Ollin Studio

The making of Alejandro González Iñárritu’s Babel is chronicled through an observational approach that captures the creative and logistical challenges of filming a deeply interconnected narrative across four continents. Directed by Carlos Armella and Pedro González-Rubio, the documentary reveals Iñárritu’s commitment to authenticity and cultural sensitivity, from collaborating with local actors and communities to meticulously recreating environments. Through behind-the-scenes footage and the director’s reflective commentary, it delves into themes of human connection, the boundaries we hold within ourselves, and the visceral nature of communication, offering profound insights into the philosophy behind the acclaimed film.

(In a dark basement) Norma hears the faint voice of Everio and her own, from an Ampex vintage tape recorder. They have been talking incessantly, and *oftentimes the taped conversations coincide with their *chats. The only thing troubling Norma is that until that day, she and Everio had never met and the last she heard was Everio strangling her.

Four lonely and disenfranchised urbanites in contemporary Mexico City: a preteen boy under tremendous emotional strain, the pretty cashier with whom he is infatuated, an enraged and embittered cabbie, and the estranged daughter of one of his fares. Per the film's title, these characters pair off, finding unexpected hope and salvation in one another.

Recounts the discovery of the Red Queen on June 1, 1994 and new findings on the dynastic history of Palenque society. The Red Queen had a high status and must play a key role in the royal lineage, by the fact of having been interred in the near the Temple of Inscriptions, where the tomb of King Pakal was found complex. It was enshrouded with cinnabar, a red and heavy mineral composed of mercury, hence its name. It is presumed that it was a woman between 40 and 45, a meter and a half tall, suffering from osteoporosis.