Filmstudio

Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”

During the 1800s, Peru's government sends 2 envoys to negotiate peace with the rebellious Incas but a treasure-hunter bandit shoots the Inca ruler and his son, leaving the 2 envoys to take the blame for it.

Didier Formenter, the French scientist, has just put the final touch on an invention that will be able to destroy to destroy any sort of flying apparatus. An international crime gang is very interested in stealing this equipement to sell it to the higher bidder of lawless nations. Menaced, the scientist, who was friends with Nick Carter's father, calls Nick for help. At Nice airport, Nick Carter escapes death, but that night he is unable to stop Formenter's murder. He suspects Bruno, Formenter's adoptive son, and Tonio, the owner of a bar near Formentier's home. Bruno is actually after Formenter's heritage, and for that he tries to kill Catherine, Formentier's granddaughter. Therefore, Nick Carter finds himself against more than a gang, but he will uncover the plots, in time to break every gangster apart.

Lady Lorraine Lister, a financer of expensive experiments, has discovered a way to obtain pure diamonds by the means of a radiation device. She hires five renowned scientists to participate in additional experiments regarding this new contrivance. However, it soon happens that the device is stolen, and the scientists mysteriously disappear! Agent Dick Smart is called in by the CIA to track down the scientists and recover the device. With the help of incredible gadgets and lots of bravado, he manages to locate the source of an underground operation in Rio De Janeiro: an operation headed by a mysterious man with a speaking device fastened to his throat.

A secret agent uncovers four atomic rockets with a lethal gas warhead which have been stolen from a secret factory, and a dastardly plot.

"Trasferimento" takes up the erotic theme of 8mm films and manipulates it using development techniques studied in early 16mm cinema. The regression that emerged only later in the re-reading of Macrozoom is here contemporary with the filming itself, which is in fact a re-interpretation of other cinematic material . The film’s process consists precisely in transferring, through technique, certain expired yet traumatic data into existence. The sexual act is explicit, and the material itself is a film. He seems concerned with reconnecting to the moment of his own conception, and here he is very close to it. (M. Bacigalupo)