Euripide Productions

Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.

Wednesday is the day when children are not in school and stay at home. It is also the day when the parents are not there. In Nantes, in the spring, twenty or so carefree and boisterous kids between the ages of three and eleven take advantage of this day to make their parents go crazy. Emma, 9 years old and naturally romantic, decides that Roland, the little boy she met in the street, is unhappy and persuades her friends to adopt him. Victoria spends the day with Martin Socoa, an often distant father whom she learns to love. There are also Muriel, Bruno, Colette and Henri who take off and create panic in their parents' home, while Marylin lives the founding drama of her childhood with a mother of an unreal sweetness. Throughout these little stories, we realize that the world of children has its own logic, totally different from that of adults.

François Marcorelle, an investigation magistrate in Chambéry, finds himself in the room of a young Polish girl that he met in a restaurant

Pierrette is a woman who describes herself as having "opted for the temporary on a permanent basis." After 15 years of living the good life in Switzerland, Pierrette one day packs her bags full of fashionable outfits and returns to her native Paris with no idea of what she'll do. Pierette, however, leads a charmed life; while her son is forced to work the graveyard shift at a factory due to poor job prospects, she's able to find a job right away at a high school. Pierrette soon reintroduces herself to her 23-year-old daughter and one-time best friend, trying to use her charm to skate over years of neglect. She just as suddenly finds a new beau, Ackerman, and starts helping him out with his antique business. However, what would seem like a simple matter -- buying a clock from an elderly woman -- soon turns out to be very complicated and fraught with consequence.

The Blue Villa is a seedy bordello on a Mediterranean island where the villages are frightened by the ghost-like return of a young man, who mysteriously disappeared after the killing of a young Eurasian woman.

After his wife leaves him, Fred goes on a cross-country crime spree in this dark but dreamy French comedy.

Two actors performing in Strindberg's "Inferno" as God and Lucifer, find themselves competing in real life as well. One of them, Max Monteiro, has spiritual obsession with John Wayne and his way of walking. He and Jean de Dieu, his fellow actor who plays Lucifer and also directs the Strindberg play, engage in a philosophical and spiritual tug-of-war, especially when they meet an author named God, who has plans for another drama to feature both actors.

Documentary about the work of Nouvelle Vague actor Jean-Pierre Léaud, with interview clips, film clips and contributions from directors and actors he has worked with.

Tartuffe is a hypocritical impostor who manages to manipulate Orgon, a wealthy widowed bourgeois, by feigning devotion. Orgon ends up offering his daughter Mariane in marriage to Tartuffe, while he disowns his son Damis and intends to donate all his possessions to Tartuffe. Elmire, Orgon's young wife, whom Tartuffe is courting, will attempt to expose him, while the royal family intervenes to prevent the ruin of Orgon's family.

Theater play "George Dandin" played by the "Comédie française" in 1999.

At Versailles, the last rehearsal of a play, ordered to molière by Louis XIV the king. Staged in their own characters, actors and author display their art's conception. It is, too, the opportunity for them to answer by irony to their detractors.