes a scandal, which turns into a drunken brawl. Will Asen succeed to rediscover himself with the unreserved support of his wife and the selfless love of his daughter?

Levin lives in his memories and can't shake his first love. Caught in a spiral of constant changing memories he figures out what he really did. Meanwhile his boss forces him to join an elite group of brokers, who meet to fight each other on weekends. Those meetings are a counter balance to their stressful jobs. Levin decides that his big ego doesn't deserve to live. But instead of going through with this decision, he escapes again, risking the life of his boss during one of the fight weekends.

Tim and Julian are deeply in love, but the gay couple can't have sex with each other. When you can't sexually satisfy the person you love is this enough reason to quit a long relationship? On a weekend trip to the sea, the boys want to spend some time together away from the pulsating city of Berlin where they live. The trip ends with two cakes in the sand. What if two people love each other but can't live with each other?

Comedy about relations

This atmospheric short film features a restless, meaning-seeking urbanite who suddenly faces everything she hates: a forced wait, heat, thirst, boredom, and jealousy. She's on a road trip to her inner demons.

The woman known as "Jenny" decides to take justice for refugees in Europe into her own hands.

A young man finds himself on a wide open field. He watches a group of people working hard to find something in this wasteland. But is what he sees true, or at least real? Then, the next thought floods his mind and he is taken by it. A memory of his father. The track through his memory leads him to an emotional day with his father, back then. Until the story begins to suffocate him and his younger self determines to escape, eventually landing at a familiar wide open field. Now the past and the present are intertwined and reality molts into a new and fantastic perspective.

On a sweltering Berlin day, Şirin picks up her aunt Bihar for a spontaneous trip to the countryside, where queer joy, intergenerational tension, and buried migrant memories rise to the surface under the summer sun.

Blessed Are Those Who Grieve is a collective experimental short / essay film—a fragment of a surreal inner landscape. Two performers torment themselves with immense sorrow in sand and slime, while a narrator from Hong Kong, speaking in a dreamlike monologue, attempts to rename a trauma that has been forced into forgetting. Through somatic exercises, the three creators explore the grief buried within their bodies. Gestures of grieving are captured through 3D scanning and transformed into digital copies so the two bodies become one, questioning how we can share our grief. In a third place beyond memory and reality, grief is born as a creature. Shaped by the embodied research of the creators, it transcends the digital/material realm, flesh, and language—transforming into a shared and liberated presence.

Ayden, suffering from touch deprivation, once again falls retreats to memories of Cleo. But this time, instead of being paralysed by the past, she transforms it into something new.

Springtime in Berlin. The relationship between Marcus and Claudia has reached a downturn. Marcus doesn’t know where to go and seeks refuge at his sister Jana. However, Jana and Claudia get to know each other – none of the three is aware of the interconnections. The two women fall in love, while homeless Marcus finds himself more and more marginalized.