Ministarstvo Kulture

Anita seems to be attracted to her beautiful mother, who is suffering in a very toxic relationship. Will the killing of her own father be enough to help her mother, and repair their family relations?

A half-hour fictional documentary film that, through the fates of different people, tries to illuminate the phenomenon of the YUGO car, a cute outsider of small capacities but big ambitions, in the period between 1980 and 2008, when it was manufactured. The film combines statements from authentic workers that were involved in the production of Yugo, archives, along with the reconstruction of different fragments from the Yugo's history which portray him both as a family and a thug's car, as a part of the great American Dream, or as a symbol of betrayed expectations. This film is a small 'commemorative' review of the history of an automobile that for a long time symbolized, in a jocular and veritable way, sometimes even by accident, the times in which he was manufactured.

This documentary film is the first and only Serbian film that provides a true picture of the drama of the Serbs in Vukovar and the status of the Serbs in Croatia. Having lost their status as a constituent nation in Croatia by overvoting in the assembly, the Serbs became prey to vampirized Croatian nationalism. During several months of filming in Vukovar, Jovanović documented all aspects of the tragedy of the Serbs in Vukovar with extensive (many hours) of material.

The central theme of this feature-documentary film is a question related to the life and work of Petar Lubarda, one of our most eminent Serbian and Yugoslav painters of the twentieth century. How did this painter, who represented the highest reaches of post-war art in socialist Yugoslavia, acquire the status of state artist, while his biography emphasizes the romantic archetype of the haunted painter, pentre maudit, behind whom are misfortune, illness, fate and death?