Lita Stantic Producciones

Amalia is an adolescent girl who is caught in the throes of her emerging sexuality and her deeply held passion for her Catholic faith. These two drives mingle when the visiting Dr. Jano takes advantage of a crowd to get inappropriately close to the girl. Repulsed by him but inspired by an inner burning, Amalia decides it is her God-given mission to save the doctor from his behavior, and she begins to stalk Dr. Jano, becoming a most unusual voyeur.

The portrait of a man and his attempts to make things up with life after losing his job.

Paulina is a young lawyer with a promising career in Buenos Aires, who chooses to go back to her home town. Her father, Fernando, is a well known judge. Against his will, Paulina decides to teach in a suburban high school as part of an inclusion program. One night, after the second week working there, she's brutally assaulted by a gang. With the disapproval of the people around her, she decides to go back to work, in the neighborhood where she was attacked, without realizing that her attackers may be even closer than she thought.

A woman would rather forget her husband's forced disappearance at the hands of the government.

Mónica did not make a client's payments of the office where she works. The missing 15K pesos not only commit her but also a colleague, who is the one who discovers the fault. It seems that is not the first time that this happens, but the colleague, despite his anger, kept silence and chose to believe her again: Mónica commits to replenish the sum of money the next morning.

Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of the money and reunite with his family, or at least avenge the damage done.

Set in 1935, a couple of aged smallholders are waiting for their son, for rain, for better days.

Making of documentary

In his previous films, Hacerme feriante (2010) and Embodied Letters (2015), Julián D’Angiolillo managed to go deep inside two universes that, even though they take place in front of everyone, remained invisible and inscrutable, as though they were subterranean—that of La Salada fair and of the authors of political graffiti in walls. For Ongoing Cave, his third work, the director goes back underground, this time in a literal manner, in order to reveal the mysteries of speleology, the science that studies caves and caverns. Italy, Slovenia, Cuba; antiwar bunkers; an exploring, revolutionary ballerina; an electronic party in which the stalactites and stalagmites dance under the flashlights. Everything is part of the ecosystem of tunnels and people that D’Angiolillo connects on screen, through images in which what lies still comes to life.

Between January 2019 and May 2020, Adriana Lestido undertook a journey, without company or assistance, through the Arctic Circle and the Svalbard Islands, a frigid and inhospitable region shared by Norway and Iceland. During those months, Argentine photography recorded, in all its splendor, a still unknown ecosystem.

An Argentinean octogenarian shares with us her philosophy of life. A different time, but also an exuberant landscape firmly in the present.