L'Age d'or Production

Francis, a forty year old engineer, after a mysterious disgrace he retired to live in a village on Lake Iseo. With still little daughter occupies the former family villa, a magnificent Art Nouveau building on the lake shore. In the big house there is, however, another mysterious person, of which only perceives the echo of the respirator that keeps her alive. But other presences no less disturbing, and certainly more dangerous, they move around the villa. What happened to the man and his family? What secrets hide? Marta will know, childhood friend always in love with him, awaken Francis from the torpor in which he has fallen, and free him from the pain? And most importantly, how many succeed they gravitate around the house to escape the danger that threatens their lives? Breaths tells how the pain can profoundly transform a man crushed by memories, guilt, fears. He also wants to show the extent to which an individual is able to accept the existence paths without being a victim.

Mikolaj and Ada, a middle-aged, middle-aged couple, happy slightly above the Polish average, with one daughter, Mela. Their stabilized life is complicated by the appearance of a second child, the fruit of a slip-up. How will the characters cope in the face of the new challenge?

News explodes like a bomb! Due to the genetic mutation, immigrants living in Italy undergo a noticeable change. Is this wonderful country in danger of sinking? A television reporter decides to go over this strange theory, and the news is on the agenda of the whole country. This fake documentary brings fake news, media, politics and harsh criticism about Italy.

Paolo is on trial at a call center. He has the time of a phone call to convince the elderly Nando to give him his credit card details. A short film on the vulnerability of the elderly and on jobs that dirty the conscience.

Étienne is an old man who refuses to leave his home because he is convinced that the spirits of his wife and daughter still live there. Nevertheless, the apartment's owner will try to throw him away by any means.

Filmed entirely by Preiss and her then lover, Dumont, mostly in the claustrophobia of a train car on the Trans-Siberian Railway, Siberia is an intense and raw observation of a relationship’s denouement. With unflinching honesty and a Direct Cinema approach, Preiss’s documentary is a fascinating psychological exploration of love, dependency, and the bounds of romantic privacy.