Fabrica

In 1942 Bavaria, Eva is alone, when Adolf arrives with Josef, his wife Magda, and Martin to spend a couple of days without politics.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

Taking magic-realism as its core, the music video flows between the way of living of the first inhabitants of these South-American lands, ending with celebration in a climax of trumpet playing elephants and fireworks.

An unrepentant prodigal son straight out of a Russian jail returns to his hometown, Asht, to help his mother die with dignity. But his debts in his hometown are many and long overdue, the townspeople are tough as nails, and he soon gets more than he expected from the quiet village. In this dark comedy, his third feature, writer-director Jamshed Usmonov cast the population of Asht as its own persuasive self and his own mother and brother as the fractured yet formidable domestic couple.

In West Africa during the late 17th century, King Adanggaman leads a war against his neighboring tribes, ordering his soldiers to torch enemy villages, kill the elderly and capture the healthy tribesmen to sell to the European slave traders. When his village falls prey to one of Adanggaman's attacks, Ossei manages to escape, but his family is murdered except for his captured mother. Chasing after the soldiers in an effort to free her, Ossei is befriended by a fierce warrior named Naka.

A female election agent and a gun-toting soldier try to collect votes among the local islanders with mixed success.

ILVA and its high chimneys dominate the Tamburi neighborhood of Taranto. Those who live in that area try to maintain the normality of family, childhood, love, even if they are forced to deal with a daily life that is full of difficulties. This is the story of those who decided to remain in their own territory when many were abandoning it, of those who have chosen to continue living on the ruins of industrial promises.

Frederico Fellini's unmade film ll Viaggio di G. Mastorna Detto Fernet became a graphic novel, just before Fellini's death in 1993. This is the story of how that came to be, as told by long time Fellini collaborator and illustrator for ll Viaggio di G. Mastorna, Milo Manera. Combining still photography and moving images, the piece which was produced in conjunction with Fabrica, premiered at the Toronto International Film Festival in 2011. The short is anchored by an interview with Milo Minara shot entirely in stills. The interview discusses his personal take on the main existentialist themes of the book; this interview has been intercut with the actual graphic novel and what appears to be the lost footage (via recreation) of the story's first scene. This short doc is an exploration into dreams and fantasy, moving through different realities. Shot between Milan, Italy and Koln, Germany.