Lucernafilm

A painting of a girl from another time comes to life for it's buyer in this costume comedy.

Filmed during the Nazi occupation, this panoramic drama set in a Prague department store follows the divergent destinies of four female coworkers, each of whom seeks happiness in a different way.

Prague, the beginning of the 17th century. Rozina falls in love with Italian glass worker Nikolo, but after returning home, she gets a message that will never come to Prague. She falls for the promise of an older man to marry her, but when Nikolo does return, the tragic fate of Rozina is sealed.

A village shop owner is convinced by his children to move to Prague, where they say he'll be able to enjoy a fine retirement in a modern furnished apartment. Bored by life in Prague with nothing to do, the old man takes to helping a young widow in her stationery shop.

The owner of a fashion factory, Rafael Klučina, is desperately looking for an imaginative advertising campaign that would attract the public and raise the profile of his business. However, the head of his advertising department, Filip Muška, seems unable to come up with one. In the end, they are helped by the model Boženka Smolíková and her talent for perfect disguises and masks. The unusual advertising campaign involves Boženka traveling around the country for fourteen days in model clothes, and whoever recognizes her will win a prize of fifty thousand crowns...

A social comedy about a wealthy man in his prime, for whom marital infidelity is just a pleasant and regular sport. A young flower shop owner, to whom her husband seems to be generally ordinary and overworked, nevertheless manages to resist the advances of an experienced seducer.

Theater props maker Karel Vajgant has a young wife, Magda, and two children, seven-year-old Pavlík and eleven-year-old Pepička. Magda is a caring mother, but she feels that her husband prioritizes work and his comfort. In a weak moment, Magda becomes unfaithful. Vajgant receives an anonymous letter that warns him of his wife's infidelity. His friend, the opportunist Tonda, advises him to throw away the letter and instead devote more time to Magda...

Marta Dekasová works as a governess in a garrison town. The beautiful girl is the center of attention of many men, but she only desires Lieutenant Varga, who is married and rejects her. Desperate, Marta throws herself into the arms of the most intrusive of her suitors, and is then dismissed in disgrace. She goes to Prague to live with her friend Kiki, becomes a bar singer, and continues her journey down the sloping surface. Hope for a new life dawns on her when a young student falls in love with her, but just then Varga appears in the bar and rekindles her unquenched feelings...

Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.

A highly romanticized autobiographical novel by a Czech 19th century writer, Bozena Nemcova. It's a classical, compulsory reading in Czech schools, about a wise, working-class woman, happier in her simplicity and good heart than the nobles whom she serves.

The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)

The families of Vavruš Cagala and Cyril Hanulík live in a secluded area in the Beskydy Mountains. Vavruš and Cyril are hardworking woodcutters and foremen. Cagala's daughter Terezka likes Tomáš Hanulík, but she also likes Pavel Zgabaj, the son of the owner of the farms in the valley. Cyril Hanulík is jealous of his Heva and wrongly suspects her of infidelity. Francek, whom Heva loved before their marriage, takes revenge on the Hanulíks: he sets fire to their apiary, from which he seizes Cagala's hayloft. Since then, misfortune has befallen the Cagala family. They lose their horses and wood, and old Zgabaj demands the money he lent them. He is only willing to back down from his demands if Terezka marries his son. Cagala does not want to allow her daughter to sacrifice herself, so the girl secretly goes to the farm to work there as a helper on the farm...

A young man named Láďa Tůma, along with his inheritance from his wealthy uncle, also acquires his uncle's favorite butler, Vlastimil Chytráček, with whom he must sign a one-year employment contract. This is a condition for receiving the inheritance. Chytráček takes care of his new master as devotedly as he took care of his uncle. However, this brings many complications for the young man - both at work and in love...

This romantic story turns on a stirring infatuation that takes hold of three young people under the influence of Simon, a Prague student. After the study year, 18 year-old Julio returns to his parental home, a little chateau on the Otava river. There he converges with his childhood friend Petr and the young boatman's daughter Klárka. Sharing her beguilement with Simon, who has quickly turned a tranquil summer atmosphere into a relationship drama, is Julio's cousin Rosa.

The fiddler Valenta has troubled his wife with his drinking and disorderly life. His daughter Rozárka and her younger sisters go to their aunt's in Prague, and their father sets fire to the abandoned house. Rozárka is suspected...

A romantic story of a noble lady who wanted to live without the bonds of marriage, but her desire for a child led her - carefully disguised - into the arms of a young nobleman. Only years later did she believe in his love and make herself known.

The smooth narration, corresponding to the requirements of a light comedy, develops the smiling and optimistic story of the "one-armed" beggar Dostál, who earned enough money with his excellent begging skills to buy a nice house, become a respectable master of the house, and save the impoverished lawyer Neprosil from poverty, who he contributed regularly to him when he was still well off. He also wanted to get him together with his pretty ward Zorka, for whom he said he would be an ideal husband, but the young people were able to do that by themselves and without his clumsy help, or rather despite his rather ineffective help... The film was shown at the VI. IFF in Venice in 1938.

Mrs. Piskořová, co-owner of a debt-ridden boarding house, forces her daughter Klára to marry a wealthy elderly architect, Kacík, who has recently separated from his wife. However, Klára is in love with the waiter Prokop, who she does not know is actually a mining engineer. No one suspects that Klára's land, considered worthless, contains a coal deposit...

A comedy about a caring protector of the family who had help, good advice and understanding for everyone. No one in the family calls Anna Svojanovská anything other than Kvočna - everyone is used to running under her protective wings as soon as any problems arise. And what a blessing this mother and grandmother has to deal with!