Bitters End

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

Four people in different provinces are driven to violent ends: An angry miner is enraged by corruption in his village. A migrant discovers the possibilities of owning a firearm. A receptionist is pushed beyond her limits by an abusive client. A young factory worker goes from one job to the next.

Marie-Lou Fontaine, director of a nursing home in the Paris suburbs, defies convention by adopting the 'Humanitude' method despite her team’s resistance. Her encounter with Mari Morisaki, a terminally ill Japanese playwright, transforms her life. Together, they turn the facility into a symbol of resistance and humanity against the system’s limits.

The life of Tao, and those close to her, is explored in three different time periods: 1999, 2014, and 2025.

Only three days before their high school festival, guitarist Kei, drummer Kyoko, and bassist Nozomi are forced to recruit a new lead vocalist for their band. They choose Korean exchange student Son, though her comprehension of Japanese is a bit rough! It's a race against time as the group struggles to learn three songs for the festival's rock concert—including a classic '80s song by the Japanese punk rock band The Blue Hearts called "Linda Linda".

Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

A filmmaker and crew slowly go insane after being continually haunted by the ghost of a dead actress.

Two young LGBTQ+ lovers in 1990s Saigon get entangled in the criminal underground and must do battle with dark forces that threaten their relationship and test the limits of their humanity.

Director Yoshiyuki Kishi and screenwriter Takehito Minato—the team behind acclaimed boxing epic Wilderness—reunite to adapt Ryo Asai's prize-winning novel. A sensitive drama about the aberrant in a society without regard for diversity, the story unites characters trying to hide abnormalities: a prosecutor who is worried that his pubescent son is a shut-in, an introverted saleswoman with a peculiar habit, and a student tortured by feelings she can’t express. In a world fill with abnormalities, what if it’s actually normal to be abnormal?

In summer, Nagisa and Natsuo meet by the sea. Their vacant gazes reflect each other as they exchange awkward words and wade into the rain-drenched ocean. In winter, Li, a screenwriter, travels to a snow-covered village. There, she finds a guesthouse run by Benzo.

It’s 1940, and the population of Japan is divided over its entry into World War II. Satoko, the wife of a fabric merchant, is devoted to her husband but is beginning to suspect he’s up to something. Soon she allows herself to be drawn into a game in which she enigmatically conceals her intentions.

This work is a 12-year story of Mana, a woman who cannot accept the death of her best friend, staring at her as she tries to step forward while having deep sorrow.

Two disaffected, unemployed Chinese youth drift through life on the streets of their industrial town, their paths crossing with that of a local young singer and dancer working for a liquor company as a spokesmodel.

The film begins in the present, with its heroine, Kaoru, a grown-up woman working as a real-estate agent, while helping out the folksy proprietor of a neighborhood fishing pond. There she meets a shy girl who needs her help baiting a hook and reminds her of herself in the fourth grade.

Years after her boyfriend left her for the big city and promised to bring her there after he’s settled down, a Chinese woman sets out on a journey to be reunited with him.

In 1969, Sawada is filled with idealism that permeated that era and starts working as a gonzo journalist for a weekly magazine. Two years later, Sawada interviews activist Umeyama with senior reporter Nakahira. Umeyama boasts that his group will steal arms and take action in April. Sawada doubts Umeyama's claims but is attracted to his personality. An incident occurs... Sawada hears news that a man was killed at a army post...

Toma lives in a small riverside town with his brutish father and his father's girlfriend. Witnessing his father's predilections for abuse, Toma becomes anxious that he will have inherited those urges.

"Ars longa, vita brevis" – art is long, life is short. This is one of Japanese music icon Ryuichi Sakamoto's favorite quotes, and the message that he leaves for viewers at the end of his final concert film, shot before he succumbed to cancer in March 2023. Consisting of only Sakamoto and his piano, Opus features the final live performances of 20 songs that Sakamoto meticulously curated to encapsulate his distinguished 40-year career.

Kanao, a courtroom portrait artist, observes crimes, scandals and the decline of Japanese values without passing judgement. As he and his wife endure the tragedy of their first child’s death, hope slowly unfolds and their love story flickers to life once again.