Xanadu Film

This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.

A mediocre musician goes on the road in search of the world's greatest guitar maker.

In the large ward of a military hospital, a child of about ten years old crawls under the beds of the wounded. To keep him away from the turmoil of war, his mother sends him to an elderly Lutheran woman, Mother Cazal, who lives with her daughter Suzanne in a house lost in the mountains.

An intimate conversation, mixed with the sounds of a festive crowd.

A professional killer has been assigned to kill a woman he doesn't know.

Two teenage lovers are caught up in the thrill of forbidden love in this tragic romantic drama. Pierre (Jean-Pierre Andre) is a 16-year-old French lad who loves 14-year-old Djemila (Nadja Reski), the offspring of Algerian immigrants. Pierre's father is an Algerian war veteran who tolerates living with the immigrants at the low-income housing project as long as the two factions are separated. Djemila's older brother carries bitter hatred for the French over their invasion of Algeria. Both young lovers fall victim to the intolerance of their families when their relatives discover that the two are engaged in a passionate love affair.

Pierre is a Montreal photojournalist who returns from Nicaragua to find that his ten-year menage a trois is over. Haunted by his mid-life crisis, he becomes obsessed with trying to find out why his two lovers, Sarah and David, have left him.

From birth to death every subject remains intact. Three ages, three women. Daughter, mother, grandmother. Each of them before and after still and always. And the men too, those they meet those they love.

Everyday life in a house where death is omnipresent, but in which, in contrast to a retirement home, mainly younger people live. Bailey House is a former hotel where 44 AIDS patients live. A refuge for a fraction of people suffering from AIDS in the city of New York, where they find shelter, supervised by a competent team. Fellow sufferers, perhaps even friends in the face of a disease that is stigmatized by society and means social isolation for most of those affected. People of different social backgrounds meet here. However, the largest proportion is made up of young black formerly drug addicts. Bailey House, the last stop in their young life, is often even the first real home, in most cases also the most beautiful place where they have lived so far.