Wadia Movietone

The Wadia's, remake of Homi Master's 1932 silent film is a Ruritanian drama mainly featuring the stunts of the horse Punjab-Ka-Beta. Good King Mansingh (Tarapore) is dethroned by evil minister Zalim Singh (Khambatta). Princess Hansa (Husn Banu) transforms lover Prince Randhir (Sarda Mansoor) from an easy-going youth into the masked Hind Kesari, saviour of the poor.

Preceded by a legend describing its heroine as a 'Brave Indian girl who sacrificed royal luxuries to the cause of her people and her country', the story opens with a prologue showing Krishnavati and her infant son being thrown out of the house in a thunderstorm by the wicked Prime Minister Ranamal who also killed her brother. 20 years later the now adult son, Jaswant, is hit by a royal motor car and given a bag of gold in compensation. His refusal of the gift attracts the admiration of Princess Madhuri. When the nasty Ranamal, who wants to marry her, imprisons her father the king, she becomes the masked Hunterwali, 'protector of the poor and punisher of evildoers', and performer of stunts like jumping over a moving cartand fighting 20 soldiers at once. She steals Jaswant's prize horse, Punjab, but returns it later. Jaswant chances upon a nude Hunterwali bathing in the river and after a long duel captures her and takes her to Ranamal to claim his reward.

A convicted murderer is released from prison. His only possession is a broken figurine - the last token of his love. The tragic story of how he came to be incarcerated and the significance of the figurine is the subject of this tale of star-crossed lovers whose destiny is moulded by society's rigid rules and the villainy of a scoundrel.

Two look-alike sisters, one good and one evil, are at odds. The evil sister, a criminal, frames her innocent twin for her misdeeds. The good sister must then expose her criminal sibling to clear her name.

A young girl named Maya is shipwrecked and raised by lions in a jungle. Years later, a search party tries to return her to civilization. Despite interference from cannibal chief Radha Rani, Maya and her loyal lions help the explorers. She also finds love with John.

An action-packed patriotic film, focusing on a heroic figure embodying nationalistic ideals.

Oriental fantasy derived from classic Parsee theatre. The heir to the Yemeni throne, Prince Parviz, is falsely imprisoned by his stepmother who claims power. Parviz receives a magic dagger from a mystic sufi fakir to liberate himself and his people. The dagger makes him invisible. He kills the Apeman and the genii, rescues the captive Princess Parizad and, finally, overwhelms the soldiers sent to recapture him. The king learns the truth and repents.

1946 bollywood film.

An early social drama that delved into themes of honor, modesty, reputation, and the consequences of actions that bring shame or dishonor

The master criminal Ramdas (Sayani Atish) arranges a theatrical performance, supposedly to raise money to aid an ashram for widows, but which in reality is just a ruse to abduct a college girl named Chandrakanta (Husn Banu) who is the daughter or the wealthy Kundanlal Seth (Jijibhai).