Four independent stories set in modern China about random acts of violence.

On the set of a dark war time drama at an old movie studio, a young director, Toshio Murai, is trying to complete his debut film. The two starring actresses, Hitomi Kurokawa and Saori Murakami, play sisters in his film. Murai has a crush on Hitomi, the seasoned leading actress, and keeps a photo of her by his bed. The younger and less experienced actress, Saori, is annoying and likes to have recess on the set. The production of the movie is consistently interrupted by strange occurrences and the cast and crew begin to get spooked.

Three sisters share a connection to a violent incident from their childhood reunite to for the chance to come to terms with their past.

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.

It’s 1940, and the population of Japan is divided over its entry into World War II. Satoko, the wife of a fabric merchant, is devoted to her husband but is beginning to suspect he’s up to something. Soon she allows herself to be drawn into a game in which she enigmatically conceals her intentions.

Only three days before their high school festival, guitarist Kei, drummer Kyoko, and bassist Nozomi are forced to recruit a new lead vocalist for their band. They choose Korean exchange student Son, though her comprehension of Japanese is a bit rough! It's a race against time as the group struggles to learn three songs for the festival's rock concert—including a classic '80s song by the Japanese punk rock band The Blue Hearts called "Linda Linda".

Based on four of the six short stories compiled in Murakami Haruki's anthology, After the Quake explores the complex aftermath of Japan’s earthquakes and other global crises. (Movie version of the TV drama).

The film begins in the present, with its heroine, Kaoru, a grown-up woman working as a real-estate agent, while helping out the folksy proprietor of a neighborhood fishing pond. There she meets a shy girl who needs her help baiting a hook and reminds her of herself in the fourth grade.

In summer, Nagisa and Natsuo meet by the sea. Their vacant gazes reflect each other as they exchange awkward words and wade into the rain-drenched ocean. In winter, Li, a screenwriter, travels to a snow-covered village. There, she finds a guesthouse run by Benzo.

An old couple, their only son, the son's wife, a young man and his lover live peacefully in a village. Then, a terrifying earthquake strikes that causes a nearby nuclear station to explode. The residents must evacuate, but the family lives on a farm, with only half of the area designated as an evacuation area.

When a gold ingot and a severed human head are discovered in a small provincial town, the rush to solve the curious case wavers between tragic and darkly humorous.

At Beijing World Park, a bizarre cross-pollination of Las Vegas and Epcot Center where visitors can interact with famous international monuments without ever leaving the city’s suburbs, a security guard betrays his dancer girlfriend by pursuing another woman.

"Ars longa, vita brevis" – art is long, life is short. This is one of Japanese music icon Ryuichi Sakamoto's favorite quotes, and the message that he leaves for viewers at the end of his final concert film, shot before he succumbed to cancer in March 2023. Consisting of only Sakamoto and his piano, Opus features the final live performances of 20 songs that Sakamoto meticulously curated to encapsulate his distinguished 40-year career.

6 months after the earthquake disaster in Sendai City, Nakagaki Kazumasa is a young man who has lost his job. He encounters a dog named Tamon on its dog tag, who lost its owner in the earthquake disaster. Kazumasa decides to take Tamon in, and the dog becomes attached to him and his family, but Tamon always seems concerned about something in the south direction. One day, while Kazumasa is involved in a dangerous incident, Tamon disappears. Later, in Shiga, Tamon is with Sugai Miwa, who has a sad secret. Kazumasa reunites with Tamon, and they start a new life together. Nevertheless, Tamon heads south because Tamon has a promise it wants to keep to a boy.

24-year-old OL Chie Ikeshita's (Yuriko Yoshitaka) motto is to try various things to enjoy life. Chie spends her time accordingly to her motto. Chie Ikeshita then starts to date 5 different men and adjusts herself to the different situations. Up to this point, Chie never thought about marriage. She changes her thought after her friend Toshiko Hamaguchi (Anne Watanabe) gets married. Chie takes the advise of Toshiko and decides to marry one of the 5 men. She must now whittle down her choice to one man.

Three distinct tales unfold in the bustling city of Tokyo. Merde, a bizarre sewer-dweller, emerges from a manhole and begins terrorizing pedestrians. After his arrest, he stands trial and lashes out at a hostile courtroom. A man who has resigned himself to a life of solitude reconsiders after meeting a charming pizza delivery woman. And finally, a happy young couple find themselves undergoing a series of frightening metamorphoses.

Asako lives in Osaka. She falls in love with Baku, a free-spirit. One day, Baku suddenly disappears. Two years later, Asako now lives in Tokyo and meets Ryohei. He looks just like Baku, but has a completely different personality.

Former punk rocker Jonen, now a Buddhist priest, seems to have lost the meaning of his life. His manic depression handicaps him further. Music seems to be the only solution for him to exorcise his demons, against all obstacles and sound volume controllers.

In 1969, Sawada is filled with idealism that permeated that era and starts working as a gonzo journalist for a weekly magazine. Two years later, Sawada interviews activist Umeyama with senior reporter Nakahira. Umeyama boasts that his group will steal arms and take action in April. Sawada doubts Umeyama's claims but is attracted to his personality. An incident occurs... Sawada hears news that a man was killed at a army post...