In Argentina, a woman dies every week as the result of illegal abortions. In 2018, for the seventh time, a motion supporting legal, secure and free abortion was presented to the national congress of Argentina. The project provoked a fierce debate, revealing a society divided more than ever between the pro-life and freedom to choose positions. Through an assemblage of passionate testimonies, Let It Be Law documents the determination of women fighting bravely to secure the right to physical self-determination, and bears witness to their massive mobilization in the streets of Buenos Aires.

A young girl marries a man she doesn't love and delights in humiliating him.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

The nomadic life of Moroccan carnival performers forms the basis of this debut from director Daoud Aoulad-Syad. Rabi, a female impersonator who dances with traveling fairs, teams up with Kacem, who hires him to ballyhoo his gambling concession. While Rabi's lack of romantic interest in women befuddles Kacem's son, he does strike up a friendship with a schoolteacher (Nezha Rahile), who in her way is as much of a misfit as Rabi.

A young woman tries to make a documentary about women who have relatives in prison, but she finds difficulties trying to get the testimonials.

A man is chosen at random to be the new leader of his African country, which makes him uncomfortable because he is married to a woman and has a son with her—but they are from rival ethnic groups. How does he reconcile his thirst for power with his duty to his family?