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Cashier Ferdyš Pištora goes to rob the villa of banker Rosenštok. At that moment, a fire breaks out and Ferdyš saves the banker's two young children. He is hailed as a hero by everyone and Rosenštok makes him a messenger in the bank. This changes Ferdyš's entire life. He becomes a moralist and bullies the whole neighborhood with his sermons. He falls in love with Terezka, a member of the Salvation Army. Ferdyš's former lover Irma is jealous of Terezka. The two women argue and Terezka, in anger, claims that she killed her child and buried it in the cellar. Ferdyš believes this fabrication. In order to save her, he wants to give her the money that he was supposed to hand over to the bank. Out of jealousy, Irma tells the police that Ferdyš wanted to rob the banker's villa, and Ferdyš is arrested. However, Rosenštok intercedes for him and Ferdyš is acquitted. Terezka confesses that she made up the child's murder and celebrates her wedding with Ferdyš.

Professor Karas is widely known as enthusiastic propagator of the motto "Morality Above All Else". He guides his students as well as his own family to live a morally decent life. One day he has an unexpected visit. It's his illegitimate daughter Vera, who is proof of his thoughtless youth. Mr. Karas know that she can ruin his image, thus he decides to keep her a secret and asks her to leave. Instead of leaving she takes a position of a governess in his own family without letting him know. Mr. Karas realizes that he must reveal the truth sooner or later, but he doesn't have enough courage to do so. As he postpones it, he is more and more scared to come to his own home.

One of the few European films of the 30s to criticize the Nazis, even if they couldn't be directly named due to censorship: Gangsters with gray hats stir up trouble in what is obviously the Sudetenland.

During a pogrom against Jews in a village, an innkeeper is killed, his daughter is put in a convent after being crucified, and her illegitimate child, who later grows up to be a student, is placed in the care of a guardian.

Two secretaries go out on a double date, but the inexperienced Mary flees when offered money for sexual favors. She takes refuge in a cafe and encounters a plebeian Prince Charming. The film recounts the simple progress of their romance after they go home together.

Scientists demonstrate the wonders of magnified objects.

The owner of the ready-to-wear store, Mr. Richard Naceradec from Zizkov, is an enthusiastic fan of S.K. Slavia and despite his wife's opposition, he goes to football every Sunday. Tailor Emanuel Habásko lives alone with his adult son Eman. Widow Ouholicková chases Krejcí endlessly, but father Habásko bravely resists. Habásko do not recognize any other club except S.K. Viktoria. One day, Naceradec will face Eman at the match between Slavia and Viktoria.

The owner of a clothing store, Mr. Načeradec, spends most of his free time in a café, where he plays chess with the owner of a rival store, Mr. Dundr, over mineral water. Načeradec's daughter Edith, coincidentally, starts practicing law at the same time as her boyfriend, Dundr's son. Mr. Načeradec often fills in for Mr. Findajs at the card company, who is currently dedicating himself to the wife of another player, Mr. Tachecí, the owner of a detective agency. Načeradec keeps his winnings, Findajs has to pay for the money he loses. One day, Mr. Načeradec is so unlucky in the game that he and Mr. Dundr get into a heated argument that ends up in court. Both men are represented by their children, who are rather amused by the situation.

The film is about an unhappy mother who left her husband and a young son. She works as a singer and the boy is in the oven at the house on the wreath. The housekeeper beats the son and he runs away.

The tale of the Venetian gondolier whose desire for revenge following a thwarted love affair leads him to Bohemia. The intricate plot also deals with destinies of other characters, who finally come together in a dramatic encounter at one time and in one place. In his role as screenwriter and director, Anton produced a highly accomplished version of Mácha’s work. He respected the original but was also able, along with the DoP Karel Kopřiva, to capitalise on the possibilities that the film medium offered. For the Venice prologue, the filmmakers exploited the photogenic qualities of the city – the narrow streets, the lagoons, gondolas and the sea – and they moved the set to the enigmatic Czech landscape around the castle of Kokořín.

A story of two story of two children tossed between their indifferent parents and a progressive boarding school.

Detective Klubíčko is searching for the murderer of a wealthy loan shark because he is the only one who does not believe that the victim's husband, the private entrepreneur Zakhar, could be the murderer. Inconsistencies in the statements gradually lead him to the real perpetrator. He is only able to convict him with the help of a crime reconstruction...

Vojtěch's beloved Frantina is leaving for Prague to work. Vojtěch promises his dying mother that he will become a priest. His brother Karel is to inherit the mill. However, during the feast, he attacks the weak Josífek and then flees the village. He hides in a quarry with an unknown vagrant. While blasting a stone in the quarry, the vagrant dies, and Karel exchanges his documents for his own. Vojtěch is still thinking about Frantina in the seminary.

A B&W film poem of the Czech countryside and Weiss’s personal favorite of his early shorts. Mythical images of mountains and streams and rural farmers tilling the land make this a precursor to the mystical visions of the forest in ‘The Golden Fern’. Filmed traveling on horseback through the mountains of Ruthenia (then part of Czecholovakia, now part of Ukraine), shooting the diverse community with Ruthenians (Slavs), Jews and Roma all living in the same area.