TC Filmes

Love turns to hate and panic breeds suspicion as two parents deal with the kidnapping of their child.

In a crime-plagued area of Rio de Janeiro, a team of honest cops, including a determined rookie, fights corruption and mistrust on all sides.

Three brothers find themselves sharing a home with the alluring new wife of the middle sibling. As they become infatuated with the same woman, a complex and enthralling tale ensues in this tropical paradise.

A 40-year-old world-famous chef with anger management issues is assigned to run a cooking class at a centre for young people with autism.

Regina and Valerio are a happy and sexy couple, casually enjoying their fortune from their luxurious villa on top of the Rio de Janeiro’s hills. Since the death of Valerio’s father, the biggest mobster in town, they desperately seek a way out of this criminal hornets’ nest. But Valerio’s uncle, Linduarte, insists on him assuming his responsibilities. One night, attempting to reason with Linduarte, the couple accidentally kills him. They then fall into a spiral of violence, leading them onto the very path they wanted to escape.

A film about the reunion of a family broken by the pain and because of the pain can be reunited. An intense story, told in a soft and sensitive way, showing the search and dedication of a man rediscovering family and the love that unites the brothers, finally forming a real family.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

A prodigy of stringed instruments, a pioneer of Bossa Nova, a modernizing master of the guitar: Aníbal Augusto Sardinha, better known as Garoto (1915-1955), is one of the hidden pillars of Brazilian music. Woven by rare archival material, personal diaries and testimonies, this documentary reveals his influence and the artistic conflicts of an avant-garde artist in the golden age of Brazilian radio.