Modo Operante

The film gets into the underworld of crimes involving homophobia, soccer organized fans, and gangs in Sao Paulo city. It shows the team’s work routine of DECRADI, the only unit specialized in this field, as they search for people who have made hate speech into cruel murders.

A deep dive into the world of Luiz de Freitas (better known as Mr. Wonderful), Brazil’s first Black fashion designer. Born in Pau Grande, in the interior of Rio de Janeiro state, he defied conventions and revolutionized Brazilian menswear with his unique personality, his brand, and his fashion shows.

This first-person-narrated film explores the trajectory of the singer Clara Nunes, who conquered Brazil and several countries across the world.

A sensitive reassembly of the Amnesty Caravan apologies to all who have had their lives affected by the civil-military dictatorship in the country. The work uses only archival material and is narrated by Paulo Abrão, former National Secretary of Justice.

The trajectory of musician and comedian Mussum as vocalist of the group "Os Originais do Samba" and later in cinema and TV as a member of "Os Trapalhões", a group that revolutionized the way of making humor on Brazilian television.

The film presents the experiences of women who contracted the AIDS virus from their husbands or steady partners, and highlights the main factors responsible for the feminisation of the disease in Brazil.

A dive into the intimate and creative universe of writer, screenwriter, and presenter Fernanda Young. The documentary takes an unconventional approach and becomes a poetic essay, using disruptive archive collages and visual and soundscapes of intimate moments. The film is also an invitation to reflect on creativity and artistic courage.

"Levante" won Canal Futura's annual documentary competition in 2014 and was filmed in Brazil, Mexico, Japan, Gaza and Hong Kong. It first aired at 22pm on the 25th June on Canal Futura. The film is about inspiring people around the world who use technology to speak out against injustice such as Filipe Peçanha from Midia Ninja who used the Japanese Twitcasting app to broadcast the Brazilian protests of 2013 from his smartphone, Noor Harazeen from Palestine who created the first English-speaking youtube news channel in Gaza, and Howard Kong from the Apple Daily newspaper in Hong Kong who used a drone to film the conflicts between police and protesters in 2014.

Since samba emerged in Rio de Janeiro, the presence of women has been fundamental to its creation, maintenance and perpetuation to this day. Muses, pastors, aunts, composers, dancers, godmothers, carnival dancers, mulatas, performers and even as workers, they form a panel of colors, feelings and sounds in the representation of this culture. This film takes a brief look at the history of some of these women, honoring and recognizing their strength.

Inspired by the phrase of the American activist Angela Davis – “When the black woman moves, the whole structure of society moves with her” -, the documentary tells the story of three black women whose personal trajectories are intertwined with laws that transformed their lives and those of countless Brazilian citizens.

A documentary that looks over the contemporary LGBTQIA+ sexuality. The recent arrival in Brazil of two new forms of prevention – PrEP (Pre-Exposure Prophylaxis) and PEP (Post-Exposure Prophylaxis), drugs that promise greater efficacy against HIV/Aids transmission and contagion – enable an intense exercise of sexual practices, bringing new forms of care beyond the use of condoms. Through an intimate and observational record, the film strips of all moral judgement to dive into the user’s daily lives of PrEP, bringing up reflections about desire, sex and protection.

In front of the camera, transgender people reveal how they chose their new names. The testimonies evoke the affective memory of these characters and the importance of having their identity acknowledged.​

The journey of a woman from Pernambuco and her rejection to everything that seems to have no way. Living deep dilemmas in personal life and trying to rebuild other lives, she begins a journey through the prisons of Recife, in the intention that parents recognize their children. Experiencing solitude in his own skin, Marli shows us that affection can be redemptive and that lack of hope is the most intolerable evil for the human being.