Nero Films

Chuck Scott gets a job as chauffeur to tough guy Eddie Roman; but Chuck's involvement with Eddie's fearful wife becomes a nightmare.

When beautiful Mary returns to her "whistle stop" hometown, long-standing feelings of animosity between two of her old boyfriends leads to robbery and murder.

It's a tale of power and passions when a Russian siren, who wants the finer things in life, sinks her hooks into a judge, a decadent aristocrat and an estate superintendent, with surprising results.

A story about a madman with a movie camera. He's a narcissist, nihilist, sexual sadist and killer of innocent women. His name is Charlie and WILD IN BLUE is his world: a place of evil, violence and perversion where only his camera tells the truth. He set out to make an honest film for you - no lies whatsoever - and after the madness and all the hate, you will love him.

Based on the play Henry IV by Luigi Pirandello. Conrad Veidt plays Count di Nolli, a nobleman who, after a head injury, imagines he is the medieval emperor. His friends and relatives choose to play along, dressing up as medieval courtiers, but is di Nolli truly mad, or just pretending? The art direction was by Hermann Warm. It was shot on location in Italy. 6 acts, 1856 meters.

Also released as Montana Mike, Heaven Only Knows is an offbeat western with fantasy overtones. Hard-bitten gambling boss Brian Donlevy rules his frontier community with brawn and bullets. To his dismay, Donlevy discovers that he has a guardian angel (Robert Cummings), who shows up in the guise of an Eastern tenderfoot. The angel has been sent from Above to save Donlevy's soul, and to that end encourages the one-time villain to squire a minister's daughter (Jorja Curtwright) rather than his usual dance-hall girls. Donlevy is also given tips on winning against his enemies without resorting to gunplay. The gambler finally redeems himself with Heaven by rescuing the angel from a lynch mob (how can you lynch an angel?) Heaven Only Knows deserves an "E" for Effort for bringing a fresh twist to the venerable western genre.

In Paris, a stage-struck would-be actor is mistaken for an escaped convict.

Herr Werther, a new magistrate to the Grand Duchy of Walheim who is a violinist and poet, seems to have fate on his side as he meets and pursues a beautiful local woman, Charlotte. But as Werther sets to propose marriage, Charlotte reluctantly tells him she has been promised to another, Werther's superior, Judge Hochstätten. Werther and Charlotte decide to keep their romance from the judge and each descends into depression. Will they be able to keep their feelings a secret?

Mendoza, who had an affair with the star of the original production of La Vie parisienne in 1900, returns in 1935 with his son and granddaughter. His granddaughter is engaged to a young Frenchman, but Mendoza's strait-laced and puritanical son initially forbids the marriage. The core conflict involves Mendoza and his old Parisian friends conspiring to change the son's mind and convince him to embrace the titular "Parisian life".

An engaged woman discovers her fiancé has a four year old son. Pretending to take a cure she travels to the boy's foster-parents to make his acquaintance.

On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.