Altamira Pictures

A tale of delinquent and lazy school girls. In their efforts to cut remedial summer math class, they end up poisoning and replacing the school's brass band.

A world wide electrical outage occurs. Everything that requires electricity comes to a stop. Tokyo is nearly ruined. Yoshiyuki Suzuki decides to escape from Tokyo with his family.

A bored Japanese accountant sees a beautiful woman in the window of a ballroom dance studio. He secretly starts taking dancing lessons to be near her, and then over time discovers how much he loves ballroom dancing. His wife, meanwhile, has hired a private detective to find out why he has started coming home late smelling of perfume.

In a Japanese school, 5 adolescent geeks join the new sport teacher and take up the challenge to take part in the synchronised swimming competition, in-spite of the mockeries of the real sportsmen.

Saki, a high school girl who always skips classes, works part-time as a life adviser.

A variety of aviation professionals such as pilots, flight attendants, the ground crew, mechanics, dispatchers, controllers, and the bird patrol crew all support a single flight. They have only one mission: to secure the safety of the passengers.

Etsuko - a typical Japanese high school student, who's unlucky in love, an academic failure, and plain bored with life. That's until one day, the view of a boat gliding gracefully in the sea inspires her to take up the oar. Since she's rejected by her school's all-male rowing team, she decides to form her own all-women team. Nothing will ever be the same again.

Suzuki Shizuka is an office lady at a conglomerate who is hypnotized at a local amusement park and left under the spell. Now she is compelled to sing and dance whenever she hears any melody whatsoever. She heads back to the hypnotist for relief, but he is nowhere to be found. So Shizuka sets off on a journey around Japan to find him and break the spell.

Tenderly played Japanese love triangle between a man, his girlfriend and a transvestite hooker

"Tokyo Rhapsody" consists of 11 short films all centered around the music genre known as "Kayokyoku". Kayokyoku is a catch-all term to describe the music that defined two generations of post-war Japan. Although the term survives, it has a strong connotation with a simpler, pre-"Economic Bubble" era when Japanese people shared a common identity in the reconstruction of their nation.

A young man is falsely accused of molesting a high-school girl on a train. He is arrested and charged, and goes through endless court sessions, all the while insisting that he is innocent.

Three engineers cannot make a robot work in time for a science show, and hire a man to inhabit the robot's shell to save their jobs. The robot's performance at the show attracts media attention and scrutiny from a science student.

A middle school student named Kozue finds a red balloon with an SD card attached to it. On the SD card is an invitation to the wedding of two complete strangers. In order to escape her daily doldrums, Kozue decides to go to the wedding with her classmate, Kikuchi. However, along the way they cross paths with a pair of suspicious men, a mysterious girl, and a strange cop. When they finally make it to wedding, they get drawn into the fray of yet another unexpected situation.

Hiroko is about to get married to the handsome Kenichiro when disaster strikes. Her landlord stops by the happy bride-to-be’s apartment where a pair of wayward scissors falls from a shelf and stabs him in the back as he bends forward to pick something up. His body begins to stiffen even before Hiroko realizes what has happened. On the road to Mount Fuji where Hiroko intends to dump the corpse, something falls on the hood of her car out of the blue. That “something” is Fukuko Kobayashi (Yoshino Kimura), who is dying to… die. Fukuko believes that she is irredeemably unhappy and has endeavored to commit suicide again and again. As Hiroko and Fukuko begin their journey to abandon the corpse, a weird friendship begins to build.

Tatsuo and his daughter Haru run Takano Tofu Store in Onomichi. They begin their work before dawn every day. They carefully select beans to make their tofu. While they have peaceful days, Tatsuo worries about his daughter being alone after his death.

Hiromi works in a posh French restaurant. One day, he meets an ordinary-looking old man who has a discerning palate. He is no ordinary cook, and can pinpoint the exact problems with Hiromi's dishes. His name is Tatematsu Ippei, a legendary chef renowned for his work in France once upon a time. After a food poisoning mishap, his fiance Sophie had left him and he cut himself off from the culinary world. Hiromi is engrossed with Ippei's cuisine and asks for lessons. Meanwhile, Sophie, now the wife of the director of a top tableware manufacturer, comes to Japan. Ippei cooks a banquet for her using Hiromi's restaurant as a front. Sophie notices that the food is made by Ippei, her former lover. The two meet and enjoy a short-lived reunion, but go on to live their own separate lives.

Takayuki (Takao Osawa) is an elementary school teacher in Tokyo. He is seized with Behçet's syndrome, and will gradually lose his sight. He resigns from his job and leaves his girlfriend, Yoko (Yuriko Ishida) to return to his hometown, Nagasaki, where his mother lives. Takayuki spends his days strolling around Nagasaki, to imprint familiar scenes on his memory. Yoko visits him and insists on staying. Takayuki has major concerns for her future, and his own life. He drives her away, for her own good. After days of affliction, the two reunite. The story leads to an emotive conclusion, the end of his spiritual journey.

Rikutaro and Mariko are in the same grade at an elementary school. They become brother and sister after Rikutaro's mother and Mariko’s father marry. After their marriage, the children become upset because they are teased by their classmates, so they hatch a plan to make their parents divorce.

The celebrated French choreographer Roland Petit had always had his eye on a film presentation of his ballet "Chaplin Dances", which premiered in 1991 and has been touring the world since, and he assigned this project to his trusted friend, Masayuki Suo, pioneer of the current revival of Japanese cinema. Drawing upon a wealth of worldwide ballet talent, Petit's ballet and Chaplin's films, Suo reinvented the work and has given it a new lease of life. The resulting piece is not simply a filmed record of the ballet but a union of the two media that reflects the meeting of the great talents of Chaplin, Petit and Suo