Sluizer Films

A spiritual time-shifting drama following a woman from her carefree 20s in 1960s rural Thailand to present-day Bangkok as an older army general's wife.

A little village. Between the loam huts, a new construction: the school. In the classroom, adults make a first attempt at writing. At home,the children help their illiterate parents with their schoolwork. A woman :“Why I am at school? I don’t need to read or write. But I want to vote.”

In 1974, George Sluizer and Fred van Kuijk made Land of the Fathers, a film about two Palestinian families and the new diaspora of Palestinians: a Muslim family from the refugee camp and a catholic family living in a downtown apartment. In 1948, the year the State of Israel was established, they fled to Lebanon. In 1977, the filmmakers returned to the two families. Adios Beirut is the account of their third visit, at the end of 1982. Years of turmoil, terror, uncertainty and longing. Shot in Lebanon, Israel, France, Italy and Cuba.

After a near-death experience due to an aneurisma, director George Sluizer felt he had to go on filming and started research for a project he had in mind for a long time. It became the documentary HOMELAND, the fourth of a series about two Palestinian families he followed since 1974 in "Land of the Fathers", "A Reason to go" and "Adios Beirut". HOMELAND is also a personal film about his motivation, his relationship with the members of the two families who became very close. They are now scattered around the world, unable to return to the homeland. It is also an historical saga about the Palestinian people and their struggle for land and dignity.

After taking care of her family for years, 45-year-old homemaker Sude is on the verge of starting a regular job. But when her mother-in-law mysteriously disappears, Sude's family is forced to confront buried secrets and navigate the delicate balance between family love and personal sacrifices.

Texas is the homeland of the Western diamondback rattlesnake, a plague to cattle, oilpipe engineers and everyone not on the alert. At Sweetwater’s annual Rattlesnake Round-Up - the largest in the world – only live snakes are brought in, to extract the venom needed for medical research. Thus, ingenious and scrupulously delicate hunting techniques are developed.

The polder, main feature of the Dutch landscape, has a disconcerting effect on the traveller who comes across it. In the film a young man begins to explore this world and finds himself steeped in silence and in the vastness of space. He has a feeling of serenity which he naively endeavours to capture. But the climate of Holland always seeks revenge. Serenity gradually gives way to despair against the backdrop of the bare landscape with no shelter to offer. The very same reasons which explain the polder’s charm now become responsible for a hostile attitude : the vastness becomes oppressive, paradise becomes a hell.

An intimate account of a thousand kilometer journey on a river in the Northeast of Brazil on a self-made raft carrying a small household including two children. The raft is the means of transport since time immemorial and the journey to the town of Teresina lasts about a month. Life in slow-motion, with fleeting encounters along the banks. When the family arrives in Teresina, the merchandise is sold, the raft dismanteld, branch by branch, leaf by leaf.