Les Films Pomereu

In this riot of frantic disguises and mistaken identities, Victor Pivert, a blustering, bigoted French factory owner, finds himself taken hostage by Slimane, an Arab rebel leader. The two dress up as rabbis as they try to elude not only assasins from Slimane's country, but also the police, who think Pivert is a murderer. Pivert ends up posing as Rabbi Jacob, a beloved figure who's returned to France for his first visit after 30 years in the United States. Adding to the confusion are Pivert's dentist-wife, who thinks her husband is leaving her for another woman, their daughter, who's about to get married, and a Parisian neighborhood filled with people eager to celebrate the return of Rabbi Jacob.

Two distant cousins meet at a wedding banquet for an elderly couple. Over time, a close friendship develops between them, but their spouses begin to think that they are more than just friends.

An industrial espionage group calls on a retired spy living with his wife and children in Paris.

A woman left alone in Morocco by her architect husband begins to lose her mind.

Ange leaves New York to fly to his native Corsica. His mother is dying and Ange, who was not present when his father died, wishes to be present at her death. In Corsica Ange finds his brother Baptiste who married Maria, the woman he loved. He finds out that his father was killed, but nobody wants to tell him the name of the killer. And finally he finds two killers expecting him.

A young boy is hired as a lift attendant in a grand hotel when his mother dies. To fulfill his dream, he takes part in a competition organized by the manager, and wins 1st prize: a two-day stay in one of the princely suites. He wants to share the experience with his young girlfriend, the florist, but discovers that she has betrayed him and returns to her elevator.

Abandoned by her lover Philippe, Michèle, a Parisian fashion designer, tries to kill herself. She is saved by her doctor and Ann, a young American nurse, who takes up residence in Michèle's apartment to keep an eye on her patient.

During the German occupation, Jeanne Moncatel, pretty but complexed, has to put up with her mother, a cantankerous old woman who keeps telling her she's ugly, which she also believes. She takes in Pierre Ségur, who was fleeing the Germans and had his eyes burned out. His life is turned upside down.