During the production of the play based on Aristophanes’ „Birds” the three artist friends face the painful truth about themselves. Someone regrets abandoning someone. Someone seduces the director of the play, because they believe in polyamory. Somebody thinks that the war has never ended and one must never surrender. Someone else claims that it’s all about how you fall and you should know how to drop. And in the meantime, somebody decides to express an unusual declaration of love.

Days before the end of the school year, Liliana gives Janek an ultimatum, giving him 24 hours to either prove his love for her or forget about her altogether.

Lulek, a hit man, is released from prison and given an offer he can't refuse by the man who put him away. If he kills the chief of the Central Bureau of Investigations, he will earn a huge sum of money and have his record cleared so he can leave.

Due to suspicion of BSE (mad cow disease), a herd of cows from a small farmstead is sentenced to be killed. The animals' revolt and try to escape. People try to hunt them down but the herd, led by Bella, manages to protect itself. Further failures of people increase their aggressiveness. The escalating battle has little in common with the original veterinary prevention. However, there are also people who try to help the cows, who desire nothing more than free life in the great outdoors, even if they are also forced to learn how to live and survive without anybody to feed them, milk them or fill them up with medicine. They learn all about hunger, cold, deprivation and pain. And the loss of loved ones...

The story of youth, friendship and love in a time when man took his first steps on the moon, the streets became saturator, transistors pulsed rock'n'roll, and the fondest dream of every fan of the domestic automotive industry was the Fiat 125p. Film trip to the sixties, colorful era "flower children", hippies and bigbitu. Year 1969. Fascinating in aviation Adam is called to the army. However, much to his own chagrin, she gets an assignment to serve in the ... Navy. In Antek, older brother, embark on the sea. During several days of traveling through Poland to visit old friends and make new friends. Antek - incorrigible womanizer and the king of nightclubs - wants to prepare a shy brother to life. However, the meeting with a beautiful and mysterious woman calls a lot of complications in the life of Adam, initiating a series of surprising events.

The story of a popular musician who unexpectedly abandons the life of a Warsaw celebrity. Czeslaw M. accidentally ends up in Swinoujscie. He meets Adam and Zygmunt, former shipyard workers who are trying to start their own business. Together they come up with a seemingly perfect plan: they decide to open the first seduction school for men on the Coast. Will they finally achieve the success of their dreams thanks to it?

The Tiger - a forty-year-old film director - uses life by sprinkling it generously with alcohol and cocaine. The problem is that when hangover is left as the only companion in life.

After his mother’s death, Adam finds his parents’ correspondence. We discover a love adventure entangled in the 20th century, when the world was cut in two and the war between Iran and Iraq marked the start of tragic conflicts in the Middle East. Mixing animation and found footage, we dive in a odyssey full of bombshells and secrets.

When Danish filmmaker Lea Glob first portrayed Apolonia Sokol in 2009, she appeared to be leading a storybook life. The talented Apolonia was born in an underground theater in Paris and grew up in an artists’ community—the ultimate bohemian existence. In her 20s, she studied at the Beaux-Arts de Paris, one of the most prestigious art academies in Europe. Over the years, Lea Glob kept returning to film the charismatic Apolonia and a special bond developed between the two young women.

A group of friends are taking their kids to a traditional long weekend getaway on the Danish island of Bornholm, just like they did for many years. An incident between the children will spark a new crisis in their relationship. Each couple seems happy, but are they really? Maybe they’re just keeping up appearances?

The story unfolds about the murder of an old man living in a remote village and six locals who may have been connected with the murder. Things get messy when the dead man turns out to be an ex convict. The accused ones find it very hard to deal with the preconceived attitude. The villagers, led by the families of the accused, have to fight for their innocence.

Joko is a young man who works on the cistern, he is the only breadwinner in a family. On his second anniversary of employment, Joko and his colleagues meet with foreign delegates who force boy and the rest to… carry on their back. At first, Joko is against and rebels against this humiliating activity. However, under the pressure and desire to earn good money, he subsides.

Olka is seventeen years old. For years, she had been looking for her mother. Her constant escapes from the orphanage landed her in a reformatory. She only wants her mother back.

A poignant professional directing debut of Kobas Laksa, a visual artist, photographer, performer and an experimenter. Larysa and Boris, immigrants from Ukraine, are raising their son Mitia together. They try to balance their private and professional life. Larysa plays the flute and tries to be admitted to the local philharmonic orchestra, while Boris is a street mime. When they seem to have luck on their side, an accident that happens forces them to redefine the vision of the future they have had so far. Very close to man, this kind of cinema is balanced and intimate, with a sparse use of dialogue and great consistency of the form.

Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.

The film's protagonist is a possessive mother who has not recovered from the death of her husband and is trying hard to establish a bond with her teenage son.

Old age. It affects everyone and there is no cure for it. Stanislaw and Maria are elderly and are slowly losing their ability to live independently. Their daughter Ewa comes to their aid when she discovers her mother's embarrassing problem. Because of this, women go on the warpath. The film shows how important it is to call a spade a spade - especially in the bosom of the family. Facing difficult challenges together turns out to be - in itself - an important therapeutic tool and at the same time integrating family bonds.