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The Golem, a giant creature created out of clay by a rabbi, comes to life in a time of trouble to protect the Jews of Prague from persecution.

The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmakers exploited the photogenic qualities of the city – the narrow streets, the lagoons, gondolas and the sea – and they moved the set to the enigmatic Czech landscape around the castle of Kokořín.

Painter Johnny Miller bets his friends he can find his house blindfolded. But he stumbles into a bandits' camp, and being mistaken for one of them, is sent to rob the villa of Frank Sellins, a banker, and his niece Lilly.

Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together.

Alois Novák (Oldrich Nový), a minor clerk in a travel agency and the husband of a dowdy housewife Marenka (Natasa Gollová), lives a run-of-the-mill, dull life. In his soul, however, there resides an inextinguishable desire for adventure. And so once a month he poses as a playboy. As the mysterious and wealthy Mr. Kristian he goes to the exclusive Orient Bar where he does not skimp on generous tips and where he platonic-ally seduces beautiful and elegant women. In the salon he speaks of love and the magnificence of exotic lands, which he has supposedly come to know on his wanderings abroad. In reality he has read all of this in the travel agency's brochures.

Directed by Friedrich Feher.

Lieutenant Orloff, a recently graduated Russian officier, is making his way across the snow-covered steppes to the garrison where he is to be stationed. He comes across a man who has lost his way in the blizzard and takes him to the safety of an inn. Arriving at the garrison, Orloff meets and falls immediately in love with Macha, the daughter of his commander. The town is suddenly attacked by a hoard of bandits who claims to be the true Tsar of Russia.

A story of two story of two children tossed between their indifferent parents and a progressive boarding school.

During a pogrom against Jews in a village, an innkeeper is killed, his daughter is put in a convent after being crucified, and her illegitimate child, who later grows up to be a student, is placed in the care of a guardian.

One of the few European films of the 30s to criticize the Nazis, even if they couldn't be directly named due to censorship: Gangsters with gray hats stir up trouble in what is obviously the Sudetenland.

The owner of the ready-to-wear store, Mr. Richard Naceradec from Zizkov, is an enthusiastic fan of S.K. Slavia and despite his wife's opposition, he goes to football every Sunday. Tailor Emanuel Habásko lives alone with his adult son Eman. Widow Ouholicková chases Krejcí endlessly, but father Habásko bravely resists. Habásko do not recognize any other club except S.K. Viktoria. One day, Naceradec will face Eman at the match between Slavia and Viktoria.