Blinker Filmproduktion

In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.

A coastal city in Brazil. Kai arrives from Taiwan for holidays with a broken heart. A broken air conditioner sends her into Fu Ang’s umbrella store. He could become a friend, but the rainy season doesn't arrive and his shop disappears. While looking for Fu Ang, Kai discovers the story of Xiaoxin and a group of Chinese workers in a posh skyscraper. Kai finds herself strangely mirrored in Xiaoxin’s tale.

At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader.

Johanka and Matyáš have an unusual home. The two live among the animals and plants of an enchanted botanical garden in the middle of the city, but this idyll is under threat. To the children’s horror, the mayor wants to build a theme park on the same spot. The Blue Tiger, an animal with magic powers, comes to their aid. Only he can protect the garden, but Johanka and Matyáš must now stop the mayor from capturing their newfound friend. MODRY TYGR is a colourful, atmospheric and imaginatively told animated fairytale that inspires the viewer to reflect on natural resources and habitats.

A young Taiwanese woman Kai spends a summer day with German relatives at an allotment. At lunch they make a surprising discovery: one of the spoons has a swastika engraved on it. In the ensuing discussion different ideas come up about what to do with the artefact.

On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.

Game Girls follows Teri and her girlfriend Tiahna as they navigate their relationship through the chaotic world of Los Angeles’ Skid Row, aka the “homeless capital of the U.S.”

Zohra has received a French residence permit for medical reasons, but when her health improves, she is supposed to leave the country. In the summer heat of her small town, dreams and everyday life merge into a shimmering narrative in the subjunctive.

The region between Kassel and Fulda in northern Hesse is lonely and rugged. This is where Josh, Laura, Hannah, Philipp, Tobi, and Leonie are growing up. They are just turning 16.

sr draws a panorama of human activity spanning centuries and continents. In 16 fragmentary episodes the film reports of political and societal conditions, of theoretical discourses, human creations and realities of everyday life.

Two newspaper reports from the same day mark the beginning of the story: a sparrow is shot dead in Leeuwarden, the Netherlands, while a German soldier is killed in an attack in Afghanistan. Scheffner sets out on a journey into a deceptive peace.

Socio-geographic explorations on the periphery of Addis Ababa, run through by a variety of borders and rifts – between agrarian and urban spatial practices, between economic and linguistic floes, between perspective and dilemma. A polyphonic audiovisual narrative of people who are forced to experience the impetuous urbanisation of African societies the hard way, recorded as a case study that expands into a complex allegory.

A portrait of a small-town that is the unlikely site of a 'renaissance' of 'safe' nuclear energy started in 2004, a project that soon spiraled out of control.

Saeed is a young cinephile trying to teach film rules to other young people in Eastern Ghouta, Syria, but the reality they face is too harsh to respect any rules. Saeed’s friend, Milad, is on the other side of the fence; in Damascus, a city under the control of the Assad regime, finishing his studies in Fine Arts. At one point, Milad decides to leave the capital and joins Saeed in a Douma under siege, where they set up a local radio station and a recording studio. They hold the camera to film everything, until one day it is the camera that films them.

CONSEQUENCE tracks the tiring working day between Christmas Eve and New Year at a small German crematorium operating 24/7.

On September 14, 2012, a deflating lifeboat with thirteen people onboard was rescued in the Mediterranean. Working from a video filmed by a cruising tourist, the cineast Philip Scheffner offers a concentrated view of the situation in this region, echoing today's violences.

As children, they spent their summer vacations playing on building sites in what was then Yugoslavia; today, the dreams their parents realized there are now in their hands. The houses bear witness to the planned but repeatedly postponed return from Germany - as a made family and with the whole family. Left in the shell, carefully furnished or now threatened by decay, they are mostly uninhabited. The film is dedicated to these rooms in quiet shots; the five protagonists relate to them.