Dana-Film

Pati, a student of journalism, decides to shoot her graduation film in Dzhabana in Kyrgyzstan. She is specially interested in the provincial town's vicinity to the nearby state frontier, which plays a major role in many of the townspeople's lives. Shima, Kycha and Baton use a stretch of fallow ground on the border to smuggle goods in their home-made four-wheel drive. Pati bumps into the threesome soon after her arrival in Dzhabana, when she recognizes her freshly stolen camera in the hands of its new owner: Baton. Pati strikes up an ambiguous relationship with the gang. She joins their tours as an observer at first, but soon takes a more active part. Then Shima comes up with a scheme to smuggle a stolen luxury vehicle: a cross-border wedding procession with the bridal couple in the limousine...

Under the city's roofs, life goes on in a motley manner. It alternates with tears and smiles, with happiness and sadness. In the artist restaurant "Mona Bar" in the inner city, the former model Mona Frank acts as the goddess of artists. She helps with both money and heartache. Among the many artists, Niels Brandemose has his own face. He has recently come to the city to attend the Academy, and his whole desire and desire is to become a painter.

Démonio the fakir has impressed a rich but weak-willed young man who hires him as an energy teacher. Demonio drags out the businesses of the shy lover, but his partner arranges everything and the finally satisfied lover endows the two accomplices who renounce fakirism.