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Gerta grows up in 1930s Brno in a mixed Czech-German family, which brings her into conflict with her father as he embraces Nazi ideology. Despite this, they remain connected through their shared love of music. During the occupation, Gerta joins the student resistance with her beloved Karel, but the war takes everything from her and leaves her with a dark secret that shapes her future. After the war, though innocent, Gerta is violently forced into the wild expulsion and must leave her hometown with her infant daughter. She survives the hardest years on a rural farm, reunites with Karel, and returns to Brno hoping for a normal life—yet the past continues to haunt her. The two-part TV film Gerta Schnirch offers a personal view of 20th-century history through the fate of a woman caught between two worlds.

From Paris in the 1960s to London in the first decade of the third millennium, Madeleine and her daughter Véra flit from one amorous adventure to the next, living for the moment and taking all the opportunities that life offers. But not every love affair is without its consequences, its upsets and its disappointments. As time goes by and gnaws away at one’s deepest feelings, love becomes a harder game to play.

Ela, 15, has a love affair, which results in her being sent to a re-education center.

A teenage boy, raised by a mother who considers herself psychic, takes a bullied kid into his group of violent misfits. As the group’s troubles escalate toward life-threatening situations, an inner voice awakens in the boy and, with the help of his mother and his new friend, he manages to find his own path.

Honza was born in 1974 into the cheerless era of socialism in Czechoslovakia. At that time, his parents Jana and Petr lived in one room in the apartment of Jana's divorced mother and her widowed grandmother. A few years later, the family moved from Prague to Liberec where Petr found a job and a little house for the family. When Honza was born, his father began writing a family chronicle and he has continued to do so for 37 years. "Private Universe" show not only the life of one ordinary family, but also how the Czech society has changed in last four decades. Who are we, where do we come from and where do we go?

An explosion sends fear and terror through Berlin. Young Maxi's home is reduced to rubble and ashes, burying her mother and little brothers. Only she and her father survive the terrorist bomb attack. When she happens to meet the charismatic Karl, who tells her about a conference for young people in Prague, she seizes the opportunity to flee Berlin and her grieving father. The political movement behind the meeting claims to be working for a better Europe. Maxi has no idea how close the murderers really are to her family.

Bára Basiková is an icon of Czech rock and other music genres. To what extent can her public, media-distorted image differ from the person she really is? The answer comes in the form of the latest long-term documentary study from Helena Třeštíková, whose empathy, coupled with admirable self-reflection and openness on the part of the protagonist, gives rise to a fascinating film portrait: over the course of fifty years we follow a woman who demonstrates remarkable strength as she faces the challenges of both her professional and private lives.​

An intimate portrait of a man on the edge of society, filmed over the course of twenty years.

When Herra, a young Czech woman, falls in love with Nazir, an Afghan, she has no idea what kind of life awaits her in post-Taliban Afghanistan, nor of the family she is about to integrate into. A liberal grandfather, an adopted child who is highly intelligent and Freshta, who would do anything to escape her husband's violent grip.

“You bet on someone in the beginning of the process and then you wait and see what life does with them.” This is how Czech director Helena Trestikova explains her long-term documentaries. Following on from the European Film Academy Award winning RENE (2008), Trestikova brings us KATKA – 14 years in the life of a drug addict. KATKA is an extraordinarily raw and uncensored character portrait of a troubled young woman living on the edge of human existence, desperately searching for love and salvation. Will she find it in the rehab? Will she find it in the arms of the man she loves? Or in the first cry of her long-desired baby? Tagging along with her through the back streets and squalors of Prague, Trestikova gets deep under the skin of a person most of us would cross the road to avoid, and shows us Katka’s profoundly human face. You might be angry with Katka, or your heart may go out to her. One thing is certain – you will never forget her.

As every morning, men get on the tram to go to work. But on that day, to the rhythm of the tickets inserted in the ticket-stamping machine, the vehicle gets erotic and the conductress’ desire turns the reality into a surrealistic and phallic fantasy.

A Czech journalist joins a Prague radio station what broadcasts Nazi propaganda in order to protect his Jewish wife. However, as the Nazi rule over Czechoslovakia calls for more and more collaboration, his relationship with his wife spirals downward.

Anny follows the life of the titular, intriguing character for 16 years, from 1996 up until 2012. Living in the Czech Republic, Anny is a 46-year-old woman whose day-to-day life has consisted of several different occupations, from a bathroom attendant and a doorman, to occasional sex work. Her outlook on her jobs is fairly simple, you have to do the work if you want to eat, spoil your grandkids, or buy yourself new clothes.

In the 1980s, Anna, a Czech sprinter, starts training for the Olympics. After she collapses during training, she learns she is being given steroids and decides to stop using them until her mother helps the coaches give them to her.

Ingrid works as a gynecologist in a district hospital in Slovakia in the late 1980s. Her marriage is at a standstill, she has an affair with a younger colleague in the hospital, and after work, she sits on the abortion committee where they offer Roma women sterilization after the abortion is approved. Eighteen-year-old Agáta, who grew up in a children’s home, comes to work as a nurse at the hospital. Ingrid unexpectedly becomes close to her.

Iva works in a clothing factory in rural Bulgaria battling a persistent, yet mysterious illness. When it is revealed that she is the first case of COVID in her small town, the news spirals into an endless j’accuse— first from the factory owners eager to shift responsibility, then from her fellow co-workers, her son, and eventually her entire community, even though Iva hasn’t left her small town in years. With Iva’s public demonization escalating as the first victims of the virus emerge, she is quickly turned into a social outcast.

A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.

The life of Marcela, an ordinary Czech woman is explored throughout several decades of her life. We are engaged to struggle and fight back with Marcela as her tragic life unfolds before our eyes especially when dealing with her daughter’s unexpected death, which almost drives her to suicide. The film was initially part of a series about the fate of six married couples, but the events that happened throughout Marcela’s life were the reason why the director decided to focus solely on a documentary about her.

The Best Driver on the road to Metamorphosis. Despite her age, BOŽENA is the best tram driver in the city. But when she has to drive a modern tram, she loses her nerve and is fired. Božena refuses to give up and tries to find a new direction in her life. But she has to hurry, her body is aging and turning into a fragile BUG. The hope for Bozena is her granddaughter, who is growing as fast as Bozena is shrinking.