Janus Film und Fernsehen

Film adaptation by Straub and Huillet of Hölderlin’s 1798 tragedy on the symbolic death of Empedocles, the legislator in Ancient Greece.

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.

A young man, recently arrived in New York from Europe, becomes swept up in a series of events that are beyond his knowledge or control.

Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.

In Nazi-occupied France, a German officer is assassinated. The Germans demand justice, and the Vichy government is quick to capitulate. Unable to apprehend the actual culprits, Minister of Justice Joseph Barthélémy decides the execution of token Frenchmen will suffice, but the problem is finding judges and jurors eager to participate in a sham trial of innocent men. The solution is a Special Section, a court comprised of individuals handpicked for this exact purpose.

Mark Demski discovers his girlfriend is cheating on him and thinks it has happened because of his small penis. Sad, he dumps the girl and promises himself never again to fall in love, but he fails. When he encounters Lara Singer he must fight with his own fears.

Screen adapatation of Mozart's greatest opera. Don Giovanni, the infamous womanizer, makes one conquest after another until the ghost of Donna Anna's father, the Commendatore, (whom Giovanni killed) makes his appearance. He offers Giovanni one last chance to repent for his multitudinious improprieties. He will not change his ways So, he is sucked down into hell by evil spirits. High drama, hysterical comedy, magnificent music!

Music teacher Carlo, an easygoing old rock'n'roller, meets doctor Ellen in hospital. She is completely stressed out, so that even son Franz often falls by the wayside. A short time later, Carlo makes an unforgivable mistake: fed up with the pupils' never-ending paltry questions, he advises Franz, whose anger at his mother is slowly boiling over, that he should simply report her to the Youth Welfare Office.

Three sequences are linked together in this short film by Straub; the first sequence is a long tracking shot from a car of prostitutes plying their trade on the night-time streets of Germany; the second is a staged play, cut down to 10 minutes by Straub and photographed in a single take; the final sequence covers the marriage of James and Lilith, and Lilith’s subsequent execution of her pimp, played by Rainer Werner Fassbinder. "The film is a look entirely at Western decadence" - Jean-Marie Straub.

Michel and Guenther, working in dead-end jobs, are obsessed with going to Peru to find buried treasure, using a map of the Rio das Mortes. Michel's girlfriend, Hanna, humors their plan, but really just wants to get married.

Berta, a naive young maid, searches for love when the army engineers come to town to build a bridge.

Can a small group of people start a proletarian revolution, asks the "Black Monk" in a leather jacket? The medieval shepherd, Hans Boehm, claims to have been called by the Virgin Mary to create a revolt against the church and the landowners. The "Black Monk" suggests that he would have more success if he dressed up Johanna and had her appear as the Virgin Mary.

A tall and gangly Victoire arrives in Paris looking for the ideal French lover -- and because she stands well above many of her preceding romantic partners, that is an added dimension to consider. As she finds and drops a series of possibilities -- a free-wheeling sociologist, an up-tight intellectual, and a dentist fixated on sports -- she begins to wonder if this simple quest may turn out to be an impossibility after all.

Two segments. The first one arranges six stories from Cesare Pavese’s «Dialoghi con Leucò», taken from classical mythology. The second segment is taken from Pavese’s novel «La luna e i falò»: after World War II the emigrant «The Bastard» comes back to his village in the Langhe (northern Italy) to find out that everyone he knew has died, and that the war has deeply changed relationships between people.

Set in contemporary Rome, the film shows through a series of encounters with “ancient” Romans, how the economic and political manipulation by ancient Roman society led to Caesar’s dictatorship. - British Film Institute

Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the language in Othon becomes not merely an expression but a thing itself, an element whose plainness here alerts us to qualities of the work that might otherwise be subordinated.