Wajda Studio

Danusia and her daughter Basia live far away from the modern world, in tune with the rhythm and laws of nature, among animals and the spirits of the dead. The peace and sense of security offered by their enclave come at a price - the women increasingly long for contact with other people. Bucolic is an affectionate observation of people who live in a different way. It evokes a curiosity about their world and a desire to take a closer look.

Joanna is famous because of her blog on confronting a terminal disease. The movie shows her everyday life.

Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.

The film is inspired by the real events – the story of Kati Andreevoj and Daria Chultsova – the two journalists from TV Belsat, an independent station broadcasting from Poland and their arrest by the Belarusian police in Minsk.

The documentary will introduce the viewer to the state of extreme physical exertion and moments of mental crises that runners must face. At least in part, it will allow them to experience the extremely intense emotions that become the lot of ultramarathoners.

In Kyiv, the war still seems inconceivable, but the pandemic forces a mother and her daughter to spend the lockdown in their shared apartment. The mother is a piano teacher who keeps giving lessons on the phone, on her kitchen table, with the same passion and perfectionism. Her daughter has an art studio at the other end of the apartment, yet she has swapped her paintbrushes for a camera. Ptitsa: a bird, in Russian, like those who brave winter on snow-covered windowsills.

A documentary of two Polish friends who decide to open a snail farm that could bring them millions.

A bridegroom is possessed by an unquiet spirit in the midst of his own wedding celebration, in this clever take on the Jewish legend of the dybbuk.

The story of nineteen-year-old Tomasz, a first-year environmental engineering student. He recently moved to a large city and is struggling to find his place in a completely new environment. He's gifted, recognized from the start by his professors. One day, while riding a tram, he witnesses a theft that he is unable to prevent—an event that shatters the boy's already shattered peace of mind...

A dynamic and full of punk energy story based on life of one of the most original and interesting contemporary artist, the performer, Oskar Dawicki (playing himself). The main theme of his art is the search for an answer to the question of whether. Oskar Dawicki exists at all. The trade mark of his performances is his blue shining jacket.

Eight-year-old Yoshko is awaiting the arrival of her cousin, Lila, whose parents died in a car accident. The girl is to live with relatives. Joszko is intrigued by the girl, who has stopped speaking in the wake of the shock. Relations between the children quickly become tense, turning into rivalry. Lila, craving maternal care, tries to take Joszek's place in his mother's heart. She even goes so far as to make threats.

Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.

The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.

Ada is an American journalist of Polish origin. She has just moved to Hamburg with her partner and is struggling to find her way in the new reality. One day, a mysterious package arrives at the editorial office where she works.

First days of the War Alina, one of the film’s protagonists, disabled after leg surgery, spends alone with the cat, in her home in a small city near Kyiv. She looks for the ways to escape. The bridges are destroyed. Alina manages to find the only road useful and get away with the cat to her parents, caught by the War in their cottage in the nearby village. For the first weeks of the invasion everyone tries to live normally. The mother conducts online lessons, the father takes care of the cats and all the other animals in the neighborhood left behind, Alina records current events with her camera. The sounds of the approaching front force the family to alter their perspective. The way one sees and feels changes. When the neighbors leave their homes, Alina and her parents, under the cover of the night, hurry to pack. However, at the last moment, the father decides to stay.

Ukraine, 2022. Kherson is under Russian occupation. A son involved in the armed underground visits his mother to find out whether she has revealed his location to the Russians. The woman believes the occupation is a form of salvation and that everyone should cooperate. Their argument takes an unexpected turn when the son decides to leave.

A man finds it difficult to cope with the death of his wife and the lack of a relationship with his daughter.

A hidden photograph found by Adam, in which his pregnant mother embraces a strange man, makes the 16-year-old suspect that his father may not be his biological parent. Adam runs away from home to find out the truth. He not only solves his mystery, but also finds a friend in the person of Przemek, who is two years older, and meets his first love, which may destroy that friendship.